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There is indeed such a statement, but it is a bit too much to say that it is unlucky, and it can be avoided. The so-called unlucky is probably greedy for cheap, buy inferior guqin, some businesses are greedy for violence will use chemical paint, individual inferior chemical paint contains a large number of toxic ingredients (the same as not living at home after decoration), contact time has a certain impact on the body. As for the word unlucky ...
Qin, chess, calligraphy, painting, and piano as the head, the guqin has been loved by the literati and scholars since ancient times, and at that time there was no unlucky guqin to say, how can there be an unlucky saying in the era of abolishing the cow, ghost, snake and god.
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On the contrary, the guqin can be said to be a town
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It's all rumors and can't be trusted.
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Since playing the piano, I have really become frail and sickly, and I used to be able to carry a bag of rice on one shoulder, but now I can't lift it with others.
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It will be auspicious to play the Pu'an spell more often.
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People are scary, and things will happen. Don't look for these objective reasons.
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Your friend must think that it is good luck to put a piano and a violin.
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The fitting style personally feels very elegant and does not feel like a coffin board.
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I bought it just right, and it is obviously simpler and better than other styles.
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Don't go to the crematorium in the middle of the night to play the piano.
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Tell your friends to stop playing with their phones, it's unlucky to play with their phones.
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Wouldn't there be anything wrong with having musical instruments in our country at home?
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The guqin is a Taoist instrument, why is it unlucky? Just look at the books or materials on this subject.
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No, I haven't heard of bad luck.
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Look at yourself, what should you do.
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Summary. Hello dear, the taboo of the guqin refers to: one taboo cold, two taboo heat, three taboo wind, four taboo heavy rain, five taboo thunder, six taboo heavy snow.
Seven don't play means: don't play at the funeral, don't play for people, don't play when you're entangled in things, don't play if you don't take a bath, don't play if you don't dress neatly, don't play if you don't burn incense, and don't play if you don't meet a bosom friend. The Eight Absolute Refers to:
Clear, strange, secluded, elegant, sad, strong, long, long.
Hello dear, the taboo of the guqin refers to: one taboo cold, two taboo heat, three taboo wind, four taboo heavy rain, five taboo thunder, six taboo heavy snow. Seven does not play refers to:
Don't play at the funeral, don't play for people, don't play when you're entangled in things, don't play if you don't take a bath, don't play if you don't dress neatly, don't play if you don't burn incense, and don't play if you don't meet a bosom friend. The eight uniques refer to: clear, strange, secluded, elegant, sad, strong, long, and long.
In ancient times, there were many taboos on the guqin: "if you don't sit upright, you can't play", and you must be sincere when playing the qin; "Untidy clothes are not played", clothing is a sign of shame, and untidy is rudeness; "The piano does not hold a banquet", there should be respect for Yale, and you can't drink and have fun wantonly; "Don't play with vulgar things", have a certain cultural taste for life; "When you encounter business, you don't play it" is the idea of valuing agriculture and suppressing business in feudal society, and it should be changed today.
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Guqin is divided into Fuxi style, Lingji style, banana leaf type, Zhongni style, Lianzhu type, Luoxia style, Shennong style, Shikuang style and so on.
1) Fuxi style is a kind of saint man-made piano, the shape is very close to the Shennong style, the shape is round and simple, the waist has a half-moon shaped bend, the timbre is broad, there are two continuous bends, and the other parts of the body shape are almost exactly the same as the Shennong style.
2) Lingji style for the Han Dynasty Liang Luan, is one of the most popular guqin styles in the past dynasties, the head of the piano is a common round head, from the head to the shoulder adduction of the semi-gourd shape, the waist adduction into a circular arc.
3) Banana leaf style is said to be created by Liu Bowen of the Ming Dynasty, the head of the piano has no palm and has a petiole, the bottom of the piano imitates the stem of the banana leaf, the shape is exquisite and beautiful, and the sound of the piano is mellow and elegant.
4) Zhongni style is the most common style of guqin, which belongs to the category of saint man-made qin. It is the most concise of all the pianos, only in the waist and head of the piano body with two concave lines, the whole body does not have any other modification, the shape is simple and simple, the sound is elegant and pure.
5) Lianzhu style is said to be created by the Sui Dynasty Yishi Li Su "Mr. Lianzhu", the shape is exquisite and gorgeous, and the waist is bent into three and a half moons in a row, just like Lianzhu.
6) Luoxia style belongs to the literati artificial piano, the two sides of the piano are symmetrical wavy curves, the sound of the piano is majestic and loud, suitable for the performance of more grand and bold music.
7) The Shennong style is said to be made by the Yandi Shennong, which belongs to the category of saint piano, the upper part of the piano is directly connected to the headstock from the shoulder part, and the lower part is roughly bent at the swallow's foot part, which is very concise.
8) Shi Kuang style, also known as "moon qin style", is said to be made by the great ** family in ancient China, the body of the piano is made in the shape of a full moon between the waist of the neck, the shape is peculiar, and the rhyme is like a chime.
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1.The wind and rain are very strong, and the sale is not bombed.
The sound of the wind is dry, and the sound of the rain is clumsy, so it is not played. What's more, because in the wind and rain, people often can't be calm, and there is an expression that hurts the heart of the piano. So in this case, the pianist often does not play the piano.
2.This is because the dust market is noisy, noisy and quiet, and the collapse is tacky and heavy, which is contrary to the taste of qin culture. So in this case, the pianist often does not play the piano.
3.For vulgar people who don't play the vulgar market, they don't understand the taste, they don't know the customs, and they can't understand the wonder of the piano, so they are naturally not friends. Therefore, pianists often do not play the piano to vulgar people.
