Is your favorite piece of calligraphy?

Yang Ning-style leek flower post. It's the worst I've ever written, but it's my favorite.

The most satisfying thing is this one, which was completed under the guidance of the teacher, and I wrote it several times at the time, but I was tired.

I think this one is my most satisfying work, and there were still people who wanted to buy it at that time, but I didn't want it.

I didn't love calligraphy much before, but I once saw that a good work can sell for a lot of money, and since then I have practiced calligraphy wildly, and the most satisfying work is this one.

The most satisfying work was framed and hung on the wall of my house, and whenever someone came to my house, they would ask me which master wrote it.

Because I'm usually fine, I practice calligraphy at home, and my writing isn't very good, but I can get it in person.

At the request of a friend, I wrote a few words. Yesterday, I was tired enough to write these words, so I took time to write them after work. If you don't say yes, it won't look good.

I love to write calligraphy, and I went to the teacher to learn before, but I wrote it myself, and it feels okay.

The calligraphy is average, and if I want to say that I am satisfied, it should be this one that my teacher personally instructed me to write when I was an apprentice three years ago.

I used to write, write in my spare time, relax my mind, and reduce the time <> looking at my phone

The sea is tolerant of all rivers, and the walls are thousands of people, and there is no desire to be rigid.

I have a small artwork, I don't know if it's available?

I appreciate itWang Xizhi, Ouyang Xun, Liu Gongquan, Zhao Mengfu. Wang Xizhi entered the office by virtue of the shadow of the door, successively served as secretary Lang, Jiangzhou Assassin History, Huiji Taishou, and tired of moving the general of the Right Army, known as "Wang Youjun."

In the ninth year of Yonghe (353), he organized the Lanting Yaji. Written "Orchid Pavilion Preface".

Become "the first book in the world". In the eleventh year of Yonghe, the elder brother Kai (355), said that he was sick and abandoned his official position, and moved to Jinting, Shaoxing. He died in the fifth year of Shengping (361) and was buried in Waterfall Mountain.

When Wang Xizhi was 16 years old, he was selected by Xi Jian as the fast son-in-law of the East Bed. Xi Jian has a daughter, twenty-eight years older, good-looking, not yet married, Xi Jian's beloved daughter wants to choose a son-in-law for his daughter, and the prime minister Wang Dao has a deep friendship, and the same dynasty is an official, I heard that there are many children in his family, all of them are good-looking.

Calligraphy attainments. Wang Xizhi loved to learn calligraphy since he was a child, and was enlightened by his father Wang Kuang and uncle Wang Xuan. At the age of seven, he was good at writing, and at the age of twelve, he read the previous generation's "Pen Treatise" from his father's pillow.

Wang Kuang's good deeds and official letters; Wang Xian Qi Zhao is good at calligraphy and painting, Wang Shengqian's "On Books" once commented: "Since Jiangdong, before the right army, only Hui is the most, the painting is the emperor of the Jin and Ming Dynasty, and the book is the right military law." Wang Xizhi has been deeply influenced by the Wang family since he was a child.

I have admired Yan Zhenqing and Ouyang Xun, as well as Wang Xizhi.

The overall lines of this work are smooth, the strokes are steady, and the combination of rigidity and softness with the pen has a strong artistic appeal. The composition in the works of Lead Sen Bend is well-arranged, the glyphs are regular, and the structure is rigorous, which reflects the overall beauty of the calligraphy works. In addition, the strokes of the work are full, the ink color is rich, and the dot painting is fine, outlining the charm and atmosphere of the work.

However, in terms of details, there are some minor flaws in the work. For example, at the end of the work, there are some strokes that are not accurate enough, causing some unnecessary flaws. In addition, at the junction of some strokes, the strength is not uniform enough, resulting in some unnatural marks, which affects the overall feeling of the work.

Therefore, in the future creation, we can pay attention to these issues, strengthen the control of the strokes and grasp the details, so as to further improve the quality of the work.

Overall, this work has a certain artistic value and collection value, and it is a calligraphy work worth appreciating and cherishing.

1.Look at the whole. Looking at a calligraphy work from a distance, it is actually the division of horizontal and vertical lines on white paper, these thick and thin lines, dividing the size of the blank, they are harmonious and symmetrical, sparse and dense, and the overall layout is reasonable, which is beautiful. A calligraphy work, glyphs.

2.Look at the wonderful way of the book, the spirit is the first, the shape and quality are secondary, and those who have both can be seen in the ancients. This shows that looking at a work is not just about him.

3.Look at the details of the details, that is, whether the structure of each word is reasonable, whether the horizontal and vertical skimming points are properly written, and the skills are full. Calligraphy.

