Kangxi yellow glaze characteristics, Qing Dynasty Kangxi Dynasty three famous color glaze

The Qing Dynasty Su Sancai mostly came from the imperial factory, that is, the imperial kiln factory, which was the official kiln (imperial kiln factory, which was set up in the Ming and Qing dynasties for the porcelain required by the court. During the Hongwu period of the Ming Dynasty, it was established in Jingdezhen, Jiangxi. In the Ming Dynasty, eunuchs generally served as Tao officials; At the beginning of the Qing Dynasty, the Ministry of Industry and the Ministry of Internal Affairs were dispatched, or the governor of Jiangxi was in charge.

After Qianlong, to the Jiujiang Pass to manage and Raozhou Tongzhi, Jingdezhen Inspection Department to supervise the construction and supervision, then into a custom, the porcelain produced is called "official kiln").

Kangxi monochrome glazed porcelain is the most outstanding porcelain variety of red glaze in the monochrome glaze of the Kangxi Dynasty. At this time, the red glazed porcelain fired out of Lang kiln red, cowpea red, Ji red and so on.

1. Lang kiln red

Langyao red is one of the most vivid colors in China's precious copper red glaze, which is characterized by brilliant colors, bright red and distinct, and has a strong glass luster. Due to the thick glaze juice and the flow at high temperatures, the finished Langhong often exposes the white tire along the bend of the mouth, showing a spiral white line, commonly known as "lamp grass edge".

The glaze juice on the bottom edge of Lang kiln red is drooping and condensed, close to black-red. In order to flow the glaze but not the bottom of the foot, the craftsman scrapes out a two-layer platform on the outside of the circle foot with a scraper to block the flow of glaze from flowing down, which is a unique technique in the production process of Lang kiln red porcelain.

Second, cowpea red

Cowpea red is a kind of copper red high-temperature glaze, which is a copper red glaze variety that appeared in the late Kangxi period of the Qing Dynasty. Because of its light and pleasant color, it is named for its uneven pink, like a red cowpea, and its light and delicate shape. Because of its light red and delicate face, such as a peach blossom in March, it is also known as "baby face", "peach blossom piece", and "beauty drunk".

3. Ji Hong

Ji red generally refers to ruby red. The emergence of ruby red porcelain will be the highlight of the development of contemporary ceramics in China, like the ancient Yuan blue and white, representing the material beauty of ceramic art returning to nature, and becoming a feature of the times.

The difficulty of three-color firing in the glaze

The glaze is envied in three colors, is the product of blue and white, red in the glaze and bean green, its production process is very complicated, blue and white with cobalt as the colorant, the glaze red with copper as the colorant, the bean green with iron as the colorant, these three kinds of color materials on the temperature and atmosphere requirements are extremely strict, so the firing is extremely difficult, favored by the upper class nobles.

Kangxi glaze three-color porcelain, is a rare treasure in the Ming and Qing dynasties, the number of pure color of the ware is not much, even if it is a remnant, it is still concerned and cherished.

Summary. Kangxi official kiln black gold glaze is the whole body of black black glaze, black uniform fat, a white line on the mouth is eye-catching, black and white contrast, forming a special artistic effect. The glass has a strong texture, like a huge black gem, and it is dazzling.

The whole body is decorated with gold patterns, from top to bottom for flower and grass patterns, banana leaf patterns, brocade open light patterns, flower patterns, because the gold is light, the black is strong, so the ornamentation is difficult to show. The bottom foot is exposed, there is dirt, and the glutinous rice tire can be seen under the magnifying glass. Wujin glaze mainly uses Wujin soil produced near Jingdezhen, so it is called Wujin glaze, and the iron content is as high as 13 4%.

Generally, black glaze uses iron as a colorant, while ugin glaze has manganese and diamond components in addition to iron. Kangxi Wujin glaze glaze color is special, elegant and exquisite, and then the various dynasties are less burned, and the long-necked bottle is easy to damage, so it is more precious.

Kangxi official kiln black gold glaze Zhaojian is the whole body of black gold glaze, black uniform fat, a white line at the mouth is eye-catching, black and white contrast, forming a special artistic effect. The glass has a strong texture, like a huge black gem, and it is dazzling. The whole body is decorated with gold patterns, from top to bottom for the flower and grass pattern, banana leaf pattern, brocade open light pattern, flower wheel guess song hui pattern, because the gold is light, the black is strong, so the pattern is difficult to show.

The bottom foot is exposed, there is dirt, and the glutinous rice tire can be seen under the magnifying glass. Wujin glaze mainly uses Wujin soil produced near Jingdezhen, so it is called Wujin glaze, and the iron content is as high as 13 4%. Generally, black glaze uses iron as a colorant, while Wujin glaze not only has the composition of iron, but also the composition of manganese and diamond Zheng.

