What should be paid attention to in the decline of the value of copyrighted works?

1.The author of the work and its basic information (industry influence, previous works, etc. as reference factors);

2.Basic information of the work, including the time when the work was created, the time of first publication, reproduction, distribution, rental, exhibition, performance, screening, broadcasting, information network dissemination, filming, adaptation, translation, compilation, etc.;

3.The categories of works include written works, oral works, comedy, opera, dance, acrobatic artworks, fine arts, architectural works, photographic works, film works and works created by methods similar to filmmaking, engineering design drawings, product design drawings, maps, schematic diagrams and other graphic works and model works, computer software, etc.;

4.The form of creation of the work, including original or various forms of adaptation, translation, annotation, arrangement, etc.;

5.the type of subject matter, genre characteristics of the work, etc.;

6.copyright registration;

7.Restrictions on the time and territory of the relevant rights, as well as restrictions on pledge and litigation;

8.the cost and expense of the creation of the work;

9.Past evaluations and transactions, including assignments, licensing, and other forms of transactions;

10.Copyright and copyright rights maintenance methods, effects, historical maintenance costs and expenses;

11.Relevant industry policies and the development of the market where the work is located;

12.the scope of use of the work, market demand, economic lifespan, and the competition of similar copyrights;

13.the possibility and manner of the use of the work, the possibility and manner of proceeding;

14.Recent market transactions and transactions** of similar works.

At present, the valuation of computer software copyright is relatively common, and the copyright evaluation of other works will generate a blowout demand with the increasing activity of the cultural market and the continuous development of the standardized trading market. In particular, the copyright transaction of online IP needs to be regulated urgently.

Copyright is an exception to intellectual property rights, because copyright does not need to be individually confirmed, which is often referred to as the principle of "automatic protection". After the software is registered, the software copyright owner has the right to publish, the right to identify as a developer, the right to use, the right to license and the right to receive remuneration.

1. The original copyright is the "right of reprinting", and the protection system originated in the Song Dynasty, which issued an order to "prohibit unauthorized engraving".

At the end of the century, the Republic of Venice granted the printer Von Schbayer the exclusive right to print and publish for a period of five years, which is considered to be the first concession granted by a ruling power in the West to protect the right to reprint and reprint.

3. The first in Europe to claim "author's rights", Martin Luther. In 1525 he published A Warning to the Printers.

In the same year, the British Parliament passed the world's first copyright law: the Anna Act to encourage intellectual creation to grant authors and purchasers rights over their printed books for a certain period of time.

5. France's 1791 "Performing Rights Law" and 1793 "Author's Rights Law" have made the copyright law leave the basis of "printing" and "publishing" and become a veritable law for the protection of authors' rights.

Copyright exhaustion refers to the fact that after the copyright owner has put a work on the market for the first time, the copyright owner loses control over the work, and anyone can sell the work in any way without the permission of the copyright owner.

[Legal basis].Article 11 of the Copyright Law of the People's Republic of China.

The copyright belongs to the author, except as otherwise provided by this Law.

The natural person who creates the work is the author.

A work that is presided over by a legal person or unincorporated organization, created on behalf of the will of the legal person or unincorporated organization, and for which the legal person or unincorporated organization bears responsibility, shall be regarded as the author of the work by the legal person or unincorporated organization.

Article 12. The natural person, legal person or unincorporated organization that signs the work is the author, and the corresponding rights exist in the work, unless there is proof to the contrary.

Authors and other copyright owners may register their works with a registration authority designated by the competent national copyright authority.

The provisions of the preceding two paragraphs shall apply by reference to the rights related to copyright.

What is the current situation of copyright protection in ChinaWhat is the status quo of copyright protection in ChinaWhat is the status quo of copyright protection in China, and the protection of copyright is a right to protect the copyright of the author. After applying for copyright protection from the relevant unit, if the perpetrator plagiarizes or steals the author's article without his permission, it will be deemed to have infringed the author's copyright. The following Bajie Intellectual Property Rights will sort out relevant information about the current situation of copyright protection in China.

Hope it helps. What is the current situation of copyright protection in China, what is the status quo of copyright protection in China, and the first "Copyright Law" of New China was promulgated on September 7, 1990. The Copyright Law has been amended twice, one on October 27, 2001, at the 24th Session of the Standing Committee of the Ninth National People's Congress; The second was on February 26, 2010, when the 13th meeting of the Standing Committee of the 11th National People's Congress was revised.

The passivity of the two revisions is reflected in the fact that both revisions are related to the WTO. In order for China to join the WTO, it must meet the basic needs of the WTO, and these needs include linking China's intellectual property protection with international protection. The copyright of movies and TV dramas has always been the most important content of intellectual property rights protection litigation in China.

With the popularization of the Internet, in order to attract the click-through rate of netizens, small and medium-sized enterprises that have been registered by individuals have brought certain economic benefits to themselves within a certain period of time. However, with the improvement of the awareness of intellectual property protection in China, many cultural industry companies have obtained the copyright of the above-mentioned works in China, especially the right to disseminate information on the Internet, by signing purchase agreements with film and television producers. Based on these authorizations, they have filed intellectual property infringement lawsuits against many localities** or media companies, and have obtained the support of the courts.

In accordance with copyright.

2. The basic information of the work, including but not limited to: the time of completion of the work, the time of first publication, reproduction, distribution, rental, exhibition, performance, screening, broadcasting, information network dissemination, filming, adaptation, translation, compilation, etc.

3. The categories of works, including written works, oral works, comedy, opera, dance, acrobatic artworks, fine arts, architectural works, photographic works, film works and works created by methods similar to filmmaking; engineering design drawings, product design drawings, maps, schematic drawings and other graphic works and model works; computer software, etc.

4. The creative form of the work, including original or various forms of adaptation, translation, annotation, arrangement, etc.;

5. The subject matter and genre characteristics of the work;

6. Copyright registration;

7. Restrictions on the relevant rights in terms of time and geography, as well as restrictions on pledge and litigation.

8. The cost and expense of the creation of the work.

9. Past evaluation and transactions, including transfers, licenses and other forms of transactions.

10. The maintenance methods and effects of copyright rights, and the expenditure of historical maintenance costs.

11. Relevant industry policies and the development of the market where the work is located.

12. The scope of use of the work, market demand, economic life, and the competition of similar copyrights.

13. The possibility and method of using and earning from the work.

14. Recent market transactions and transactions of similar works.