How to correctly observe a still life in a sketch still life?

Starting with the position of the still life in the whole picture, and grasping the relationship between the object and the composition, beginners can use the box to outline the approximate position distribution.

In addition, it is necessary to observe the direction of light and shadow, determine the distribution of light, dark and gray sides, and pay attention to the observation of reflective surfaces and some details.

The second is the general outline, sketch the shape of the object in your mind, it is best to draw a general outline on paper, seek truth from facts when composing, draw what you see, don't imagine it out of thin air, and focus on observation.

Observe"="Think"

In fact, the process of observation is also the process of painting!

Then how to observe a sketch still life becomes how to sketch a sketch still life.

aComposition: how to frame, size ratio, what to draw, what subject, feeling, what kind of tone.

b Performance: the need for expression methods and textures.

c...Observation is a means of our perception, and like touch, the purpose is to express.

Sketching is done through our eyes, nose, ears. These senses, which receive information, are expressed in (hand) body language, and the result is what is on the picture.

There is often a saying: the eye is the hand.

I found that many questioners couldn't ask more specific questions, they didn't understand it, and they could solve it if they could refine it.

To paint, use all your senses to see and feel.

With your eyes and with your heart.

111. Carefully observe the relationship between size and size and measure it out with a pen You must know this.

222 There is also the change of light and shade and the contrast between the light and dark of the objects before and after. The small dark part of a dark object with a pattern is darker than the overall dark part. You have to pay attention to this.

333 Draw the texture of a still life in detail This is very important, and you can know what the texture is at a glance. You can take denim and plaid to practice it. Hehe.

A 444 master can draw an apple for a long time, and he can find many things that can be painted and changed. (This is what a teacher from the design department of China University of Geosciences said) So be meticulous (about style issues).

When drawing, you must stick to it. I wish you a speedy success!

I also agree with the statement upstairs, but I would like to add that observation and thinking can be from the perspective of framing, the picture should highlight the subject, and then determine the size ratio, the distance between the front and back, the texture, the expression method, etc. according to the subject.

Drawing is the basis of painting, the skeleton of painting; It is also the art that is most temperate and most in need of the assistance of reason. Let me introduce you to the steps and precautions of sketching still life, I hope it will be helpful to you!

Sketch still life sketching steps and precautions

Stage 1: Drafting the composition and sketching the outline

1.In the beginning, try to draw the outline line with long, straight lines, which are summarized into simple geometric shapes, such as rectangles, triangles, trapezoids, etc.

2.Don't draw the outline too rigidly and too solidly, use a soft pencil to draw straight lines, and draw the transition line and the boundary line between light and dark.

The second stage: laying out the general light and dark tones

1.Use a softer pencil to line along the line between light and dark, i.e. use a pencil of 5b or more at the beginning and a harder pencil of 2b or less for in-depth engraving.

2.Try to use long lines and rows of paintings, layer by layer, don't draw to death at once, and have a sense of breathability.

3.Pay attention to the background painting at the same time as painting, and at this time, the place where the background and the edge line meet, you can repair the outline line more accurately by processing the background.

4.Transparent objects such as glasses should be drawn along with the background.

5.Apples should pay attention to the treatment of apple handles, apple sockets and backlit rather than reflective places.

6.Always be mindful of the whole, rather than going deeper and deeper in one place. The curtain should also be painted when it is time to start painting, pay attention to the transition lines, and then adjust the tone according to the black, white and gray.

The third stage: meticulous processing

1.More explicit portrayal of light and dark boundaries, projections, reflections and contours.

2.Pay attention to the excessive tone to be natural, and you can change it to a pencil such as 2b, 3b, or 4b.

3.The eraser is not only a modification tool, but also a modeling tool, toilet paper is conducive to a clean and tidy picture, and at the same time can make the pencil ink line naturally melt into the paper.

4.The repair of small details should be carved with a fine pencil. The line direction follows the turn of the object'Direction.

5.The projection cannot be painted as a dead black, it has a strong relationship between the virtual and the real, which is mainly reflected in the connection with other objects.

6.To draw a plate, draw the thickness of the plate, not a piece of paper. The lines should also have changes in the virtual and real, rather than the same thickness as far and near.

7.Where objects meet, especially where two or more objects meet, the junction should reflect a strong contrast of light and shade.

8.Regardless of the type of object, to highlight this image, it is necessary to emphasize the contrast between black and white.

Stage 4: In-depth portrayal

Pay attention to the overall effect, pay attention to the contrast between light and dark, and emphasize the effect of the light source. You can use a stiffer pencil for more delicate transitions.

The sketching steps for a sketch still life are as follows:

1. Observe the characteristics of the apple first, regard it as an irregular sphere with a square in a circle, observe the outer contour of the apple, and compare the length and width ratio of the outer contour of the year. Use straight lines to compose the picture, cut out the basic shape of the apple, and don't be disturbed by the small shapes and subtle turns.

2. Find out the boundary between light and dark of the apple and the shape, position and size of the projection. Pay attention to the thickness, weight, and change of the virtual and real lines (just use the side of the pen to draw). Draw the dark side of the apple with oblique lines, so that the picture has a basic relationship between light and dark.

3. Continue to go deep into the dark part, strengthen the dark part of the apple and the depth of the projection, find out the light and weight changes of the light and dark junction line, the weight of the projection contour line, and the change of virtual and real.

4. In-depth depiction of the structure, shape, virtual and real changes of the apple, shaping the sense of the apple block, and in-depth shaping around the shape structure. Pay attention to the expression of the inherent color, texture, light, volume and space of the object.

As the most common object in still life painting, apples are one of the still lifes that beginners must master, and they are also one of the test points that must be tested in the art examination. Sketch apples tips, in the in-depth stage of the depiction of apples, pay attention to the shape of the projection, as well as the performance of reflection, do not draw too much, grasp the line arrangement, loose performance is more natural.

Summary. Please briefly describe the methods, steps and key points of still life sketching, short answer questions, sketches. Report. Good.