Discuss Farewell to Cambridge at a textual level

The golden willow on the bank of the river is the bride in the sunset (metaphor).

The green wattles on the soft mud, the oily ones swagger (anthropomorphic) at the bottom of the water

Loaded with a boatload of starlight, singing (exaggeration and metaphor) in the starlight colorful, the summer worm is also silent for me, and the silence is tonight's Kangqiao (anthropomorphic).

"Farewell to Kangqiao" is a popular poem by the modern poet Xu Zhimo, and it is a representative work of Crescent poetry;

Farewell to Kangqiao is a representative poem that embodies and develops the characteristics of the "three beauties" rhythmic poetry advocated by Wen Yiduo. The so-called beauty of painting refers to the selection and use of "words" that appeal to visual images, which can fully reflect the characteristics of China's hieroglyphs in form and color, and are rich in color. The second is the beauty of **, the so-called beauty of **, for the syllables of poetry, refers to the kind of syllable beauty and melodic beauty that appeal to the auditory image.

The third is the beauty of architecture, "the beauty of architecture" also belongs to the visual image, which mainly refers to the shape and structure of the poem, emphasizing "the symmetry of the stanzas and the uniformity of the sentences", resulting in regular uniformity or unevenness.

Metaphors, overlapping words, repetitions, hunger and fast-to-the truth.

1. Parables. The golden willow on the riverside is compared to a bride in the sunset, which gives the ordinary things a dazzling beauty, and is also soaked in the poet's infinite joy and affection. The scene is affectionate, the scene is in the scene, and the scenes are blended together.

2. Overlapping words. The first stanza of the poem writes about the thousands of sorrows when the long-lost students say goodbye to their alma mater, as if they are afraid of waking up a beautiful dream, and the poet deliberately uses three "gently overlapping words, paving the tone of tranquility and beauty for Kangqiao under the evening sunshine, and also highlighting his deep affection for Kangqiao.

3. Repetition. The poet consciously repeats words such as "quietly", and the emotions are echoed, and the rhythm forms a loop. The poet's delicate emotions when he said goodbye were expressed, and at the same time, there was also an aesthetic effect.

4. Top true. In verse 6, there are two "silences" that form the effect of a joint bead. From the silence of the summer insect to the silence of the entire Kangqiao, this kind of succession makes people have boundless reverie. The most silent is the poet himself.

"Farewell to Kangqiao Gaoqiao" is a poem written by the famous modern Chinese poet Xu Zhimo, expressing the poet's nostalgia and emotion for the imminent departure of Kangqiao. The original text is as follows:

Gently I go, as softly I came;

I beckoned softly, and made a cloud of the western sky.

The golden willow on the bank of the river is the bride in the sunset;

The beautiful shadow in the waves ripples in my heart.

The green wattles on the soft mud are swaggering at the bottom of the water shouting bushes;

In the soft waves of the River Cam, I am willing to be a water weed!

The pool under the shade of the elm is not a clear spring, but a rainbow in the sky;

Crumpled among the floating algae, precipitating a rainbow-like dream.

Looking for a dream? Hold a penny and wander towards the greener grass;

Loaded with a boatload of starlight, singing in the starlight.

But I can't play songs, quietly it's a parting sheng flute;

Xia Worm is also silent for me, silence is Kangqiao tonight!

Quietly I went, as quietly I came;

I waved my sleeves and didn't take a cloud with me.

Xu Zhimo is one of the most famous poets in the history of modern Chinese literature. He studied in England in his early years, and was deeply influenced by Western culture, and wrote many poems with Western style. "Farewell to Kangqiao" is one of Xu Zhimo's masterpieces, and it is also a classic work in modern Chinese poetry.