How do I draw a good design color? How to adjust the color of the painting?

Design colors. First of all, of course, it must be design-oriented.

It's not just about bold combinations of colors.

It is also about exaggeration and abstraction.

The form must be original.

Maybe the topic and content of your presentation are less important.

But it must have a visual impact.

You can try the combination of complementary colors and the combination of strong warm and cold.

To be honest, I don't know what to say about it.

Saying so much is nothing more than hard work.

When you draw boldly, you should be more open, and my personal experience is to look at it more.

Broaden your horizons and increase your knowledge.

The key to this thing is still up to your ideas and the work at hand.

Maybe you're very good at basics.

But I just can't draw.

I can't draw it either.

That's a matter of your knowledge.

So look at some good designs like advertisements.

Illustration. Posters and the like will definitely help you.

1.Refers to scenes in works of art such as theaters and films.

Yan Gang's "On Chen Hansheng" 5: "This is also a kind of artistic subtlety, which not only appropriately deals with some sharp, unbearable, and revealing scenes, but also streamlines the writer's pen and ink. ”

From the perspective of the plot, the scenes can be divided into the following categories:

a.Narrative scene, bLyrical scenes, c

Atmospheric scene, dSubjective scenarios. e.

Imagery scenes (mental imagery, inner imagery, generalized imagery, conceptual imagery, and aesthetic imagery). (Film and Television Drama Creation, p171-173).

2.Refers to a situation in general.

Zhang Aiping's "From Zunyi to Dadu River": "Those heroic and arduous battle scenes have emerged in front of me one after another. Guo Xiaochuan's poem "How Steel is Made": "The glorious scene of yesterday will never be forgotten by this generation." ”[1]

If you want to draw a good design color, you must first learn how to draw large color blocks.

How to tone all colors: first of all, we must understand the types of colors; For example, the most basic has three primary colors, the three primary colors are, red, yellow, blue, can also be called inherent colors, these three colors can not be mixed with any color, after understanding these colors, you can mix many colors you want. The basic way to mix colors is:

Red + yellow + blue, the three primary colors are added in the same proportion, and can be adjusted to black, red + yellow = orange, red + blue = purple, yellow + blue = green, (after the above colors are added in the same proportion). If the proportion of which color is larger in the color palette is biased towards which hue, warm and cool colors with gradients, the color made by the secondary mixing of the three primary colors can be called compound colors. Practice makes sense, you can tweak it yourself to see how the colors change.

Red is a warm color, blue is a cool color, and (white, black) is an extreme color, and any color can be made into a pink wither in different proportions. For example, white + black = gray, white + red = pink, white + blue = lake blue, white + green = pink green, and so on. If you can, it's better to buy a book about color.

After practice, your color knowledge will be better and faster. I believe that through the understanding of the color, you will be able to bring out the rich color you want faster.

The first point of color is hue, and the specific requirements are to be accurate in hue, and the color of the object should be painted accurately. This is the most critical point, some people always emphasize that the colors are richer, so they paint any color in the picture, and mistakenly understand that there are more colors. In fact, I always hear some of my classmates say that I can't see so many colors.

I think these students should make their ideas simpler and adjust the colors more accurately, that is, to properly express the state of a color in a space.

The second key point of color is the environmental color and the color of the light source, to answer the above question - the meaning of color richness, I think the so-called color richness is actually the main performance of these two relationships. Ambient color is the change of intrinsic color caused by the interaction between objects. This is the main reason for the abundance of color.

The color of the light source is the change in the inherent color of the bright part of the object caused by the influence of the color of the light source. Understand these two definitions, and then let's think about the meaning of richness, and the pictures you see have a lot of colors on them, which are actually the result of reasonable exaggeration of the ambient color and the color of the light source. And you can do the other one, which is the above statement, it is also feasible to draw the color accurately without exaggerating.

The third point of color is the light part and the dark part, the most common mistake for beginners in art pre-exam training is to use the inherent color to add black to paint the dark part, and add white to paint the bright part, I think the reason for this problem is that each part of the light part and the dark part is not treated as a color. The simplest way to deal with it should be, the bright part is affected by the color of the light source, the color of the light source color should be added on the basis of the inherent color, and then the white color should be added according to the situation, and the dark part should be added on the basis of the inherent color, and then the color of the appropriate heavy contrast color should be added, and then the color of the appropriate amount of environmental color should be added.

