Ask for the expansion of Lin an Spring Rain and Early Ji .

Unconsciously, the state of the world has been as thin as a transparent veil over the years, and who wants me to ride a horse to live in Jinghua?

Living alone in a small attic, I heard the spring rain flowing endlessly overnight. When I wake up tomorrow morning, the sound of selling apricot blossoms can be heard in the deep alleys.

Spread out the short piece of paper, hold the wolf's hair, carry the pen diagonally, and write cursive in your spare time. By the window in the light rain and early sunshine, watching the small white foam appear on the water surface when making tea, it is better to distinguish the grade of tea.

It's a pity that I'm a plain dress, don't let the wind and dust rise! A sigh that stained my clothes. Thankfully, I was able to go home by the time it was clear.

The state of the world and human feelings have been as thin as transparent yarn over the years, who let me ride a horse to live in Jinghua?

Living alone in the small guest house, I heard the spring rain overnight, and tomorrow morning, the sound of selling apricot blossoms will come from the deep alley.

The short paper is diagonally carried by the pen, writing cursive in his spare time, and by the window in the light rain and the early sunshine, looking at the small white foam on the water surface when making tea, playing to distinguish the grade of tea.

As a plain clothes, don't sigh that the wind and dust will stain my clothes, and you can go home when you are clear.

The performance techniques of Lin'an Spring Rain and Early Ji Tail Couplet are introduced as follows:

Lyrical borrowing scenes. The poem "Lin'an Spring Rain and Early Ji" uses the lyrical expression technique of borrowing scenes, and the poet shows the infinite sorrow contained in the poet's heart through the description of the bright spring light and the description of boring life.

The first couplet of the poem "The taste of the world is thin like a veil for many years, who makes the horseback rider Jinghua." "Suiye" is to express the bitterness of the world in the form of a question, no one understands, and the helplessness of re-entering the officialdom.

The tail couplet "Plain clothes don't sigh in the dust, and you can go home in Qingming" expresses the self-comfort of the guest Jinghua, the self-deprecation of not being reused, and the complete disappointment of the inaction of the imperial court. The side reflects Lu You's uprightness and no way to serve the country.

The original poem of "Lin'an Spring Rain and Early Ji" is as follows:

The taste of the world is as thin as a veil for many years, who makes the horseback rider Jinghua. Xiaolou listened to the spring rain overnight, and sold apricot blossoms in the Ming Dynasty in the deep alleys. The dwarf paper is oblique and idle, and the fine milk plays tea in the sunny window. Plain clothes don't sigh in the dust, and you can go home as if you are Qingming.

Translation: In recent years, the interest of being an official has been faint like a thin veil, who let me come to Kyoto on a horse to be a guest and contaminate the prosperity? Living in a small building, I listened to the spring rain all night, and in the early morning, I would hear a cry selling apricot blossoms in the depths of the alley.

Spread out the small paper calmly oblique writing lines and scribble, the words have rules, in front of the window on a sunny day, carefully boil water, make tea, skim foam, try to taste the famous tea. Oh, don't sigh that the dust of Kyoto will stain the white clothes, and the Qingkuan Liang Ming season will come to return to the old home of San'in by the mirror lake.

Expression technique of "Lin'an Spring Rain and Early Ji": At first glance, this poem does not look like Lu You's style. The impression of Lu You is "the iron horse glacial river into a dream", "the family sacrifice is not forgotten", and there is sadness in the enthusiasm and boldness.

This poem has a little fresh flavor. Of course, after reading it carefully, I found that Lu You was always the same Lu You, and he used another penmanship to write his melancholy of having no way to serve the country into the poem.

The first couplet "The taste of the world is as thin as a veil, who makes the horse rider Jinghua", directly lamenting that the world is hot and cold, and life is boring. At that time, Lu You was 62 years old, although he was summoned by the emperor, he was never allowed to reuse, and his ambition turned into a sigh for the sophistication of human feelings.

Xiaolou listened to the spring rain overnight, and sold apricot blossoms in the Ming Dynasty in the deep alley", the artistic conception of this poem is really beautiful, the light rain is dripping, the apricot blossoms are blooming, and a bright spring picture is spread out in silence. In just fourteen characters, the vision, hearing, rain, human voices, and the bright spring scenery seem to be mixed with a bit of melancholy and sorrow of the poet, triggering people's infinite associations. The spring rain is not full of sorrow, the spring is just right, but people are lonely.

The poet lived in a small building, listening to the spring rain all night; The next morning, the sound of selling apricot blossoms came from the deep alleys, telling people that spring was deep. The gentle spring rain is written by the poet's hearing; And the faint spring light is revealed in the sound of selling flowers. It is vividly and profoundly.

Lin'an spring rain is at the beginning of the day.

Song Dynasty: Lu You.

The taste of the world is as thin as a veil for many years, who makes the horseback rider Jinghua.

Xiaolou listened to the spring rain overnight, and sold apricot blossoms in the Ming Dynasty in the deep alleys.

The dwarf paper is oblique and idle, and the fine milk plays tea in the sunny window.

Plain clothes don't sigh in the dust, and you can go home as if you are Qingming.

At the beginning of the poem, he said that "the taste of the world is as thin as a veil", which is the author's negation of reality and also reflects the author's uprightness. The end of the poem is brushed away, which is also the poet's disdain for the flashy imperial capital. Therefore, through the surface of the original poem, you can still vaguely see a mighty and unyielding image, which is the author's true and consistent self.

"Spring Rain and Early Glow" reflects another aspect of the author's inner world, in addition to singing and serving the country on the battlefield, in the tent and under the night sky, the author occasionally wanders melancholy. There is no singing, no sorrow, no indignant poems, no sour tears, just the inexplicable depression of the colon and a faint sigh, "Don't have a taste in your heart."

This poem was written by Du Fu in the second year of the Shangyuan Dynasty (761) when he lived in the thatched cottage in Chengdu. After a period of exile, Du Fu finally settled in Chengdu, Sichuan Province due to the drought in Shaanxi, and began a relatively stable life in Shuzhong.

At the time of writing this poem, he had been living in Chengdu for two years. He personally farmed, planted vegetables and flowers, interacted with farmers, and had a deep affection for the spring rain, so he wrote this poem describing the beautiful scenery of the spring night rain and moistening all things.

This poem uses anthropomorphic techniques to meticulously depict the characteristics of the spring rain and the scene of the night rain in Chengdu with great joy, and enthusiastically eulogizes the spring rain that comes in time and moistens all things. The description of the spring rain in the poem is subtle, delicate and vivid, and the sound and shape are painted. The whole poetic conception is elegant, the meaning is quiet, the poetry and the painting are integrated, it is a poetry of Yongyu with unique charm.