4.Understanding the author and the work In fact, we can see the first three points, and we only see the surface of the calligraphy work, and really appreciate a work.

It's about the feeling of appreciating a piece of work.

First, from the perspective of penmanship - gestures, operation.

Second, from the perspective of line quality - posture, character posture.

3. From the perspective of the chapters - spirit, charm.

The higher it is, you can see the priority of the speed of the pen, the light and thick focus of the ink, the line of energy, the inscription of the chapter, and the expression of the author's spiritual temperament.

First, appreciate penmanship. How to appreciate and evaluate calligraphy is undoubtedly an important aspect of appreciating and evaluating calligraphy, the beauty of the pen must be experienced with the heart, the successful use of the pen should be rigorous, the pen is strong, lively and vivid, smooth and round; It must also be not rigid and rigid, full of changes, strong bones, and strong through the back of the paper.

Second, appreciate the knot. The law of strokes is knots, and the law is different from shape to body. As a line art, the artistry of calligraphy lies not only in the beauty of the dot painting, but also in the structure and shape of the characters.

The simple dotted lines are wonderful and varied in the calligrapher's pen. If you compare strokes to human bones, knots are human skeletons.

If the skeleton is good, the body is well-proportioned and pleasing to the eye. If the proportions are out of balance, it is unpleasant. The beauty of the knot is more than the beauty of the strokes. Bright.

Third, the law of rewarding chapters. It is necessary to carefully analyze and study, the echoing relationship between words and lines, how the relationship between words, length, thickness, correctness, moistening and dryness of words is arranged, and whether the momentum of the whole article is unified; It depends on the dense arrangement of the font, and whether the white space is appropriate. It is not an exaggeration to say that it does require kung fu, and it may not be enough to have kung fu, but also "understanding".

Fourth, appreciate the artistic conception. The appreciation of calligraphy is not only to experience the ingenuity and skill of dot painting, knots, and chapters, as well as the teacher's inheritance, genre, and style, but more importantly, to feel the temperament, emotion, and aesthetic pursuit of the calligrapher through the works. The calligrapher relies on his hands and mind to create, and the viewer relies on his eye and heart to dig out and discover the life and soul contained in the work, which is a kind of re-creation.

We appreciate Wang Xizhi's free and easy from the "Orchid Pavilion Preface", and also experience his drunken pleasure when he swayes; I felt Yan Zhenqing's solemnity and spiciness, and I also sympathized with her grief and sorrow over the loss of her relatives; From "Cold Food Poems", I can see Su Dongpo's transcendent bearing, and also taste his helpless desolation and melancholy. The effect of this re-creation depends on the appreciation's knowledge, cultivation, experience, and state of mind.

Generally speaking, Wu Weibo calligraphy and painting have not yet been framed, and there is no need to open it, and the authenticity of the calligraphy and painting can be determined from the back of the paper.

Wu Weibo's characters start from painting, and the strength and rhythm of the pen are very strong, and the effect of the powerful through the back of the paper is basically the same. Secondly, Wu Weiwa's paper and ink are very particular, so it can be judged on the paper and ink.

Wu microwave calligraphy style, completely painting style, the general calligrapher can not imitate, Wu microwave calligraphy is the painting style exposed on the outside, the general calligrapher will be the traditional pen to close the edge on the surface, Wu microwave calligraphy only has a very deep foundation of ink and wash freehand painters in order to imitate, and imitation of 60% is quite difficult, if you want to imitate 70 or 80 percent, the imitator's skill can not be less than 40 years.

Because there are very few authentic Wu microwave paintings on the market, few people can see the original Wu microwave works, and there is no comparison with each other, so many people find it difficult to judge the authenticity, so that they regard the fake as the real thing, or some people think that the level of Wu microwave calligraphy is just so and very general. If you put a genuine handiwork of Wu Weibo and a fake together, even a layman will be able to make the right choice intuitively. Wu Weiwave's genuine handwriting is very "domineering", the strength of the pen and ink, the quality of the lines, and the changes in the details are extraordinary.

I've summarized a few points, I don't know if it's right or not:

1.Look at the overall sensory effect, look comfortable, and have a sense of beauty;

2.See if the layout of the plot is reasonable;

3.See if the knot of the word is reasonable;

4.Looking at the pen power, experienced people can see at a glance how good the skill is, which requires repeated practice and cannot be achieved overnight;

5.Look at the layout of the seal, the position of the name and the level of seal engraving.

There are a lot of places; whether the penmanship is in line with the tradition; Again, whether there is innovation again; Ink method, chapter method, penmanship, comprehensive and evaluation of it.

Chapters, including structure, ink, overall coordination, etc. I think this is quite professional, so let's take a look at it.