What imposing calligraphy works have you seen?

Among the histories I have studied, the one I can remember is Wang Xizhi, a calligrapher of the Eastern Jin Dynasty in China, known as the saint of calligraphy. He is the author of "The Preface to the Orchid Pavilion Collection".

Yan Zhenqing's manuscript "Manuscript for the Sacrifice of Nephews" written to mourn his nephew Ji Ming, who died in the An Lushan Rebellion, is known as "the second book in the world".

When I was in history class in middle school, we all studied Yan Ti, and I think Yan Zhenqing is quite accomplished in calligraphy, and he has a magnificent feeling.

Liu Gongquan is one of the four great calligraphers in ancient China, and I also like his calligraphy works very much, which gives me the feeling of being very generous.

There is also the great calligrapher Li Si of the Qin Dynasty, Li Si has given him a very high honor because of his achievements in the creation and promotion of small seals.

Sun Guoting, an outstanding calligrapher and theorist in the Tang Dynasty, Sun Guoting was a tragic calligrapher, few talents, but he had no ambition in his life to be one.

Eighth, ninth grade petty official, and unfortunately died in middle age, leaving a huge regret to history.

Xu Wei, a great calligrapher of the Ming Dynasty, was an all-round artist known for advocating individuality in the middle and late Ming Dynasty, one of the most influential literati artists in Chinese history, and made high achievements in the fields of literature, painting and calligraphy.

Imperial calligrapher Li Shimin Li Shimin was an eloquent politician and a talented literati. In addition to managing the government, he dyed Hanmo.

Song Huizong's "Summer" poem, forget it.

Mr. Snow Mountain Panasonic Ginseng writes well! The wonderful Chinese calligraphy is expected to be passed down from generation to generation! I hope that Mr. will climb the peak of calligraphy again!

I think that to appreciate the works of those famous calligraphers in ancient times, you must also have your own confidence, and you must be able to see and understand, at least you should know a little bit about it in order to have a level of appreciation, so most of the common people rely on listening and speaking, and they have no ability to appreciate it at all.

I admire Wang Xizhi, Ouyang Xun, Liu Gongquan, and Zhao Mengfu.

Wang Xizhi entered the office by virtue of the shadow of the door, successively served as secretary Lang, Jiangzhou Assassin History, Huiji Taishou, and relocated the general of the Right Army, known as "Wang Youjun". In the ninth year of Yonghe (353), he organized the Lanting Yaji. The "Orchid Pavilion Preface" written by him became "the first book in the world".

In the eleventh year of Yonghe (355), he abandoned the official due to illness and moved to Jinting, Shaoxing. He died in the fifth year of Shengping (361) and was buried in Waterfall Mountain.

When Wang Xizhi was 16 years old, he was selected by Xi Jian as the fast son-in-law of the East Bed. Xi Jian has a daughter, twenty-eight years old, good-looking, not yet married, Xi Jian loves his daughter, so he wants to choose a son-in-law for his daughter, and the prime minister Wang Dao has a deep friendship, and the same dynasty is an official, I heard that there are many children in his family, all of them are talented and good-looking.

Calligraphy attainments. Wang Xizhi loved to learn calligraphy since he was a child, and was enlightened by his father Wang Kuang and uncle Wang Xuan. At the age of seven, he was good at writing, and at the age of twelve, he read the previous generation's "Pen Treatise" from his father's pillow.

Wang Kuang's good deeds, those who open their eyes bury the book; Wang Hui is good at calligraphy and painting, Wang Seng Qian "On Books" once commented: "Since Jiangdong, before the right army, only Hui is the most, the painting is the emperor of the Jin Ming Dynasty, and the book is the right military law." Wang Xizhi has been deeply influenced by the Wang family since he was a child.

What should a good calligraphy work look at?

The first one is to look at the origin, that is, the method of inheritance of the work. All the accomplished calligraphers in history have been inherited from their teachers, learned from the law, and have the courage to innovate on the basis of tradition and have been passed down through the ages.

The second look at the pen and ink, the language of the pen and ink as a calligraphy work gives people the most intuitive aesthetic feeling, the pen is full of vertical and horizontal changes in the pen and rich ink color, how can it not make people intoxicated?

The third look at the layout, that is, the chapter and cloth of the calligraphy work. A good calligraphy work is the result of the author's painstaking management. The main and secondary are clear, the stars hold the moon, there is the order of the guest of honor, the ups and downs of the fast and slow, the opening and closing echoes, the balance of the movement and the static, the dense gathering and scattering, the size of the straight, and the beauty of the rhythm.

Fourth, the artistic conception is the expression of the author's state of mind, which is an imaginary space presented by the layout of the chapter and the structure of pen and ink. For example, the drunkenness in "Orchid Pavilion Preface", the true meaning in "The Manuscript of the Sacrifice of Nephews", and the lack of search and return and unwillingness in "The Secret Post of the Cold Food Clan" are all the embodiment of the author's scene and mood at that time.

A good calligraphy work is an artistic enjoyment.

Good calligraphy works are not only pleasing to the eye, but also pleasing to the heart. Good calligraphy works should be in harmony with the aesthetic orientation of our nation, good calligraphy works must be the specific exhibition of Chinese philosophy in the creation of calligraphy, and good calligraphy works must reflect the spiritual outlook of the person behind the words, or rough, or subtle, or like spring flowers, fragrant, or like the autumn moon, bright and bright. Or like the Yangtze River surging, or like the mountains standing dangerously.

Good calligraphy works are:

1. Representative works in regular script: Yan Zhenqing's "Duobao Pagoda Tablet", Liu Gongquan's "Shenjun Policy Tablet" and "Mysterious Tower Tablet", Ouyang Xun's "Jiucheng Palace Liquan Ming", Zhong Shaojing's "Lingfei Sutra".

2. Representative works of Xingshu: Wang Xizhi's "Orchid Pavilion Preface", Yan Zhenqing's "Sacrifice Son and Nephew Wen", Su Shi's "Huangzhou Cold Food Post".

3. Representative works of cursive script: Huaisu's "True Grass Thousand Character Text", Wang Xizhi's "Seventeen Posts", "Funeral Post" and "Far Eunuch Post", and Huangxiang's "Urgent Chapter".

4. Lishu's representative works: Xu Huan's "Songyang Guanji", Li Bai's "On the Balcony", Zheng's "Cao Quan Monument".