4.Don't sit or play.
This is because playing the piano is the expression of the mind, which naturally requires stability, calmness, and no frivolity. Therefore, the pianist often does not sit or play the piano. 5.
Not dressing and not playing the piano is the art of the soul. As the embodiment of the soul, nature should be solemn and natural, pure and free. In order to achieve such a state of mind, pianists often have to clean their bodies and minds and wear loose and comfortable clothes when playing the piano.
Guqin, which contains rich and profound cultural connotations, has been a favorite utensil in the hands of ancient Chinese literati and scholars for thousands of years. The special identity makes qin music a form with high cultural attributes in the entire Chinese structure. "Harmony and elegance" and "lightness" are the aesthetic tastes flaunted and pursued by qin music, and "the purpose outside the taste, the rhyme outside the rhyme, and the sound outside the strings" are the essence of the far-reaching artistic conception of the qin defeat.
Tao Yuanming's "but knowing the piano is interesting, and He Lao's strings are on the sound" and Bai Juyi" are tasteless and pleasant. Leave it to yourself, and don't let anyone listen to it." On the contrary, people often use "playing the qin to the cow" and "burning the qin and boiling the crane" to lament the ignorance of some people.
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There are eight ways to play the guqin, which are pressing the strings, plucking the strings, plucking the strings and holding the strings, plucking the strings, plucking the strings, plucking the strings, plucking the strings, and plucking the strings.
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Qin, chess, calligraphy and painting are the four arts of ancient Chinese literati, also known as the "four arts of gentlemen", and the qin ranks first.
There are many stories about the guqin, and Boya was a famous qin master at that time in the Spring and Autumn Period, and was called "Qin Immortal" by later generations. The story of Boya learning the piano on Penglai Island also makes people understand the wisdom of "observing the world and learning from nature". The story of him and the woodcutter Zhong Ziqi meeting at the Qintai of Hanyang Wolhu Lake and being regarded as bosom friends has been passed down to this day.
During the Three Kingdoms period, Zhuge Liang sat on the city tower, opened the city gate, calmly played the piano and sang songs, staged a song "Empty City Plan", and repelled Sima Yi's 100,000 army. During the Wei and Jin dynasties, Ji Kang of the Seven Sages of the Bamboo Forest was framed by Sima Zhao, and before his execution, he calmly played the sound of Guangling, which moved the heavens and the earth, and frightened the ghosts and wept gods.
These guqin anecdotes allow us to appreciate the spiritual realm of ancient Chinese literati and scholars on the art of guqin. The ancient literati paid more attention to the appreciation of the art of qin music, and "burning incense and playing the qin" embodies a kind of "purity"."Quiet", Cai Yong of the late Han Dynasty said in his "Qin Exercises": "Xi Fuxi's work is the qin, so self-cultivation and rationality, return to innocence."
In ancient times, playing the qin was also called "hand talk", which means that when playing the guqin, it is like two people talking, but they are talking with their hands and pouring out their hearts. The holder of the qin conveys the true feelings of the heart through **, just like some inner words cannot be casually told to another person, and playing the piano is not played casually, the guqin pays attention to the flow of the breath of nature, so the guqin has a saying of "six taboos, seven do not play".
Six taboos: cold, heat, wind, rain, thunder, snow;
Seven do not play: smell mourning, for fun, redundant, not clean, untidy, do not burn incense, do not meet bosom friends.
The six taboos are to pay attention to the natural environment, and the wind, snow and cold and heat environment are not in harmony with the artistic conception of **, so they do not play. Seven do not play is to pay attention to people's self-cultivation, great sorrow and joy, do not pay attention to modification, inner breath is not peaceful, in this case do not play. The last one, if you don't meet a bosom friend, you don't play, is to tell people that for those who don't understand the elegance and don't know the customs, it is difficult to understand the wonder of the piano, so naturally you don't want to be a bosom friend, don't "play the piano to the cow".
Guqin art pays attention to the realm of "the unity of heaven and man" and "the connection between heaven and earth"; Therefore, compared with other Chinese musical instruments, the guqin ** more deeply reflects the profound heritage of traditional Chinese culture and shows the spiritual realm of a gentleman's self-cultivation.
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In most new instruments, the timbre gradually improves as you play – it becomes more thorough, it becomes more polished. This is because the wood fibers are slowly rearranged and recombined when shaken. The general piano will improve significantly after 2 to 3 months, and it can basically be played and played thoroughly after 2 or 3 years.
Therefore, I have also seen many friends who have practiced for a few years with the practice piano bought at a low price, and they have played the sound quality very thoroughly, and they are reluctant to change the piano.
But not all new instruments are the same, it has to do with the wood, other materials and the treatment of the luthier. Some of them will be louder and louder, some will be more gentle the more they play, and some will turn from floating to sinking. Some of them were good at the beginning, but they didn't improve in 10 years; There are also those that will improve at the beginning and then regress.
For the unearthed cultural relics, it is said that the sound quality will be better after playing a few times, hehe.
The curvature of the surface is moderate, which is convenient for the lower finger to press the strings; The spacing between the strings is moderate, the hand is smooth, and the emblem position is accurate. All of them require strict attention when choosing.
The mastery of strumming the strings, this is several orders of magnitude more difficult than the big horizontal press, and it takes quite a long time, even several years, to sweep well. This confirms the saying, "The real difficulty of the guitar is in the right hand, not the left hand." >>>More
I don't think there's such a statement, because it is not credible, and there are no such people.
We were all very happy about nothing, the most important thing was that I met the right person and did the right thing, laughing together was loud and there was almost no reason to cry when we were not together, I wish my people happiness.