What is there to add to the culture of poetry or lyrics .

Rabindranath Tagore is a well-known Indian writer and poet, and his collection of birds, the collection of the crescent moon, and all four of them are not usually good poetry collections. My favorite is the Flying Bird Collection, which mainly describes some small birds, flowers and trees, etc., and explains the yearning for a better life. <>

Guo Moruo's poetry collection, this can especially enhance their cultural heritage, and it is very good, the content in it is also very rich, you can read it unfinished, and you will not feel bored, especially suitable for people who want to improve their cultural heritage**.

If you are a girl, I think it is very recommended to read our Chinese "Book of Songs", the words and sentences in it are very beautiful, very suitable for improving their own connotation and cultural heritage, I personally like the "Book of Songs", and now many people name their children from the "Book of Songs".

300 Tang poems are enough, because these poems are relatively classic, and there are many quatrains through the ages, I believe that when you read it completely, you will have some accumulation of your literary skills, and after reading it a few more times, you can cultivate your cultural heritage well.

If you want to improve your cultural heritage, you have to find some, history books, you can understand the rise and fall of the world, make you smarter, world classics, you can be influenced by culture, improve the level of literature, make you mature, popular, you can dispel your worries and borrowing, make you happy.

There is one of the most beautiful poetry collections about freedom and love, life is precious, love is more valuable, if it is for freedom so both can be thrown, such a thing is particularly beautiful, the kind of desire for love, the kind of yearning for life, I hope that love is free and unrestrained.

I think as long as it is a collection of ancient cultural poems and ancient poems in our country, if you read it, you can definitely improve your cultural background after reading more, believe me, because they are an essence of our culture regardless of whether you read and pronounce it, so as long as you read it, memorize it, and improve your cultural heritage.

Then improve your cultural heritage and poetry collection, in ordinary life you must read more, only if you read more, in order to have a great improvement in this area, I have a classmate, he read a whole book of poetry because of the summer vacation, and then after the summer vacation, the whole person's temperament feels different.

Liweng's rhyme, the Book of Poetry, Tang and Song poems, and the collection of Yuefu poems.

Late autumn: The cold wind and fallen leaves are falling, and the cold rain flowers are sporadic and heavy.

It is suspected that the fallen wood is ruthless, but it is the deepest love.

1. Classical Chinese poetry focuses on the use of images to express feelings.

When appreciating poetry, there is a saying that "supporting things and words", so the image of poetry lies in the diversity of forms on the one hand, and on the other hand, it lies in the use of figurative things to reflect life and express feelings in a highly concentrated and generalized manner.

2. Classical Chinese poetry pays special attention to the use of imagery to create artistic conception, so that scenery and emotion are blended to achieve lyrical effects.

Classical Chinese poetry is good at writing scenes and lyrics, using scenes to set off the atmosphere or create artistic conception, this kind of creation is intended to pursue the effect of the words have been exhausted but the meaning is not finished, and the pursuit of the creation of artistic conception makes people have infinite associations, which can be described as "there is a true meaning in this, and you have forgotten to distinguish it".

An Exploration of the Charm of Poetry:

The exploration of the charm of poetry is divided into three steps: knowing words, seeing images, and seeing righteousness. Knowing words means being able to read and translate every sentence, and first solve the obstacles in the meaning of the word. Mingxiang is to know the image in the word, and to see the meaning is to know the deep meaning expressed by the author, that is, the thoughts and feelings that the author wants to express.

For example, Li Qingzhao's "A Cut of Plum Red Lotus Fragrance and Residual Jade in Autumn", its charm is that the feelings are so sincere, delicate and touching.

The love expressed in the words is pure and heart-to-heart, which is very different from the ordinary simple Sifu, boldly singing the praises of their love, without twisting or exaggerating; It is as sweet as honey and as clear as spring water, which is very different from those loves.

The cultural charm of classical Chinese poetry lies in its linguistic beauty.

Poetry is the art of language, and the cultural charm of classical poetry is first and foremost its linguistic beauty. It is embodied in its rich rhetoric, precise and concise expression.

Confucius Ziyun: "Words have no words, and the line is not far", Lu Ji said in "Wenfu": "Poetry is beautiful and beautiful", "Its words are also noble", Liu Xian's "Wenxin Carving Dragon".

It is even more direct to point out: "Love is prosperous with things, so righteousness must be elegant; Things are based on feelings, so words must be beautiful", emphasizing the importance of poetry and words. Therefore, classical Chinese poetry is used to enhance the artistic appeal of poetry.

The story of the word "scrutiny" in Jia Island's "Bird Staying in the Pondside Tree, Monk Knocking on the Door under the Moon", Wang Anshi's "Spring Breeze and the South Bank of the Green River."

The story of changing the poem with the word "green", the poem Saint Du Fu.

For human nature, the words are not shocking and endless! It expresses the ultimate pursuit of accurate, vivid, and refined poetic language.

