What s the best calligraphy you ve ever seen?

They all say that they like Wen Hengshan's Xiaokai, and his books are also very good. Shangbo has collected so many works of calligraphers, and I love this one. <>

Wang Xizhi's masterpiece "Orchid Pavilion Preface", the penmanship is exquisite, strong and natural, before this calligraphy is more of a practical function, since Wang Xizhi's era began to pay attention to penmanship, pay attention to personality and taste.

That must be Lao Zhao's Taihu Shizan (Xingshu Erzan and Two Poems) "This post is a work of getting together with friends and drinking for a while." The paper is smooth and smooth, handwritten, and the pen is smooth, and it is pleasant. In terms of style, there are many brushstrokes of Yan and Mi, which is very rare in Zhao's books. ”

Wang Xizhi's "Orchid Pavilion Collection Preface" is one of my favorite calligraphy works, the work has a strong sense of integrity and coherence, and the whole work shows Wang Xizhi's uninhibited temperament.

It's definitely Wen Zhengming's Xiaokai, the first to recommend "Falling Flower Poems" and "Lisao Sutra", which are really super beautiful, and you will be amazed every time you look at it.

Song Huizong's thin gold body of the thousand-character text, which can be called a calligraphy must, has not been matched so far.

Seeing the high vote answer, the grass hall ten zhi is indeed a masterpiece. But if you want to talk about Xiaokai, hehe, I'm afraid that the edict will not be ranked. The Tang people wrote scriptures and were king.

The right army Lanting, through the Lanting, shows a thorough understanding of Chinese characters, impeccable structure and chapters, skillful penmanship, as well as the content of the article itself The meaning of life and death in time and the emotional changes when writing, the first in the world, ancient and modern, well-deserved.

Agu's calligraphy work of cultivating clouds and planting the moon is my favorite calligraphy work, and the elegant and flexible font can purify the soul.

I like Zhao Mengfu's Luo Shen Fu.

When I couldn't cry silently, my teacher was very moved when he walked to the poor place of the water and sat and watched the clouds rise when I was crying silently.

Mi Fu's "Shu Su Ti" I think is the best!

Orchid Pavilion Preface, Sacrifice Nephew Manuscript, Holy Order!

There are only three calligraphers in the world, the second queen Yan Zhenqing, Zhao Ji after Yan, and Zhao Mengfu after Ji.

I like Wang Pet's "The Story of the Drunkard Pavilion" the most

I like Wen Zhengming's "Ten Chronicles of the Cottage", "The Biography of Lao Tzu", etc.

Calligraphy into the world, Su Shi's two Huangzhou cold food poems through the ancient and modern, as a classic textbook of aesthetics and the beauty of Chinese calligraphy!

Su Shi's articles and calligraphy are my favorites.

Needless to say, it should be Wang Yi's funeral post!

The overall lines of this work are smooth, the strokes are steady, and the combination of rigidity and softness with the pen has a strong artistic appeal. The composition in the works of Lead Sen Bend is well-arranged, the glyphs are regular, and the structure is rigorous, which reflects the overall beauty of the calligraphy works. In addition, the strokes of the work are full, the ink color is rich, and the dot painting is fine, outlining the charm and atmosphere of the work.

However, in terms of details, there are some minor flaws in the work. For example, at the end of the work, there are some strokes that are not accurate enough, causing some unnecessary flaws. In addition, at the junction of some strokes, the strength is not uniform enough, resulting in some unnatural marks, which affects the overall feeling of the work.

Therefore, in the future creation, we can pay attention to these issues, strengthen the control of the strokes and grasp the details, so as to further improve the quality of the work.

Overall, this work has a certain artistic value and collection value, and it is a calligraphy work worth appreciating and cherishing.

The works to be appreciated in the exhibition of calligraphy works include Ouyang Xun in the early Tang Dynasty, Yan Zhenqing in the Tang Dynasty, Liu Gongquan in the Tang Dynasty, and Zhao Mengfu in the Yuan Dynasty.

1. Ouyang Xun (557-641), a native of Linxiang, Tanzhou (now Changsha, Hunan). His calligraphy achievements are the most in regular script, the pen power is steep, the structure is unique, and later generations call it "European style". The representative work "Jiucheng Palace Liquan Ming".

2. Yan Zhenqing's calligraphy is exquisite, and she is good at line and Kai. Chu Suiliang was a beginner, and then studied under Zhang Xu and obtained his penmanship. Its positive block is dignified and majestic, the style of the book is strong, and the "face body" regular script is created, which has a great influence on later generations.

Together with Zhao Mengfu, Liu Gongquan, and Ouyang Xun, they are known as the "Four Masters of Regular Script". It is also called "Yan Liu" and Liu Gongquan, and is called "Yan Muscle Willow Bone".

He is also good at poetry and writing, including "Yunhai Mirror Source", "Rite and Music Collection", "Wu Xing Collection", "Luling Collection", "Linchuan Collection" dust and royalty, all of which are unknown. The Song people have "Yan Lu Gongji". His representative works are "Yan Qinli Tablet", "Yan's Family Temple Tablet", "Duobao Pagoda Tablet" and "Magu Immortal Altar Record".

3. Liu Gongquan, his calligraphy is strong, and the words are rigorous and meticulous. In the characteristics of the word, it is known for its thinness and lead, and the regular script written is vigorous and charming, and the bone strength is strong, and the line book and regular script are the most exquisite.

4. Zhao Mengfu, whose style of writing is charming, beautiful, strict and neat, familiar with penmanship, and is known as "Zhao Ti". The representative work "Xuanmiaoguan Rebuilding the Three Gates" Tang Dynasty Ouyang Xun: its regular calligraphy degree is rigorous, the pen power is steep, known as "the first Tang Dynasty regular script", and the representative work "Jiucheng Palace Liquan Ming".

1.Look at the whole. Looking at a calligraphy work from a distance, it is actually the division of horizontal and vertical lines on white paper, these thick and thin lines, dividing the size of the blank, they are harmonious and symmetrical, sparse and dense, and the overall layout is reasonable, which is beautiful. A calligraphy work, glyphs.

2.Look at the wonderful way of the book, the spirit is the first, the shape and quality are secondary, and those who have both can be seen in the ancients. This shows that looking at a work is not just about him.

3.Look at the details of the details, that is, whether the structure of each word is reasonable, whether the horizontal and vertical skimming points are properly written, and the skills are full. Calligraphy.

4.Understanding the author and the work In fact, we can see the first three points, and we only see the surface of the calligraphy work, and really appreciate a work.