Friend, do you know how to make a good shape, I can t draw a sketch accurately.

If it is a still life, you can try to copy it first, starting with a simple one, the hand should be relaxed, and the wrist joint should be the axis. When you are usually free, you can take a pen and draw at will, which is very helpful.

Study structural sketches well, but don't rely on structures, you need to relate objects to the objects around them.

If the head is a little different from the still life, it is necessary to grasp the characteristics of the model, and you can draw an exaggerated one at first, and then slowly adjust it, as long as you grasp the feature shape, it will be accurate.

The Matter of Proportions...

If the proportions are wrong, you have to memorize the proportions of the human face, and you must know that this will be in any sketch book.

To observe the picture as a whole, it is recommended to step back and adjust it every ten minutes.

The most important thing is that the hands should be relaxed, the heart must be quiet, and you can listen to some ** to avoid interference.

Mostly by looking at the whole thing.

It doesn't matter if you practice the line or not.

I've been studying for 10 years.

I've never drawn a straight line (sorry).

It does not hinder the form-finding.

Form-finding also relies on a part of talent.

But the ungifted person looks at it as a whole.

It can also surpass the gifted.

What a three-eyed one.

Just a rough approximate standard to check if your type is accurate.

You can't get formed by that.

And people are not the standard three-eyed.

When you see the people around you.

There is no impression in the brain.

About the differences in the physiognomy of each person.

Everyone's appearance gives people a different feeling.

Catch this feeling.

I paint on my own, mainly by feeling.

It's quicker to take shape.

Practice more lines, after the lines are good-looking, you must look at the scenery after looking for the shape, and you must add some subjective processing of your own, I just drew it like this, I don't know if it will help you.

If you can't find the shape, look for it slowly, don't worry, find the shape and go deeper, look more, don't take it and draw it in a hurry, the time to see is equal to the time of painting, in order to draw accurately, pay more attention to the whole, don't look for details, the whole is right, there can be details, such as a large outline, a large shape, some outstanding features, or something, in short, you must see more and compare.

Oh, let's study art! When I first started drawing, I had to make a good sketch and I had to paint persistently, and then I copied the works of my favorite masters! When painting still life and plaster body, we must constantly compare and find the relationship between objects. In fact, I feel that the shape does not have to be very accurate, and it is the main thing to be able to reflect the relationship between them!

Whether the shape is accurate or not depends on how many or not you paint!

Be more attentive... Practice more lines, and after the lines are good-looking, you are looking for shape.

Practice more lines and pay attention to perspective.

Didn't this teacher teach you? The easiest.

1. Observe the object before sketching, starting with the big shape, for example, whether the object is long round or square. Then set four points on the paper, namely: the high point, the bottom point, and the left and right points, and then draw the middle line for easy comparison.

For example, it may not be easy to draw a circle directly, but first draw a square, then cut off the four corners, then cut off the eight corners, and so on and so forth, and you will eventually get a very standard circle.

2.Learn the relationship between perspective and proportion, near the big and far small, rather square than round, according to this theory to guide the shape.

3.The purpose of elongating the straight line and drawing it repeatedly is to compare the direction and angle of the line and other points passing through the line, and finally draw it accurately through multiple comparisons horizontally and vertically.

4.Summarize the shape, simplify the objects into a combination of geometric bodies, first square and then round. If the depicted object is round, it is directly summarized by a circle, and the overall square is directly summarized into a square.

5.When drawing a combined still life or head, it is also necessary to start from a generalizable perspective.

6.If you can't do it, you can use a tool to draw a pencil measurement: hold the pencil upright, hold it straight, and hold it up to the center of vision and compare it with the middle of the object.

7.Eliminate the relationship between light and shadow, and pay more attention to the basic structure and physical structure of the object.

How to quickly get into shape for beginners? Complex object sketches can be aided with simple geometric shapes!

1。Draw by hand, draw with the first feeling, and then revise.

2.Draw large straight lines according to the traditional rules and regulations, from the whole to the part.

It is necessary to have a three-dimensional image of three-dimensional space. Therefore, the study of sketching should establish a three-dimensional concept in the mind from the very beginning. In sketching, a body is made up of many perspective planes of different orientations and shapes, and the faces form a three-dimensional shape.

With this concept, we can grasp the basic point of three-dimensional objects in various images. Brain, Eye, and Hand Collaboration In order to successfully master the basic knowledge and expressive skills of sketching, it is necessary to pay great attention to the combination of brain, eye and hand in training. Painting requires not only the eyes and hands, but also the brain.

Only by combining rational analysis with perceptual expression can we better understand and master the basic essentials and expressive skills of sketching. In the training of painting, it is necessary to summarize and analyze the observed images, and to generalize the relationship between the structure of the form, which is impossible not to think about seriously. A person who is good at thinking is also a person who is good at learning.

With a correct understanding, we can more effectively direct the training of eyes and hands. Therefore, diligent thinking and paying attention to the unity and cooperation of brain, eyes and hands are the necessary subjective conditions for drawing a good sketch.