Kangxi Wujin glaze glaze color is special, elegant and exquisite, and then the various dynasties are less burned, and the long-necked bottle is easy to damage, so it is more precious.

Hope mine is helpful to you.

Summary. The yellow glaze made in the Kangxi year of the Qing Dynasty is a kind of ceramic ware in ancient China, due to the vicissitudes of time, the well-preserved quality is relatively rare, so it is also more expensive. The specific price depends on its condition, size, craftsmanship and other factors.

According to the market and auction transaction records, in the current market, the first yellow glaze made in the Kangxi year of the Qing Dynasty is generally between hundreds of thousands of yuan and several million yuan. Of course, this is only a reference range, and it does not mean that all the yellow glazes made in the Kangxi year of the Qing Dynasty have such a high value. It is important to note that when buying any antiques or artifacts, please be sure to find a formal channel for the transaction, and ask for relevant certificates and appraisal reports to ensure their authenticity and legitimacy.

The yellow glaze of the Kangxi year of the Qing Dynasty is a kind of ceramic ware in ancient China, due to the vicissitudes of time, the well-preserved quality is relatively rare, so it is also more expensive. The specific price depends on many factors such as its condition, size, and pants collapse process. According to the market and auction transaction records, Hu Heyuan sees that in the current market, the yellow glaze made in the Kangxi year of the Qing Dynasty is generally between hundreds of thousands of yuan and several million yuan.

Of course, this is only a reference range, and it does not mean that all the yellow glazes made in the Kangxi year of the Qing Dynasty have such a high value. It is important to note that when buying any antiques or artifacts, please be sure to find a formal channel for the transaction, and ask for relevant certificates and appraisal reports to ensure their authenticity and legitimacy.

It is impossible to distinguish the authenticity only through **, oh dear

It's really no problem, you value it according to the real one.

The price of the real Kangxi yellow glaze in the Qing Dynasty is determined according to various factors such as appearance, vessel type, text, and the integrity of the beard, and the **** with complete quality can reach tens of thousands of yuan. Preliminary identification left and right

Because it will not be very accurate only through **, it is recommended to go offline to find a professional to get a more accurate price.

1. The shape of the instrument is heavy and ancient, and there are many new shapes. The neck of the cutter is slender compared with other periods, and the round ware is mainly pier-type.

2. The tire is hard and fine, meticulous like jade, the tire repair is regular, and there is a general sense of heaviness.

3. The glaze is smooth and delicate, the tire glaze is tightly combined, and the glaze has an early green and white evolution to a mid-stage pink white and pulp white. After the middle period to the Yongzheng period, it changed to a hard and bright green glaze.

4. The blue and white porcelain is made of domestic pearl materials, and the blue and white tones are mainly emerald blue, all of which have the characteristics of deep tones and close to the fetal bone.

5. Wucai and other color ware, the early color is strong and gorgeous, the middle period fades, and the late color is soft.

6. In the early days, the mouth of the utensils was often coated with sauce yellow glaze, and a layer of white glaze containing powder was generally applied to the mouth, giving people the feeling of thickening the edge of the mouth protruding.

7. Wucai is composed of five colors: red, yellow, blue, green, and purple. The five colors of the Ming Dynasty were composed of four kinds of overglaze colors: red, yellow, green and purple, and underglaze blue and white. Use the overglaze orchid color instead of the underglaze blue and white.

It is also composed of red, yellow, green, blue, and black. During the Kangxi period, some of the colors added gold color, making the picture magnificent.

8. At this time, the three-color ware is more popular, there are three colors of yellow ground, three colors of green land, three colors of purple ground, three colors of ink ground, three colors of sauce white ground, and three colors of tiger skin. At this time, there are also underglaze three colors, that is, composed of three underglaze colors: blue and white, red in the glaze and bean green, which is a special variety in the Kangxi period. Kangxi smeared red, its color is Zhengzhu, bright and eye-catching, and its official kiln color bowl is the best.

The red in the glaze is also superior.

9. In the late Kangxi period, Lang kiln red appeared, and there was a "lamp grass mouth" along the mouth of the utensils from the Yongle period of the Ming Dynasty.

10. During the Kangxi period, the painted characters mostly used blue pens to outline their faces, which were very durable, and the cheeks of the beauties were often faint and pale, which was quite delicate. The clothes and skirts of the characters are the most vivid, the trees are old and dry, and the flowers are graceful. The painting pine is the dry of eggplant, and the needle of ink color is shaded with hard green, giving people a feeling of thick verdant.

11. The pattern decoration has a strong sense of the times, and its painting, brushwork, layout, and color technology have a specific rhythm of the times. The themes are historical allusions, character stories, as well as fisherman's entertainment, farming and weaving, sea, wood, farming, reading, etc. In addition, there are grass insects, flowers and birds, cloud dragons, landscapes, eight immortals, eight immortals, eight treasures, bogu, tangled branch flowers, towers and palaces, two immortals, three stars, etc.

