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The middle class, from ancient times, the likes of operas belonged to the lowest level of society, and most of the writers and screenwriters also communicated with the plays, social class.
The level is not too high, and now that the society attaches more importance to literary knowledge and the social demand, the social status of writers and screenwriters has risen to the middle class.
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Now the working class is relatively free compared to ordinary people, and it can also be said that there is no tomorrow today, and it will be open for half a year. Not open waiting to starve. In this age of the Internet, literati are not worth much, because everyone can become a writer, a screenwriter.
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Let's talk to people about it, now everything is material, money is in front, and those who can earn money are superior, and those who can't be inferior. If you put aside this writing and only look at the spiritual level of the cultural industry, it is all high-level. It's just like the fact that society now allows children to learn big Chinese.
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Writers and screenwriters are still relatively decent, belonging to the upper middle social class, but the actual living conditions are average.
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Before I became a writer, I thought the author was so powerful.
After becoming a rookie author, the readers are all uncles.
Screenwriters are all great gods.
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First, the work object is different.
1. Writers, the object of work is material. Writing is a holistic system of collecting, processing, and outputting information.
2. Screenwriters, whose work objects are completed literary works, complete stories, specific historical plots, etc.
Second, the audience for which the work is read is different.
1. Writers, whose works are directly facing all readers.
2. Screenwriters, direct works are limited to producers, directors, actors, and other film and television performers.
Third, the treatment is different.
1. Writers, all imagination and reality such as stories and pictures are transformed into words.
2. Screenwriter, transform words into stories and pictures that can be presented. Express a certain content in the form of a script or manuscript, and be good at using audio-visual modeling to express things, making it more suitable for film and television performance.
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First screenwriters and writers are two different things, and then similar. A screenwriter must be able to write a series of literary works such as **, prose, poetry, etc., and writers can also write plays. After all, it's all pen work, but it's not difficult to write, but it's not good to write well. I think there are quite a few reasons for this.
First, the thinking is different, the writer is mainly literary thinking, while the screenwriter is often based on picture thinking. Maybe the literary nature of drama screenwriters is stronger, but whether they are traditional writers or not, they must also consider the issue of stage presentation. But its literary character is mostly reflected in the lines.
And the thinking of film and television screenwriters is more graphic.
Second, the way of writing is different. The language is often explanatory, or rather emotionally descriptive. But the screenwriter's writing style is mainly descriptive, without any embellishment, and the script of a good screenwriter is very dry.
All emotional changes need to be externalized for presentation. When I was studying, I slowly developed the habit of whitewashing. Don't write about unused explanatory language, and don't write about unclear emotions.
For example: "The heart throbs, eclipsed" and we would write, "He bowed his head, did not speak, his body trembled, and his hands pinched the corners of his clothes". Because the previous way of writing will be asked by the director and actors:
How to act! Third, the creative mode is different. Writers tend to work independently. And TV series, movies are often team creations.
Moreover, after the script was completed, I also received changes from the director and the actors to create the second time, and the problems encountered during the actual shooting. It's also quite restrictive. Most of the stage playwrights are also done independently, but they are also subject to theater restrictions, and many stage plays are actually completed in the theater.
Fourth, the purpose and audience of creation are different. The purpose of literary creation is textual expression, and the audience is relatively targeted, such as Han Han for young readers under 20, and Wu Qing for niche literature and art lovers. And what the audience gets is basically first-hand content, of course, there are ingredients, but relatively from the original content of the writer.
The script serves the shooting and theater, and the content has a broad audience difference, which is similar to literature, but the actual user, that is, the narrow audience, is the filming crew or theater company. So most readers are not used to reading scripts.
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Screenwriters pay attention to storytelling, and what they write is film or television literature, which can not be artistic, but must have a story. The writer pays more attention to literature and artistry, take ** as an example, the story he writes may not be the best, but the literary and artistic nature he expresses or conveys must be valuable.
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The so-called writer is a person who writes an article and writes a certain fame, and he writes it himself. The screenwriter, on the other hand, does not have to write it himself, he can take the books written by others and change them into scripts.
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The writer pays attention to the details of the story, and the screenwriter pays attention to the plot of the story.
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Screenwriter creation must eventually be on the screen and stage.
Writers create in the final form of words.
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The main tasks he is engaged in include:
1) Go deep into life, study the history and current situation of social life phenomena and characters;
2) Analyze life phenomena and characters from a unique perspective, and form clear ideological intentions and dramatic art ideas;
3) In the form of literary representation, with dramatic actions full of dramatic conflicts, to structure the storyline and shape the characters, or according to the creative intention and purpose, to cut the original work, rearrange the plot of the old school, and shape the characters in the play;
4) Adapt to the characteristics of intuitive and public viewing of drama, and strive to have ideological, artistic and ornamental plays.
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The writer is a simple form of writing, and the screenwriter also has some research on camera movement, scenery, sound and image on this basis. A crew points to the screenwriter to eat, this is a job that is better than the director, because there is no way to shoot simply by taking a **, the screenwriter must carry out secondary creation, and the screenwriter can also produce works alone. This is a broader industry than writers, although a person can become the person you want to be as long as you spend time and energy, but screenwriters can't, you must have a serious background.