Secondly, before painting, we should observe and study the basic shape of the object, see its light direction, structural modeling, and three-dimensional effect, and then outline its general outline with straight lines, and then determine the three major parts of the object according to the light source. A uniform line is laid on the deep surface and the gray surface first, so that the light-receiving surface is temporarily vacated, so that the object is represented by a large surface, and then the details of each block surface are also divided into small pieces and small surfaces according to the light, side light, and shading. The reflective part should be left in the deep side, and the highlight part should be vacated in the light side to make it have five tones.

It is also necessary to pay attention to the light and shade of small pieces and small facets, so that they obey the uniform tone of the large surface, which in turn must be subordinated to the whole. Finally, layers of cohesion are added between these faces, so that it is natural and rounded, until it expresses its texture. After the sketch is completed, the depicted object should be coordinated and perfected.

Determine the highest and lowest points, the far left and the far right, and find the triangular position relationship between the objects placed. Those who study art should know that still life is placed in triangular compositions. It is recommended to use the geometric shape method after determining the composition.

If it is a human head, it is necessary to set the center line, three stops and five eyes.

1: Three stops: one stop for the hair line, one stop for the arch of the eyebrows, and one stop for the bottom of the nose. 2: Five eyes: refers to the width of the human head from left to right in the eye area, that is, the width of the eyebrow arch is the width of the five eyes.

And the relationship between the eyes and the nose, mouth, and ears must be understood.

1: The relationship between the eyes and the mouth: The distance between the midline of the two eyes is roughly the width of the mouth.

2: The relationship between the eye and the nose: the distance between the two inner corners of the eye is the width of the nose.

3: The relationship between the eyes and the ears: The extension line at the outer corner of the eye is roughly the intersection of the upper part of the ear and the face.

4: The relationship between the nose and the ear: The extension line of the bottom of the nose is roughly the bottom of the earlobe.

5: The relationship between the nose and the mouth: pay attention to the length of the philtrum, the ratio of the chin to the philtrum should be adjusted, generally the philtrum is shorter than the chin.

6: Relationship between mouth and ears: The ears are above the mouth.

Light and shade, the light and shade of still life should grasp the texture of the still life and the depth of color. The light and shade of the human head is recommended to refer to the sketch study book.

How to quickly get into shape for beginners? Complex object sketches can be aided with simple geometric shapes!

Draw the plaster first, start with the geometry first, and take your time with light and shade. Then there are still lifes such as fruits, and finally plaster figures, and then models. If you want to do it well, it's not a day's work.

It has to be a long-term process, and drawing more sketches will help you get in shape. Painting more, thinking more, and practicing more is the key.

I used to have a teacher who taught me a method I deform much better, which is to draw paper, knead a piece of paper, put it on the ground, pay attention to the relationship between points and points, lines and lines, and look at it roughly as a shape, and then slowly draw the inside, first draw the general idea, don't draw the details one stroke at a time, that is useless, and it will be more annoying at first, don't think too much, draw with your own vision, draw a lot of paper, and slowly you will know for yourself, but it is really effective, I recommend it to you.

It's good to practice more, pay attention to the three courts and five eyes when drawing portraits, be sure to compose accurately, compare it with a pencil, practice more and modify more, light and dark words can only practice more, the lines should be smooth and bright, pay attention to the direction to be consistent, and the transition should be softer, you can use your hands or steamed buns to wipe it with something softer. Practice is the key.

It's all right, but I think the most important thing is a good way to look at the contours of the shapes, the chiaroscuro, the volumetric forms, and the shapes that you mentioned. Solve the way of seeing things first, no matter what you see at any time, the details in your eyes only show up when you need them, and always keep the whole together Connected observations, about portraits, in addition to the basic proportions, the direction and distribution of skeletal muscles, and the shape must be understood, and in addition, sketching is the key to good sketching.

I believe that on the first day you learn to draw, the teacher will teach you the important steps of sketching, among which the most important is to observe in the first step, find out the main characteristics of the object you want to draw, the general relationship between light and dark, start to make outlines, and then slowly adjust. If you want to draw a very similar picture, you must pay attention to the person's demeanor, the shaping of the expression, grasp the characteristics of the person's facial features, and start from the details. It is recommended that you copy more good works first, some things do not have to be painted according to what you see, and the more you copy will naturally form an imaginary relationship between light and dark.

Pay attention to the large size, and the precise establishment of the large is mainly when making shapes. When shaping, you have to be demanding of yourself, if you can know what I said, you won't have a problem shaping:

It's the volume, not the shadows, that are drawn. (Don't be deceived by your eyes, let alone be deceived by your unscrupulous eyes, you have to present objects, light and shade are just tools to present transitions and volumes).

The basis of the curve is the straight line, and it is very necessary for beginners to use the straight line as a reference line.

It's better to be straight than bent.

I recall that when I first learned, it took me an afternoon to play an 8-carat shape, and I had to take it seriously. If there is no form, then what else is presented? It is very necessary to take this step well. The road of art is not so easy to walk, and all the subsequent processes are not limited to these sketches.