12. Instrument foot, there are flat feet, wide and thick circle feet, double circle bottoms, two-layer platform bottoms, arch wall bottoms, and circle feet.

13. Kangxi has a kind of double bottom**, there are two circles on the soles of the feet, and between the two circles, there is a deep groove, this kind of double bottom**, which is more typical. At this time, the pen holder is characterized by thicker upper and lower parts, a thinner middle waist, and an unglazed circle on the bottom.

14, Kangxi Palace kiln is mainly written, mostly written at the bottom of the ceramic, a few are written on the body, generally for the "Qing Dynasty Kangxi Year" has six characters and two lines, six characters and three lines, and the folk kiln utensils are generally no money, and some utensils only have blue and white double circles or autumn leaves, pan intestines, etc.

1.Red glaze.

During the Kangxi Dynasty of the Qing Dynasty, red glaze has become one of the main colors of porcelain used by the Qing court. The appearance of red glaze has made the traditional blue and white porcelain painting process carry forward, revealing another temperament different from blue and white. During the Kangxi period, a lot of beautiful red-glazed porcelain was made, and its color was deep and bright, decorating the beauty and wealth of the court.

2.Blue and white porcelain.

Blue and white porcelain is one of the most representative porcelains of the Kangxi Dynasty. The invention of blue and white porcelain perfectly combines painting and porcelain to create a unique art that is different from the past. During the Kangxi period, blue and white porcelain underwent innovation, its texture was more delicate, and the patterns were much more diverse.

The characteristics of Kangxi blue and white porcelain are that the colors are bright and bright, simple and elegant, exquisite and beautiful.

3.Yellow glaze.

Yellow glaze was a very popular color during the Kangxi period. This shade of yellow gives a very warm feeling, emphasizing the authority and dignity of the emperors of the Kangxi era. During the Kangxi period, a major breakthrough was also made in the production of yellow glazed porcelain, and many exquisite patterns were incorporated into the decorative patterns, such as eagles, butterflies, ruyi, etc., which won many praises.

4.The cultural connotation of Kangxi blue and white porcelain.

Kangxi blue and white porcelain is not only a work of art, but also has a high cultural value. From the patterns, shapes, and decorations of Kangxi blue and white porcelain, we can get a glimpse of the social style of the time and the aesthetic views of the royal family. The myths, legends and historical backgrounds contained in blue and white porcelain are important carriers for promoting national culture and inheriting Chinese traditions.

5.The collection value of Kangxi blue and white porcelain.

Kangxi blue and white porcelain is one of the most favored works of art in traditional Chinese culture. Its unique artistic style and cultural connotation make Kangxi blue and white porcelain have an irreplaceable position in the collectibles market. The quantity of Kangxi blue and white porcelain is very scarce, and the market value continues to increase.

If you're lucky enough to find a piece of Kangxi blue and white porcelain in a corner, you'll find it a priceless treasure.

Under the protection of Kangxi, three famous glazed porcelains shine in the glorious history of the Qing Palace. Modern people's love for Kangxi blue and white porcelain is not only because of its unique artistic style and collection value, but also because of a respect and inheritance of this history.

Kangxi glazed red porcelain and Jun porcelain are two different types of porcelain with some distinct differences:

1.The firing process is different: Kangxi glazed red porcelain is a high-temperature glazed ceramic, and its production process includes firing, glazing, and re-firing.

Jun porcelain is a kind of low-temperature glazed ceramics, and its process is to first fire the basic porcelain, then the soft pottery is glazed, and then the high-temperature reduction is fired.

2.Different colors: Kangxi Dou Zheng glazed red porcelain is mainly red, and its color is intense, bright and changeable, sometimes accompanied by gold or pink; Jun porcelain is mainly turquoise, showing the natural blue-green tone, and there are subtle reticulations and bubbles on the pottery.

3.The ornamentation is different: Kangxi glazed red porcelain is often painted on the surface of the porcelain with flora and fauna, landscapes, words and other ornaments, the glaze is lacquered, tough, and very gorgeous; Jun porcelain presents materials in nature, such as lotus, plants, rocks, water flows, etc.

4.Different values: due to the fine production process and superb firing technology of Kangxi glazed red porcelain, coupled with the support of the feudal dynasty in the Ming and Qing dynasties, it was able to prosper and be exhibited, and its collection value is extremely high; Jun porcelain is widely favored because of its unique color and ornamentation, and is known as the "beauty" of Chinese porcelain in the early sleep.

In general, although Kangxi glazed red porcelain and Jun porcelain have their own characteristics, both are outstanding representatives of traditional Chinese porcelain and have irreplaceable historical and cultural value.