Zheng Banqiao s poetry paintings, Zheng Banqiao s most famous paintings

Guys, ggjj, help me find Zheng Banqiao's information.

Know > area > Banqiao City, Taiwan >.

1.Zheng Banqiao, who does not live in Taiwan, has never been to Taiwan.

2.So this issue and Taiwan > Banqiao City.

3.Don't humiliate yourself all the time, it's really dry and, stupid donkey, dwarf snail.

I can look it up somewhere else.

Zheng Banqiao's representative works include "Bamboo Repair New Fence Map", "Qingguang Lingering Picture", "Orchid Bamboo Fangxin Picture", "Gangu Chrysanthemum Spring Map", "Conglan Thorn Map", etc., and he is the author of "Zheng Banqiao Collection".

Zheng Banqiao (1693-1765), formerly known as Zheng Xie, the word Kerou, the name Li'an, also known as Banqiao, known as Mr. Banqiao, was a native of Xinghua, Jiangsu, and his ancestral home was Suzhou. Kangxi Xiucai, Yongzheng ten years of people, the first year of Qianlong (1736) Jinshi. Guanshan Fan County, Weixian County Order, remarkable political achievements, after living in Yangzhou, to sell paintings for a living, for the "Yangzhou Eight Monsters" important representatives.

Zheng Banqiao only painted orchids, bamboos, and stones throughout his life, and called himself "the orchid that is not thanked at four times, the bamboo that is evergreen in a hundred sections, the stone that is invincible through the ages, and the person who remains unchanged for thousands of years". His poems, calligraphy and paintings, known as "Three Wangs Shouting Absolute Perfection", were more representative literati painters in the Qing Dynasty.

Bamboo and Stone" Zheng Xie.

Insist that the green mountains are not relaxed, and the roots are in the broken rocks. Thousands of blows are still strong, and the wind blows from east to west, north and south.

Qingzhu Diagram "Inscription: Yangzhou fresh san fish, rotten spring breeze in early March. The kitchen was paid to rest and cut off, and Qingguang left this book to take care of the book. Banqiao Zheng Xie's painting and inscription.

Qi Gong inscription mounting: Banqiao painted bamboo is more than in the residual window powder wall, in the sunlight and moon shadow. Therefore, it is as vivid as a natural picture, but compared with the three bamboos in front of it, it is more thin and vigorous, and pulls out the side, and the line is trapped and boring, and the air of the clear is reduced, and its elegant exercise is also like the person of Banqiao.

This picture is clear and vigorous, the pen and ink are exquisite, the short length is sparse, the changes are appropriate, and the inscription poem is also contained in the Banqiao Collection, which is also a masterpiece of Qianlong's official office. Firm and pure Weng Qigong respect.

Shihu Maozhai Bamboo and Stone Diagram "Inscription: Shihu Maozhai, a patio, repair bamboo poles, stalagmites a few feet, its land is not much, and its cost is not much. And there is a sound in the wind and rain, a shadow in the sun and the moon, a love in the wine in the poem, and a companion in the idle and boring.

He made a garden pavilion with thousands of dollars, or traveled to the Quartet, and he could not enjoy it in the end. And my generation wants to travel to the famous mountains and rivers, and I can't go there for a while, how can it be like a small scene, affectionate and tasteful, and lasts for a long time? Why is it difficult to construct this situation?

If it is collected, it will be hidden in the secret, and it can be bridged if it is restored. Banqiao old man Zheng Xie.

In the past 40 years, he has painted bamboo branches, waved during the day, and thought about the night, removing the heavy and thin, and the painting is ripe when he is alive, from the "Bamboo and Stone Map" painted by Zheng Banqiao in his later years. The whole picture is not.

Coloring, but it makes people feel the verdant beauty and transcendent charm. The painter himself inscribed a poem for this painting:"For 40 years, he has painted bamboo branches, and he has written thoughts during the day and at night.

Redundant and thin, painting to raw is cooked. "It means that I have been painting bamboo for 40 years, painting during the day and thinking at night, and finally realized the truth that I can only succeed in painting by refining the essence of the complicated and complex things, and only then can I create an extraordinary new style in my very skillful way.

The poet painted and wrote bamboo all his life, and when he reviewed his own experience, he felt a lot of emotion.

The first two strikers said that painting and writing must be diligent in order to succeed.

redundant and redundant silver contains all the thinness", it is said that writing poems and paintings, in fact, is the same as being a person, and when it can be deleted and simplified, it can be regarded as reaching a certain height.

Painting is ripe when it is raw", which implies a deeper truth, which is actually the three stages of artistic pursuit: raw, ripe, and raw. He once had the rhetoric of painting the three realms of bamboo:

There is bamboo in the eyes, bamboo in the chest, and no bamboo in the chest. Of course, he borrowed the Zen family's three realms of "seeing the mountain is the mountain, seeing the mountain is not the mountain, and looking at the mountain is still the mountain".

Isn't it the same as painting bamboo? Therefore, some people say that writing is like people, and painting is like people.

- Excerpt from the book "Poems, Calligraphy and Painting of Zen".

One of Zheng Banqiao's poems is well-known:

Original text of "Bamboo and Stone":

Insist that the green mountains are not relaxed, and the roots are in the broken rocks.

Thousands of blows are still strong, and the wind blows from east to west, north and south.

Thousands of blows are still strong, and the wind from the east to the west, the north and the south is from the poem "Bamboo and Stone" by Zheng Banqiao in the Qing Dynasty. This seven-character quatrain is a poem inscribed by Zheng Banqiao on his "Bamboo and Stone Map", and the first two sentences of the poem are "insisting on the green mountains and not relaxing, and the roots are in the broken rocks".

In the painting, the tall bamboo grows out of the cracks in the cliff, the branches and leaves are luxuriant, and the flexible branches grow straight upward, fearless and fearless, adding a touch of vitality to the cold rock wall. The poet praised this quality of bamboo, saying that it bites the hard mountain tightly, without any slackness, deeply rooted in the crevices of the rocks, penetrates the obstacles of the rocks, grows tenaciously, and blooms the possibility of life in the desperate situation of life.

The poet sighed that even though it has undergone thousands of trials and blows, the bamboo on the cliff wall is still solid and strong. Even, these thousands of grinds and blows will only make it more solid, upright, and powerful, enough to withstand the invasion of storms from all directions.