The relationship between Strange Tales and the cultural value orientation of the early Qing Dynast

This unique technique is used to describe life, to express thoughts and emotions, and to express opinions on reality.

I think the deep connotation of the story is the real situation of the society at that time, and the deepest thoughts of human nature.

The book "Strange Tales" is essentially a criticism of things in real life in the form of Zhiwei ** to express the author's dissatisfaction.

It is definitely not a criticism of the social phenomena of the time, it is a record or description of the world that mortals do not understand.

In the history of China, reasoning is an important link, which cannot be ignored from construction to contemporary times, and there is always its shadow, and in the early history of Chinese literature, "Strange Tales from Liaozhai" is the most important, no matter from the perspective of subject matter, content, thought, or influence on later generations, it is an important chapter in the history of literature. "Strange Tales".

It has a unique position in the history of China. It combines the traditions of Chinese classical legends and legends, absorbs the advantages of the vernacular, and forms a unique concise and elegant Chinese classical style, with vivid and lively language of the characters. It combines realism and romanticism.

Pu Songling and Maupassant.

Chekhov is known as the "king of the world's short stories".

Strange Tales has a unique position in the history of China. It combines the traditions of classical Chinese legends and legends, absorbs the advantages of the vernacular, and forms a unique concise and elegant classical Chinese style, with vivid and lively language of the characters. It combines realism and romanticism.

Pu Songling, Maupassant and Chekhov are known as the "kings of the world's short stories". In the development of Chinese literature, ** is an important literary genre, and its emergence has brought different spiritual sacraments to the general public.

In **, it can sometimes contain many other literary styles, the trinity of narrative, argumentative, lyrical, life expression. "There were two development systems in ancient China. One system belongs to the classical Chinese language, which began in the Six Dynasties and prevailed in the Tang legends.

A system belongs to the vernacular.

Starting from the discourse of the Tang and Song dynasties, it has developed into a long chapter.

In fact, it is impossible to exclude some of the vernacular when the vernacular coexists.

Mixed creations. However, the emergence of these two systems does not mean that they are completely harmonious.

On the contrary, in the long course of history, they have influenced each other, competed with each other, and even fought each other. Personally, the spread of these two forms of ** took place mainly between literati and calligraphers. The vernacular ** is more scattered among the vast number of poor people in our country, and the degree of its spread cannot be described in words, as long as you read the big sparrow, you can call it the reader of **, you can also call it a communicator, rather than two forms of competition, that is, the "encounter" between two social groups.

The influence of Liao Zhai Zhiwei on later literature is very great, and it also leads the trend of some ghosts and wild monsters; Literary scholars believe that the book uses the stories of ghosts and gods to tell the story of today's dark society, which has a great warning significance.

The influence of this book on later literature is very great, and the evaluation of this book by writers is very high, indicating that the literary value of this book is particularly high.