What is the reason why Zheng Banqiao particularly likes to paint orchids, bamboos, and stones

Banqiao (1693-1766), known as Xie, the word Kerou, the number Banqiao, was a native of Xinghua, Taizhou. Kangxi Xiucai, Yongzheng Juren, Qianlong Jinshi, once served as a county official of Qipin. He is also good at poetry, lyrics, songs, literature, couplets, printing, calligraphy, and painting, and is "Yangzhou Eight Stranges."

An important representative, known as the "Three Uniques of Poetry, Calligraphy and Painting".

Zheng Banqiao. Painting, learn from reality, learn from others' strengths, and have its own style. He likes to paint bamboo, orchid, stone, plum, pine, chrysanthemum, etc., and imitates the "orchid of the four seasons, the bamboo of the hundred festivals of Changchun, and the stone that will not be moved through the ages", and does "the person who will not change for a thousand years", which is the "four virtues" that Banqiao appreciates.

Bamboo, orchid and stone represent the author's spiritual qualities of tenacity, perseverance, integrity, selflessness, and modesty, and are symbols of his "stubborn and untamed spirit". Thank you.

"Bamboo and Stone" is a seven-character quatrain created by the Qing Dynasty painter Zheng Xie. The original text reads as follows:

Insist that the green mountains are not relaxed, and the roots are in the broken rocks.

Thousands of blows are still strong, and the wind blows from east to west, north and south.

Interpretation: The bamboo grabs the green mountains and does not relax at all, its roots are firmly rooted in the cracks of the rocks. After thousands of tortures and blows, it is still so strong, whether it is the southeast wind of the scorching heat or the northwest wind of the harsh winter, it can withstand it, and it will still be tough and upright.

This poem focuses on the tenacious and persistent quality of bamboo. It is an inscription poem praising rock bamboo, and it is also a poem of songs.

Appreciation of works

The bamboo in the poem is actually the embodiment of the noble personality of the author Zheng Banqiao, in life, the poet is such a kind of rock bamboo that has a close connection with the lower class people, jealous and hateful, and not afraid of the powerful. The inscription poems of the author Zheng Banqiao, like his paintings, have a strong sense of three-dimensionality, which can be appreciated by painting. This poem is exactly like this, whether it is bamboo or stone, the image is vivid in the poet's pen, if in front of him.

The disembodied wind is also depicted as if it were blowing in the face. However, what the poet pursues is not only the external appearance, but also instills his own ideals into each thin rock bamboo, and integrates his own personality, so that the bamboo and stone reveal a kind of external deep meaning and inner charm.

This is a poem that uses things to metaphorize people and support things, and it is also a poem of things. This poem focuses on the tenacious and persistent quality of bamboo, the tenacity and tenacity of Tuoyan bamboo, and the backbone of his uprightness, integrity and unyieldingness. The language of the poem is simple and clear, persistent and powerful.

Zheng Banqiao's"Orchid Bamboo Picture".It is based on stone as vein, and orchid and bamboo are intertwined.

"Orchid Bamboo Map" is a huge inclined cliff with half a face, which has the tendency of rising from the ground to the sky and being born out of nowhere. There are several clumps of orchids and a few arrows on the cliffs.

The same root is side by side, coherent and grown, swaying in the wind in the blue sky. The layout of "Orchid and Bamboo Picture" is very rigorous, and the three elements of stone, orchid and bamboo are harmoniously arranged. With the stone as the dragon vein, the clusters of scattered orchid bamboos are organically unified, which is both strict and round, amusing and full of changes.

The three are not prioritized, and they are natural.

Peculiarity. The wall rock is operated by the brushwork of dyeing and intermittent application, and the blank space is seen to be smooth, and the peak is steep.

In order to show stubbornness, with pen and ink with water, all of which are just right to show the craggy body potential of the condensation of vitality. Thick ink splitting orchid bamboo, orchid leaves and bamboo leaves are multi-faceted, interspersed with each other, the atmosphere is like that, sparse branches and strong leaves, extremely eye-catching.

Zheng Banqiao. The picture of "Orchid Bamboo Stone" is based on stone as the vein, and the orchid and bamboo are intertwined.

Orchid Bamboo Stone", with stone as the vein, orchid and bamboo alternately, orchid bamboo is complex but not chaotic, the shade is appropriate, calligraphy with a pen to paint orchid bamboo, with a pen to be strong, the inscription is on the stone, the composition is unique, for Zheng Xie's orchid bamboo stone in the song friend boutique.