The linguistic beauty of classical Chinese poetry is also manifested in its formal beauty and phonological beauty. The creation of any literature and art must be embodied in an external form and specific structure, and the creation of poetry is no exception. In particular, the Chinese language has a feature that is significantly different from the pinyin script commonly used in the world, that is, it uses monosyllabic characters, and the words are collocated with each other to form words, and the words are then composed of sentences, and from sentences to form texts.

Therefore, for Chinese literature, the most basic ingredient is the character. In order for poetry to be fluent, harmonious and catchy to read, it is necessary to first study the words and the rhythm between words. Therefore, we often see that classical Chinese poetry often uses rhetorical methods such as double voices, overlapping rhymes, overlapping words, metaphors, and duality.

It also requires that the poems and phrases are consistent in length and neat and symmetrical in terms of confrontation and rhythm, which is not only easy to remember, read aloud, but also rich in the beauty of rhyme.

From the "Book of Songs", how can it be said that there is no clothes? with the Son. How can you say that you have no clothes? With the Son. How can you say that you have no clothes? with the Son. ", the leaves are pale and white.

for the cream. The leaves are green, and the white dew is not dawning. The leaves are picked, and the white dew is not over. "By the time of the Wei, Jin, Southern and Northern Dynasties, Cao Cao.

"Qingqing Zijin, leisurely my heart."

Yo yo deer chirping, eating wild apples. ”。At the beginning of the Tang Dynasty, metrical poems in the strict sense appeared, and the poems began to form a standard that paid attention to plainness and rhyme, with a fixed number of words and a certain format in terms of structure.

Eventually, the rhythmic poems that emphasized form and rhyme became a basic form of ancient Chinese poetry, and later the words of the Song Dynasty and the songs of the Yuan Dynasty had a unified tone and music cards, which were expressed according to different words and tunes. The form and rhythm of the poems, the importance and urgency, the length and the shortness, the modulation and frustration, and the harmony of the rhyme, greatly enrich the expressiveness and artistic beauty of the poems.

During the Spring Festival, "Chinese Poetry Conference" once again set off a ratings boom. The reason for this is that the "Chinese Poetry Conference" attracts people with its model and retains people with its charm.

"Chinese Poetry Conference" reverses the obscurity and difficulty of previous programs such as "Chinese Character Dictation Conference" and "The Strongest Brain", from the well-known swan song of the ages to the carefully selected cultural knowledge, which makes the program closer to people's lives. This kind of selection of materials lowers the audience's rating and understanding threshold, deepens the audience's impression of ancient poems that they don't know anything about ordinary books, and imperceptibly buries the fire of knowledge in the hearts of the audience. At the same time, the innovation of the competition system has achieved a successful model, which not only selects the winners, but also forms the framework of the narrative structure of the show, making the show suspenseful and interesting at the same time.

This is the original form of the "Chinese Poetry Conference" - the inner circulation fighting ring competition. At the same time, after the contestants answer the questions, the guests will introduce the connotation of the poem and give a wonderful interpretation of the poem. In this way, the "Chinese Poetry Conference" has changed the "high-minded" preaching tone of cultural propaganda in the past, combined the entertainment program mode with cultural communication, and the audience's sense of distance has disappeared.

If this kind of program has a good reputation in the hearts of the public, the masses will eventually discover the cultural precipitation in the poetry culture, regain the cultural heritage of poetry, and integrate poetry into life.

But what is even more beloved is that this show has a thick cultural connotation. Chinese poetry has a long history, whether it is the artistic conception of the poems or the thoughts and feelings expressed in the poems, they all condense a legend in people's hearts. This is like a quaint and old book with a new packaging, people want to see it, and are attracted by the beautiful sentences and literary treasures in it, and they are also captivated by its thousand-year-old beauty.

Ms. Meng Man, an expert guest of the China Poetry Conference and the keynote speaker of the former Hundred Schools' Forum, believes that the poetry gene flowing in the blood of Chinese is still there, and once there is a form to display it, it will form an eruption. What's more, on the road to happiness, in addition to the power of struggle, "poetry and distance" are also needed. Obviously, the popularity of "Chinese Poetry Conference" precisely reflects the great vitality and appeal of 5,000 years of excellent culture.

Excellent traditional culture is a treasure accumulated in China for thousands of years, and it brings us a subtle and deep-rooted influence. The "Chinese Poetry Conference" is such a carrier, awakening the cultural factor in people's hearts and retaining the hearts of the audience with the charm of Chinese poetry culture.

"Chinese Poetry Conference" attracts people with its model and retains people with charm, so that the audience can regain the cultural heritage of poetry and make variety shows go to a higher level. It is hoped that the cultural trend caused by the "Chinese Poetry Conference" can go all the way, so that the ancient poetry and poetry will be rejuvenated and energetic, and "poetry and calligraphy in the belly" will become the pursuit of more people.