Zheng Banqiao s poems, Zheng Banqiao s poems

Bamboo and Stone" insists that the green mountains are not relaxed, and the roots are in the broken rocks.

Thousands of blows are still strong, and the wind blows from east to west, north and south.

1, "Bamboo and Stone".Insist that the green mountains are not relaxed, and the roots are in the broken rocks.

Thousands of blows are still strong, and the wind blows from east to west, north and south.

2, "Hsinchu".The new bamboo is higher than the old bamboo branches, and it all depends on the old stem for support.

Next year, there will be a new student, and the ten-zhang dragon grandson will surround the phoenix pond.

3. "Weixian County Bureau's Painting Bamboo Chengnian Bo Bao Dazhong Cheng Kuo".

Yazhai listened to Xiao Xiaozhu, suspected to be the voice of the people's suffering.

Some small Caozhou county officials, one branch and one leaf are always concerned.

4, "Occasional Success".After the rain, the sky is all tender, and Lou Xinyan is affectionate.

Jiang Qingchun is vast, and the flowers are flat.

The Yue Nu played the sheng and sits, and Wu Er dialed the horse.

Looking back, each meaning, the smoke willow is in the city of Zhouzhou.

5, "Bamboo Branch Words".A few jobs are sold on the green hills, and the stones are piled up with splendid spots.

The people who returned to the car at dusk were half drunk, and they sang in a chaotic voice.

One of Zheng Banqiao's poems is well-known:

Original text of "Bamboo and Stone":

Insist that the green mountains are not relaxed, and the roots are in the broken rocks.

Thousands of blows are still strong, and the wind blows from east to west, north and south.

Thousands of blows are still strong, and the wind from the east to the west, the north and the south is from the poem "Bamboo and Stone" by Zheng Banqiao in the Qing Dynasty. This seven-character quatrain is a poem inscribed by Zheng Banqiao on his "Bamboo and Stone Map", and the first two sentences of the poem are "insisting on the green mountains and not relaxing, and the roots are in the broken rocks".

In the painting, the tall bamboo grows out of the cracks in the cliff, the branches and leaves are luxuriant, and the flexible branches grow straight upward, fearless and fearless, adding a touch of vitality to the cold rock wall. The poet praised this quality of bamboo, saying that it bites the hard mountain tightly, without any slackness, deeply rooted in the crevices of the rocks, penetrates the obstacles of the rocks, grows tenaciously, and blooms the possibility of life in the desperate situation of life.

The poet sighed that even though it has undergone thousands of trials and blows, the bamboo on the cliff wall is still solid and strong. Even, these thousands of grinds and blows will only make it more solid, upright, and powerful, enough to withstand the invasion of storms from all directions.

Zheng Banqiao's representative works include "Bamboo Repair New Fence Map", "Qingguang Liuzhao Map", "Orchid Bamboo Fangxin Map", "Gangu Chrysanthemum Spring Map", "Conglan Thorn Map", etc., and the author of "Zheng Banqiao Collection".

Zheng Banqiao, formerly known as Zheng Xie, the word Kerou, the number Li'an, also known as Banqiao, known as Mr. Banqiao, is a native of Xinghua, Jiangsu, and his ancestral home is Suzhou. Qing Dynasty calligrapher, painter and writer. Kangxi Xiucai, Yongzheng ten years of people, Qianlong first year Jinshi.

Guanshan Fan County, Weixian County Order, remarkable political achievements, after living in Yangzhou, to sell paintings for a living, for the "Yangzhou Eight Monsters" important representatives.

Zheng Banqiao is good at painting orchid, bamboo, stone, pine, chrysanthemum, etc., and has painted orchid and bamboo for more than 50 years, and his achievements are the most prominent. The method is taken from Xu Wei, Shi Tao, and the Eight Great People, and it is a family law with a sparse appearance and a strong style. Gong calligraphy, mixed with Han eight points into the Kai line grass, self-proclaimed six and a half points book.

And the calligraphy brush is integrated into the painting. Advocate inheriting the tradition of learning seven to throw away three, do not mud the ancient method, pay attention to the originality of art and the diversity of style, the so-called before painting, do not set up a grid, both after painting, do not leave a grid, for today's reference significance.

The life of Zheng Banqiao

In the thirty-second year of the reign of the Qing Dynasty ancestor Kangxi, Zheng Banqiao was born, and his family was already in the middle of the road and his life was poor. When he was three years old, his biological mother, Mrs. Wang, died, and when he was young, he went to Maojiaqiao in Zhenzhou with his father to study. Reach.

At the age of eight or nine, he was already writing a joint essay under the guidance of his father. Kangxi was forty-five years old, and at the age of fourteen, he lost his stepmother, Mrs. Hao.

The nurse Fei Shi is a kind, hard-working, and simple working woman, who gave Zheng Banqiao careful and thoughtful care and meticulous care, and became the pillar of Zheng Banqiao's life and feelings. At the age of sixteen, he learned to fill in the words from Mr. Lu Chongyuan, the ancestor of the township, and in the fifty-second year of Kangxi, he was admitted to Xiucai at the age of twenty. Kangxi fifty-five years ago, married his wife Mrs. Xu.

It was the first time that Zheng Banqiao went to Beijing in the autumn of that year, and Yu Shuyunxuan wrote Xiaokai Ouyang Xiu's "Autumn Sound Fu". In the fifty-eighth year of Kangxi, he set up a school to teach in Zhijiang Village, Zhenzhou.

The above content reference: Encyclopedia - Zheng Banqiao.