Appreciation. The orchid leaves in the pen are short and strong, the flowers are vigorous and easy, the leaves are warm and the climate is strong, a lush state, it is "the arrow of a few feet, the flower of the moon", and the "spring and summer atmosphere" of the fragrance of dozens of miles. The characteristics of the drawing method are:

Ye Shang Gujian, not yet turning, with a straight straight to go straight, but gradually frustrated, keep the pen, otherwise it will be straightforward and no aftertaste, Ye turn with a pen squat, body strength and wrist, writing flowers are strong and upright.

The reason why Zheng Banqiao especially likes to paint orchid bamboo stone is that the bamboo orchid stone is originally very meaningful, coupled with poetry and calligraphy, it makes this painting have a soul, and his seal carving makes his painting beautiful.

Zheng Banqiao (November 22, 1693 - January 22, 1766), formerly known as Zheng Xie, the word Kerou, the number Li'an, also known as Banqiao, known as Mr. Banqiao, was a native of Xinghua, Jiangsu, and his ancestral home was Suzhou. Qing Dynasty calligrapher, painter and writer. Kangxi Xiucai, Yongzheng ten years of people, the first year of Qianlong (1736) Jinshi.

Guanshan Fan County, Weixian County Order, remarkable political achievements, after living in Yangzhou, to sell paintings for a living, for the "Yangzhou Eight Monsters" important representatives. Zheng Banqiao is good at painting orchid, bamboo, stone, pine, chrysanthemum, etc., and has painted orchid and bamboo for more than 50 years, and his achievements are the most prominent. The method is taken from Xu Wei, Shi Tao, and the Eight Great People, and it is a family law with a sparse appearance and a strong style.

Gongshu rolls the cavity method, mixed into Kaixing grass with Han eight points, and claims to be six and a half books. And the calligraphy brush is integrated into the painting. Advocate inheriting the tradition of learning seven to throw three, do not mud the ancient coat, pay attention to the originality of art and the diversity of styles, the so-called before painting, do not stand a grid, both after painting, do not leave a grid, for today still has reference significance.

The poems are sincere and funny, and are recited by the people. It can also cure seals. His poems, calligraphy and paintings, known as the "Three Uniques", were more representative literati painters in the Qing Dynasty than Zhihe.

His representative works include "Bamboo Repair New Fence Map", "Qingguang Lingering Picture", "Orchid Bamboo Fangxin Map", "Gangu Juquan Map", "Conglan Thorn Map", etc., and he is the author of "Zheng Banqiao Collection".

The author of "Bamboo and Stone" is the Qing Dynasty calligrapher and painter Zheng Xie (Zheng Banqiao).

The whole poem is as follows: insist that the green mountains are not relaxed, and the roots are in the broken rocks. Thousands of blows are still strong, and the wind blows from east to west, north and south.

Translation of the whole poem: (bamboo) clings to the green mountains and never relaxes, and the bamboo roots are deeply rooted in the crevices of the rocks. In his early years, Kai was still so resilient after countless hardships, whether it was the east wind and the west wind or the north and south winds.

Appreciation of the whole poem: This poem is a work of bamboo and stone pictures. Zheng Xie paints bamboo, not only with full of reason, painting a variety of natural styles of bamboo, but also often through inscription poems to endow bamboo with human fortitude and noble temperament, so as to express his ambitions and aspirations.

This poem focuses on bamboo, and also on stone, by singing the praises of bamboo's resistance to wind and cold and its roots in the green mountains and broken rocks, and the ideal of one's own life and morality.

Insist that the green mountains are not relaxed, and the roots are in the broken rocks", using anthropomorphic techniques to describe the roots of the bamboo bird Zhaozi in the scattered and broken rocks, not afraid of thin soil and hard stones, and the foundation is not firm, but like sharp teeth and sharp teeth, once bitten will not relax. "Determination" writes its unswerving form, and "Roots" says that its nature is lonely and does not follow the custom, which shows that its roots are deep and stable. The word "original" has the meaning of pushing its roots, and it is precisely because of this bamboo that "the roots are in the broken rock", and the green mountains are the home, so that they grow more strong and upright.

This vividly portrays the strong and tenacious character of bamboo. The second sentence provides both an explanation of the first sentence and a copy of the last two sentences.

Thousands of blows are still strong, and the wind blows from east to west, north and south. The word "also" has the meaning of still, and it also has the meaning of the opposite. It means that no matter the storms and rains in all directions, the frost and snow of the four seasons, the thousands of torments and blows, it is more vigorous and upright, tenacious and unyielding.

This further depicts bamboo's arrogance in defiance of environmental pressures. This is not only the natural nature of bamboo, but also what the poet longs for and pursues. The poet used the words "thousand" and "ten thousand" to write the tenacious, fearless, calm and confident demeanor of bamboo, and it can be said that the artistic conception of the whole poem suddenly came out.

In praising the firmness and tenacity of bamboo, the poet implies his own strength.