Fourth, I think the hardest part. There should be a relationship between colors - hues. To put it simply, it's about harmonizing colors.

To put it simply, how to be harmonious is to establish a connection with each other, that is, the ambient color, when there is an object that occupies the subject area of the picture, the color of this object will fill the whole picture. I think it's influenced by the human eye. That is, to reflect the color of the subject on other objects.

The rules that any painting follows are universal, and here are some of the rules I have summarized based on my long-term sketching practice for your reference:

1. First of all, there is the problem of composition. Composition is the overall idea of the picture, and it is the most important thing to consider when starting to paint. Don't forget about composition at any stage of painting.

For example, it's like writing an article, and you have to make an outline before you write it. The function of composition is to coordinate the common rules and order that should be followed in painting. You have to make a vision of the picture arrangement according to the actual situation of the painting and the theme you want to express.

For example, where should the main painting object be located in the picture, and what should be its scale and scale; How to connect and transition the background and close-up scenes, and how to make the picture content not too spacey, not too full, etc., you should have an overall consideration and conception before painting. It is recommended to draw a few small sketches before painting, make several attempts on the composition scheme, and then compare the advantages and disadvantages of each one, and finally determine the composition scheme based on their respective characteristics.

2. Secondly, the establishment of the painting manuscript. After deciding on the composition, the next step is to create a sketch. We need to use simple lines to outline each part of the picture as a whole according to the composition plan.

The lines don't have to be complicated, but they should reflect all the problems of the picture as much as possible and refine the composition.

3. Again, deepen the line drawing draft. When deepening the line drawing sketch, pay attention to the details and focus properly. It is not necessary to draw every place in detail, but to depict the key parts and brush over the other parts, so that the theme of the picture can be clear and the expression can be clear.

4. Also, it is to color the picture. When coloring, pay attention to the principle of coloring from the whole to the part, first determine the overall tone of the picture, and then depict the main object in more detail. The colors of the key areas can be brighter, which makes it easier to highlight the theme.

The color of other parts can be overdone with some softer colors. At this time, you should pay attention to the layering of the picture, that is, the long, medium, and close scenes should be easy to identify and distinguish, so that the picture can be rich and interesting.

5. Finally, improve the picture. You need to adjust some imperfect parts according to the overall effect of the picture, and there is also a focus on refining individual parts, such as increasing the light and shadow effects, texture, and specific artistic conception of key parts.

As long as you follow the above methods and principles when painting, and work hard for a long time, you will definitely be able to make great progress in painting techniques.

What to pay attention to when painting colors The combination of colors Nature gives us a rich and colorful world: blue water, golden sand, colorful clouds and ......The formation of color comes from light, and there is no color without the presence of light.

It's best to buy a color book to see, I don't know if you are a professional or an amateur, it's best to ask a professional teacher to guide you, if it's an amateur, the composition is very important, you should consider the tone clearly when you put on the color, the main and secondary are clear, the whole should be coordinated, and then the details first. It is still necessary to keep painting and ask more questions, so that it will improve, and people must be quiet.

If you're drawing manga colors.

I recommend the Wind Protector Manga Society.

Comic color class.

There is also a computer CG

It's all good.

1.Composition.

Not scattered; Not tight; staggered (avoid stepped and average); Breathable (objects should not all be next to each other).

2.Form. Accurate location; Accurate perspective; Accurate shape.

3.Color. not dirty (with a tint); No powder (less white); grasp purity; Colorful; Accurate color; The tone is uniform.

4.Sketch relationships.

Uniform light (the direction of the highlight and the projection are opposite, and the direction of the boundary between light and dark and the bright surface is the same); Strong sense of light (light and dark).

The composition is basically copied; Fiction and reality are basically the same as sketches; The main body should be painted more, and the colors are not rich to rely on weaving; The front is warm and the back is cold, and the main body is warm and the back is cold; The color of the background tablecloth is sparse, don't use the water when the main body is painted, don't wash the color palette, you will understand later, adjust a lot of colors at a time, you will understand later. Use more than three colors to make a color, and you will understand later; The sense of color should be good, after you, you will always listen to the teacher praise who has a good sense of color, fart, you just make it up, find a book to copy, to tell the truth.

These things are not clear, everyone is different, you better buy a few books from the middle school attached to CAFA, and the books from the Academy of Fine Arts, but remember, it is not written that the books of the **Academy of Fine Arts are good books, buy more books, read more, copy more. I'll figure it out myself.