All the work in a crew depends on the screenwriter's script, including post-editing. And adapting ** into a script is not just a simple story development, the camera from **, what background is used**, and character montage.
Some professional crafts such as time reverberation are far from being comparable to ** writers, but a good spinning drama is not necessarily more famous than ** authors, there are historical reasons for this, so I won't say more here. <>
A screenwriter can become a writer when he picks up a pen, but a writer can't become a screenwriter anyway, at most he can become a film and television director. The screenwriter is like a builder, he really builds what the writer portrays, which is a very difficult thing. It's like I don't say.
It's the same as the countryside written, but you don't know what kind of countryside it is, you can only rely on fantasy to support the whole story, and the screenwriter is to build it all in front of you. <>
Before, no, noJourney to the WestWhen it comes to TV dramas, we all know itMonkey KingIt's a monkey, but what kind of monkey is itHuaguo MountainWhat it looks like, whether the camera stays put, or follows the characters, these are all things that the screenwriter needs to do. And writers generally believe in the reins, the paper follows the ink, as long as the writing makes you understand, and the screenwriter wants to depict all these emotions, expressions, movements, and camera movements in detail and present them to the audience.
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There is not much difference between the two, they both rely mainly on rich imagination to work, I think a writer can be qualified for the role of screenwriter, because a writer writes a book, which requires a rich imagination, and a screenwriter also relies on a rich imagination to write about the subject, so I think I can be competent.
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The screenwriter is faced with the text that is about to be made into a film and television work, and the writer does not need to consider this "filmability" when writing, although both are "storytellers", but the presentation method is different, and the aspects to be considered are also different. The writer thinks about restoring the story, and the screenwriter thinks about whether it can be filmed and the effect of the film.
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The screenwriter needs to turn the words in the book into a coherent scene, if the writer is trained, he can become a screenwriter, after all, the writer also has writing skills.
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A writer is not qualified for the role of screenwriter, because the writer is responsible for how to use words to make the story more vivid and beautiful. The screenwriter is responsible for showing the important plot of the story, the psychology of the characters, and the expressions.
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Writers think about words, and screenwriters think about pictures.
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There is still a big difference between a professional screenwriter and a writer:
1. A writer is to create a literary work of his own;
Screenwriting is often an adaptation of the work of a writer.
2. The writer focuses on the power of literature and text description;
The screenwriter needs to use the language of the characters to describe the characters and stories vividly.
3. The writer's work can have gorgeous descriptions and foreshadowing of scenes;
The works of screenwriters often only have a simple description of the environment, and the most important thing is the dialogue of the characters.
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The former is called a script, which is the blueprint for the filming of film and television dramas, dramas and other programs.
The latter writes something called **, and is a pure literary and artistic creator.
**The subject matter is different from the script,**When the reader reads, he will substitute **the world and make up some scenes in his brain. And some scenes in the script are detailed and fixed, which is not suitable for reading, but suitable for shooting for people to watch.
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A profession is a type of work that turns a writer's work into a work that can be filmed into a TV series, and in principle, both are writing essays. The difference is that it was made up to film for people. A writer, on the other hand, is primarily writing, and his works are for readers to read.
One is for people to read, and the other is for people to see. One is artistic conception and the other is visual. Two different jobs, bringing the same story to the public.
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Professional screenwriters write scripts, which express the overall design of programs or films and television in the form of words, and screenwriters pay attention to the expression of films, television, advertisements and so on. A writer is a person who writes a work based on his own ideas, focusing on the literary.
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I think professional screenwriters tend to write more of a kind. Compare real and real things, because they want to write TV series or movies, and they want to shoot them to meet the public's aesthetics, while writers are different, because they can create as they want through their own inspiration, and they can mainly create excellent works.
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Professional screenwriters are screenwriters who adapt literary works into film and television dramas, dramas, and plays.
A writer is a pure literary worker, creating literary works.
Both are cultural communicators and recorders, and both are linked to art, even if many jobs are replaced by artificial intelligence in the future, there is no substitute for the intellectual work of text creators, screenwriters and writers.
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A writer writes a lot of times with his own thoughts and background, and the works he writes will be more in-depth and powerful, while a professional screenwriter, he just wants to make the story look more tense, attractive and eye-catching, and his goal is to make the script a big hit, so there will be some strange plots.
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The former mainly completes the overall design of the program in the form of text expression, which can not only be an original story, but also an adaptation of its own story (authorized by the original creator), using audio-visual modeling to express the relevant processes and techniques of things, highlighting the story center and shaping the character through TV, film, animation and other platforms. The latter is purely a literary creation that is inspired by feelings and improvised.
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In fact, dad and mom are worried, people at that time were a little conservative, and it is not as simple as you think to break into the roots, if you really make up your mind, talk to them, give them and yourself a plan and deadline, I think they will support you, even if you don't say it.
Wen Tingyun, 812-866, also said 870, in the late Tang Dynasty, in the short fifty or sixty years after his birth, the Tang Dynasty went through seven emperors of Xianzong Li Chun, Muzong Li Heng, Jingzong Li Zhan, Wenzong Li Ang, Wuzong Li Yan, Xuanzong Li Chen, and Yizong Li Yi.