Appreciate Pan Tianshou s work Lu Qi points out the language of fine art

On June 18, 1958, Pan Tianshou was appointed as an honorary academician of the USSR Academy of Arts, and painted this painting on July 14. "Dew" is innovatively conceived, and the layout has a surprisingly winning beauty. The upper left corner of the picture is inscribed to form a rectangular structure and sealed with a seal, so that the whole situation has the charm of starting and turning.

The painting does not render the dew, but uses hearty brush and ink to point out the atmosphere of dew. Inscription: "Yesterday morning, I went to Kangqiao Township in the middle of the mountain to visit the early rice harvest, and saw the hibiscus growing in the pond at the edge of the village, such as the one planted in the jade well at the head of Huayue Peak, which is very lovely."

After returning, he wrote this to commemorate, but it was limited to the size and failed to get its rough and vigorous appearance, but helplessly. On July 14, 58, the great heat of life, the longevity of the people in the Zhizhi Hall. "Zhizhitang" is the name of the artist's Hangzhou residence studio, which is intended to warn himself that he must stop in the face of honor.

For example, in his "Male Vision": in the vertical composition, the protagonist eagle is arranged at the top, forming a precipitous feeling with the inverted triangle of mountain rocks, and the lower left corner is echoed with pine needles to produce visual balance; In the use of language, the long lines of the mountain stone contrast with the ink blocks of the eagle, and the dots are transitioned in between. All these constitute the rhythm, rhythm, contrast and balance of the picture, that is, the formal relationship between opposition and unity.

In terms of composition and subject matter, his works pursue the artistic characteristics of strangeness, steepness and stability in danger.

Health, but only to relieve arthritis.

1) Pan Tianshou's flower and bird paintings are majestic and strange, with profound traditional skills. (2) Decisive and concise with a pen, with the characteristics of vigorous, concise, spicy and jerky. (3) Make good use of thick ink, occasionally use scorched ink and broken ink, dry and wet shades are appropriate, vast and heavy.

4) Pay special attention to the layout of the picture Zheng infiltration code, and shout that the ant management is rigorous and surprisingly successful.

Cheng Zhai Poetic Modern Pan Tianshou What kind of expression is used in this work? 3 points this.

Pan Tianshou's finger painting mainly uses dots and lines as the main expression techniques, and this expression technique mainly relies on the use of his fingers. Large-scale paintings can be expressed with all fingers, while small-scale paintings need to be combined with dots and lines, and they can't be completed by fingers alone, but also need the cooperation of fingertips, so general finger paintings will need to use both nails and fingers, so that the combination of rigidity and softness can make the painted paintings feel and not be so rigid. Because the finger can not store water, so the long line is all made of **, we see that the lines in the picture will be intermittent, like a paragraph is not a paragraph, like a continuation of the non-continuous, like a curve is not a curve, like a straight is not straight, or thick or thin, such as a cone painting sand, such as the worm's wood, such as the tadpole's text, such as the traces of the house leakage, with a special dignified and ancient meaning, extremely natural, not the brush can be expressed, nor can it be made by manpower, this is the difference between the finger drawing line.

When admiring his paintings, it is not difficult to find that his lines are strong and flexible, with circles in the square, like folded hairpin strands, although bent and continuous. His finger strokes and strokes, if you are not careful, will mistake the strokes for finger paintings.

Cheng Zhai Poetic Modern Pan Tianshou What kind of expression is used in this work? 3 points this.

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Qincheng Zhai poetic modern Pan Tianshou What kind of expression is used in this work is as follows: use, he and flowers and birds, always very generous, sharp and sharp, such a square boulder full of a formation in Pan Lao's works, exquisite sketches can be described as brilliant! Turning the pages of small paintings, you can experience Pan Lao's carefully brewed layout in each painting, the ingenuity of creating danger and eliminating danger, the interest of color and ink, the ancient and powerful lines, and the staggered and orderly inscriptions.

Here is a piece of Pan Lao's lotus works, lotus as a beautiful and has many meanings of flowers, painters of all dynasties like to depict, there are beautiful colors of the fine brush heavy color painting, there are light lines and light ink of the combination of small freehand paintings, colored ink combined with large freehand paintings, there are splashed ink heavy color of the big splash ink paintings, there are pure ink painting depictions, each has its own way to take, and each family also has to clearly express their own artistic language of the work display. Pan Lao's lotus body shows the ingenious combination of flowers and leaves, the composition is bold, dare to create, the cloth is left blank, and it feels relaxed, creating a picture of the lotus pond scenery that is completely natural, fresh, bright and hearty, this beautiful picture is impressive, and it will be unforgettable, and the feeling of lasting freshness! The cyan lotus leaves, accompanied by the leaf tendons outlined by the ink line, the lotus leaf painting is alive, and there is a fresh breath of life.

The petals outlined by the rouge lines can clearly see that the colorful petals are blooming in the morning sun. The lotus canopy painted in the color of garcinia cambogia makes people think of the ripe lotus seeds neatly placed in it, as well as the stamens embellished with burnt ink, which further reflects the graceful petals. can only shoot the case, wonderful!

Wonderful! Pan Lao's work, with the same longevity as the sky! Hope mine can help you <>

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Qi Baishi's painting of shrimp is fascinating, Xu Beihong's painting of horses is vivid, Zhang Daqian's painting of lotus flowers is exquisite, and Pan Tianshou's painting of orchids is wonderful.

Pan Tianshou's works of the top ten modern Chinese painters were selected.

1. Representative works:

Yandang Mountain Flowers", "Dew", "History of Chinese Painting", "Listening to the Poetry of Tiange", etc.

