What are the names of operas? 10. What are the names of operas?

Kunqu Opera, Peking Opera, Shanghai Opera, Huangmei Opera or something else, you ask?

Chen Sanliang, sister-in-law, Liu Quan crying wife, Fengxue matching, and three sons fighting for their father's 、、、

Chinese opera is mainly a synthesis of three different art forms: folk song and dance, rap and burlesque. It originated from primitive song and dance and is a comprehensive stage art style with a long history.

After the Han, Tang to Song, Jin to form a relatively complete opera art, it is composed of literature, dance, art, martial arts, acrobatics and performing arts, about more than 360 kinds. It is characterized by the convergence of numerous art forms in a single standard, reflecting their individual personalities in a common nature.

After a long period of development and evolution, Chinese opera, together with Greek tragedy and comedy, and Indian Sanskrit opera, has gradually formed a Chinese opera Baihuayuan with five major opera genres as the core: Peking Opera, Yue Opera, Huangmei Opera, Ping Opera and Henan Opera.

Comprehensiveness, virtuality, and programmaticity are the main artistic characteristics of Chinese opera. These characteristics embody the essence of the aesthetic ideas of traditional Chinese culture, constitute a unique concept of drama, and make Chinese opera shine with its unique artistic brilliance on the big stage of world opera culture.

Tell the story with song and dance.

Generally speaking, in the pre-artistic stage (i.e., the primitive religious stage) in antiquity, the germination of various artistic factors was synthesized. By the time of the art stage, the various types of art in Europe tended to gradually diverge. For example, in the ancient Greek era, European theater had songs and dances, but after the reforms of Sophocles, Euripides and others, the singing (dancing) team gradually lost its role.

It becomes a simple drama that uses dialogue and action as a means. This kind of drama has evolved from a dialogue of poetry to a dialogue that completely imitates the language of life, and has been transformed from a poetic drama into a drama. Song and dance were separated, and each occupied a place in the entire theater field in the form of opera and dance drama.

Random play, spring tune, Beijing spring, Beijing second spring, leather spring, two reed, big opera, flat opera, old opera, Chinese opera, Peking opera, Peking opera, etc. Peking Opera is one of the five major opera genres in China, regarded as the quintessence of China, ranking first in the list of the three tripods of Chinese opera, and is an intangible cultural heritage of China and the world.

The Peking Opera scene layout pays attention to freehand, the tone is mainly Xipi and Erhuang, accompanied by huqin and gongs and drums, etc., which is the crystallization of the four major Hui troupes of the Qing Dynasty that have entered Beijing one after another, cooperated with the Han tunes of Hubei, and at the same time accepted some of the repertoire, tunes and performance methods of Kunqu Opera and Qin Dialect, absorbed local folk tunes, and crystallized through continuous exchanges and integration. It travels all over the world and is an important medium for introducing and disseminating traditional Chinese art and culture.

The performing arts of Peking Opera tend to combine the virtual and the real, transcending the limitations of stage space and time to the greatest extent, so as to achieve the artistic realm of conveying the spirit with form and having both form and spirit. The performance is required to be delicate and delicate, and it is full of plays; The singing is required to be melodious and euphemistic, and the voice is full of emotion; Martial arts is not to win with fire and bravery, but to sing with martial arts.

The four artistic techniques of Peking Opera performance: singing, reading, doing, and playing are also the four basic skills of Peking Opera performance. Singing refers to singing, chanting refers to the recitation of the first character, the two complement each other, constituting one of the two major elements of the singing and dancing Peking Opera performing arts.

Due to the different types of traditional Chinese opera, there are many specific names. For example, the five most common types of Chinese opera: Peking Opera, Yue Opera, Huangmei Opera, Ping Opera and Henan Opera.

Other types of opera include: Qin Opera, Errentai, Kunqu Opera, Hui Opera, Liyuan Opera, Hunan Opera, Tibetan Opera and Shadow Puppet Opera.

According to the form and content of the performance, it can be divided into: Yangge opera, Taoist opera, flower drum opera, lantern opera, two-person stage and two-person turn, shadow puppet play, puppet show and various local opera types. According to the epidemic area, it can be classified into: northern drama and southern opera; According to the cavity system, it can be divided into:

The four major modern vocal cavity operas, such as the Kun cavity system, the Pihuang cavity system, the Bangzi cavity system, and the high cavity system, as well as various local operas and dramas.

Xiqu** is the first part of Chinese Han opera, including the singing, rhyme and instrumental accompaniment, opening and transition of the vocal part. Among them, singing is the main one, and there are singing forms such as solo, duet, unison and gang, which is the main means of expression for developing the plot and portraying the characters.

Ququ is a traditional Chinese local drama that originated in Jinan City, Shandong Province, so it is also known as "Jinan Qu" and "Shandong Qu". The opera is centered in Shandong and radiates to the whole country, and is one of the most popular local operas in the Yellow River Basin.

The history of the development of opera.

The history of ququ can be traced back to the Ming Dynasty, when quzi opera performers mainly chanted tunes and spoke white. In the Qing Dynasty, quyi has been developed and flourished to a certain extent, and has been introduced to Shandong, Henan, Jiangsu and other places. At the beginning of the 20th century, the Quyi Opera Park was established in the urban area of Jinan, which officially opened the road of stage performance and development of opera.

Characteristics of the performance of the opera.

In the form of performance, the opera is mainly sung, with elements such as speaking, fighting, and dancing. Therefore, in the performance, there are not only high-pitched and agitated singing, but also delicate and moving confessions, as well as wonderful martial arts and dance performances. The singing tone of the opera is mainly high-pitched, crisp, bright and melodious, focusing on the rhyme and rhythm of the language.

Speaking, on the other hand, is to express emotions and characters with fluent and natural voices. In the performance form of the opera, martial arts and dance are indispensable elements of the opera, which adds to the ornamental and artistic nature of the repertoire.

A classic repertoire of operas.

There are many classic repertoire in the opera, such as "Zhao's Orphan", "Fighting the Dragon Robe", "Dou E's Injustice" and so on. Among them, "Zhao's Orphan" is the most widely circulated and is known as a classic of opera. The play tells the touching story of Zhao's father and son who fought bloodily and sacrificed in order to protect the interests of the country.

The singing in the play is high-pitched and melodious, the whiteness is strong and soft, the martial arts movements are heroic and tragic, and the dancing is beautiful and tactful, which is deeply loved by the audience.

The development of opera in modern times.

Nowadays, opera is facing many difficulties and challenges in the process of inheritance and development. Although opera has become one of the important parts of traditional Chinese culture, due to the influence of external factors, the audience and inheritors of opera have gradually decreased. Therefore, the modernization, marketization and professionalism of opera have become a new direction for its future development.

Through the modern innovation and adaptation of traditional repertoire in stage performances, the sense of the times and modern aesthetics of the opera can be enhanced, and it can better meet the needs of modern audiences.

Epilogue. As a traditional Chinese local drama, opera is a precious treasure of Chinese culture. In the future development path, we need to pay more attention to its inheritance and the work of protecting the air of the folly tour, so that the excellent culture of opera can be passed on.