2. Character Profile:

Pan Tianshou (March 14, 1897 - September 5, 1971), the word Dayi, self-signed Ah Shou, Shou. Modern painter and educator. A native of Ninghai, Zhejiang.

In 1915, he was admitted to Zhejiang Provincial No. 1 Normal School and was taught by Jing Hengyi, Li Shu and others. Wu Changshuo, a beginner in freehand flowers and birds, later took Shi Tao and Bada, and served as vice chairman of the Chinese Artists Association and president of Zhejiang Academy of Fine Arts. for the first.

Deputy to the first, second and third National People's Congress, member of the China Federation of Literary and Art Circles; In 1958 he was appointed Honorary Academician of the USSR Academy of Arts. He is the author of "History of Chinese Painting" and "Essays on Painting in Tiange".

Mr. Pan Tianshou's inheritance is mainly Wu Changshuo, who was a beginner, and later took Shi Tao and Bada. Its magnificence can indeed see the shadow of these people. In terms of innovation, the use of color and ink has made breakthroughs compared with predecessors.

The biggest breakthrough should be the opening of the game. So people summed up this piece: bold brushwork, careful dotting. The ink color is criss-crossed, and the composition is fresh and beautiful, and the momentum is magnificent.

His inheritance is mainly Wu Changshuo as a beginner, and later as Shi Tao and Bada. Its magnificence can indeed see the shadow of these people.

In terms of innovation, the use of color and ink has made breakthroughs compared with predecessors. The biggest breakthrough should be the opening of the game.

So people summed up this piece: bold brushwork, careful dotting. The ink color is criss-crossed, the composition is fresh and beautiful, magnificent, and the fun is endless. The graphics are smart and engaging.

Pan Tianshou's paintings are mainly based on large freehand and large thick lines, and throughout his works, he uses the pen decisively and strongly, quietly and controllably, with the characteristics of being vigorous, upright, concise and spicy. He deeply experienced and absorbed the essence of the ancients' brush and ink, and also dissolved into a strong personality, especially in terms of momentum and power, and creatively developed the brush and ink tradition.

Pan Tianshou is good at freehand flowers and birds and landscapes, occasionally making figures, part-time calligraphy, poetry, seal carving, etc., all have high attainments. Its freehand flowers and birds beginner Wu Changshuo, after taking the law Shi Tao, the eight, the layout is dangerous, with the pen to wash and practice, the realm is magnificent. The composition of his works is fresh and beautiful, the colors of the brush and ink are crisscrossed, the momentum is magnificent, and the charm is full of fun, with a distinctive and unique style.

Western Europe and the East are different regions, different races, different skin colors, lifestyles, temperaments, customs and habits, Westerners say that there is no ink color in nature, but Chinese painting uses ink color to express objects, and ancient Chinese painted pottery is expressed with ink color; Wu Changshuo often painted peonies with ink and red, giving full play to the effectiveness of ink color, making the color change very complex and contrasting, reaching the most incisive degree.

Qi Baishi said that the beauty lies between the similar and the unlike, the pursuit of the god-like, not the superficial similarity, which is the characteristic of traditional Chinese art. Ink is the lord of the five colors, but it must be matched with white, then it is clear. Lao Tzu said:

Know the white and keep the black. Painting is done with the brush, rhyme with ink, and thick with coke, accumulation and breaking. This meaning is known to Xiangyang in the Northern Song Dynasty.

It is difficult to use ink to dry, scorch, moist and wet changes, and it must be dry and scorched and can be moistened, moistened but not diffuse, that is, the key to using ink. Ink is not water does not wake up, pen is not impermeable, wake up is clear and spiritual, luck is melted and there is no stagnation, the two can not be wasted. The color is easy to showy, not easy to be elegant, the ink is easy to be elegant, not easy to be vulgar, and the ink color matching is enough to help the difficulty of using color.

Ink painting, can be decent, black and white, dry and wet, and colorful, although colorless, better than colored, five colors are free, better than green, yellow, vermilion. Light color only for the clear, heavy color only for the ancient, know this, that is, to use the color of the extreme. Chinese painting has its own unique traditions and styles.

The study of Chinese art should be based on Chinese methods. For the basic training of Chinese painting, the first two points to be talked about for new students are:

1. Concentrate and immerse yourself in painting. Be determined to dedicate your life to art.

Second, we must be free from prejudice and learn from others' strengths.

The repetition of art is equal to zero!

The learning methods are roughly as follows: (1) to engage in the training of the technical foundation of Chinese painting; (2) Pay attention to the assistance of poetry and calligraphy; (3) Examination of the history and theory of painting, as well as the appreciation of ancient paintings and calligraphy; The final focus is on the cultivation of morality and mind. Perseverance, not seeking quick success, can naturally get the water to come true.

The foundation is real life, on the one hand, absorbing techniques from the ancients, and on the other hand, extracting the essence from the life of the natural world. Sketching should be written alive, not dead, and good works should be better than life. The paper and ink of finger painting are very different from those of strokes, which is where the interest of finger painting lies, that is, where its evaluation lies.

If you use your fingers as a tool for dazzling and exaggerating, and the paintings you make are similar to the strokes, why should you have finger paintings?

Finger painting is suitable for capitalization, and it is suitable for drawing simple and ancient themes. However, it is necessary to pay attention to simplicity but not simplicity, writing but not writing, in order to get the length of the finger drawing. Otherwise, it is easy to fall into monotony and sloppiness without any reserves.

The finger painting is a side path, and the first is unique between the finger and the ink, so it has not been abandoned since the height and the garden.

Finger ink is known for its solemnity and spiciness, which is difficult to reach by pen and ink.

Pan Tianshou's insistence on Chinese painting.