The architectural design of the Capital Museum, the meaning of the exterior design of the Capital Mu

Capital MuseumThe meaning of the design is: people-oriented, cultural relics-oriented, and social services.

It emphasizes "the harmony and unity of past and future, history and modernity, art and nature". Shoubo.

The building itself is an architectural artwork integrating classical beauty and modern beauty, which not only has strong national characteristics, but also presents a distinct sense of modernity.

The huge roof inherits the traditional Chinese architecture.

Far-reaching overhangs. The long stone curtain wall symbolizes the ancient Chinese city wall; The square slopes and inherits the ancient high-rise architectural style; In the north gate of the hall outside the surface of the inlaid Qingbo Chan Dynasty Dan Majesty, there is a Ming Dynasty archway in the hall, reflecting the characteristics of the central axis of the Chinese traditional architectural plane; The oval-shaped bronze pavilion leans out of the wall, implying that ancient artifacts have broken through the earth.

Basic Information. The digital museum system project includes the cultural heritage information management system.

Multi-** Zhan Dan Feng shows the background management system.

and other 11 subsystems, according to the function of the museum, adhere to the principle of people-oriented and cultural heritage-oriented, the cultural heritage information is digitally preserved, and the cultural heritage information database is constructed.

A number of application systems, such as cultural heritage business research activities, museum administration, audience on-site services and network services, are integrated into a comprehensive system. Multi-display projects - multi-screen projection, phantom imaging, virtual reality images, digital films and other multi-display projects are set up at the necessary positions of the exhibition to strengthen the exhibition effect.

The Capital Museum is a large-scale comprehensive museum in Beijing and a provincial and municipal comprehensive museum in China.

The Capital Museum began preparations in 1953 and officially opened to the public in October 1981.

At that time, the site of the museum was located in the Confucian Temple on Guozijian Street, Dongcheng District, Beijing.

The Confucian Temple covers an area of 10,000 square meters, was founded in the sixth year of Dade in the Yuan Dynasty (1302 AD), underwent generations of repairs, and the courtyard of Sanjin was preserved intact.

The main buildings include the Pioneer Gate, the Dacheng Gate, the Dacheng Palace, the Chongsheng Shrine and so on.

The inscription of the Ming and Qing Dynasty Jinshi is the only one in China.

The halls on both sides are set up as exhibition halls, with an area of more than 2,000 square meters, and the environment is elegant and quiet.

In 1999, as a key cultural construction project during the "Tenth Five-Year Plan" period of Beijing, the project application for the construction project of the new capital museum was approved by Beijing Municipality in 1999, and the foundation stone was officially laid in December 2001.

The new Capital Museum was officially opened on May 18, 2006, on the west extension of Chang'an Street, the first street in China, on the west side of Baiyun Road in Xicheng District (No. 16, Fuxingmenwai Street).

The new Capital Museum is a modern comprehensive museum with state-of-the-art facilities.

The exhibition display of the new museum is based on the collection of the Capital Museum over the years and the unearthed cultural relics in Beijing, absorbing the latest research results of Beijing's history, cultural relics, archaeology and related disciplines, and drawing on the successful experience of museums at home and abroad to form a modern exhibition with unique Beijing characteristics.

The Capital Museum is known for.

With its grand architecture, abundant exhibitions, advanced technology and perfect functions, it has become a large-scale modern museum commensurate with Beijing's status as a "famous historical and cultural city", "cultural center" and "international metropolis", and ranks among the "first-class museums in China and advanced in the world".

The old museum of the capital is located in the Temple of Confucius.

Pavilion ranks. The Capital Museum is a modern comprehensive museum with the most advanced facilities, a large-scale modern cultural facility for the 21st century invested and built by Beijing, and one of the landmark buildings in Beijing in the new century.

On May 24, 2007, the Capital Museum was awarded the title of Advanced Collective of the National Cultural Relics System by the Ministry of Personnel and the State Administration of Cultural Heritage for its outstanding contributions to the reform and development of cultural heritage protection.

A museum is a place for collecting, collecting, exhibiting, and researching objects that represent the cultural heritage of nature and humanity, and has a strong local character. The architectural shape of the museum is also the ultimate embodiment of local culture, reflecting the unique customs and culture of the local area. The following is a detailed introduction to the architectural structure of national museums brought to you by Zhongda Consulting.

The Capital Museum, referred to as Shoubo, is located at No. 16, Fuxingmenwai Street, on the west side of Baiyun Road, on the west extension of Chang'an Avenue in Beijing, and the original site is the "Beijing Confucius Temple". It is a large-scale comprehensive museum in Beijing and a provincial and municipal comprehensive museum in China.

As of the end of 2015, the total construction area of the Capital Museum is 63,390 square meters, the number of permanent exhibition collections is 5,622 pieces, and the exhibition hall has five floors above ground and two floors underground.

History. In 1953, the Capital Museum began to prepare, and the site of the museum was located in the Confucius Temple on Guozijian Street.

In October 1981, the Capital Museum was officially opened to the public.

In 1999, in order to accommodate more collections and serve more visitors, as a key cultural construction project during the "Tenth Five-Year Plan" period of Beijing, the new capital museum was approved by Beijing Municipality in this year.

In December 2001, the foundation stone of the new Capital Museum was officially laid.

On May 18, 2006, the new Capital Museum was officially opened.

On May 24, 2007, the Capital Museum was awarded the title of Advanced Collective of the National Cultural Relics System by the Ministry of Personnel and the State Administration of Cultural Heritage.

Architectural layout. The construction area of the new Capital Museum is 24,800 square meters, with a total construction area of 63,390 square meters.

The second floor, five floors above ground, is designed with a green cultural square in the north and a sunken bamboo courtyard in the east. The building (above the ground) is 152 meters long from east to west, 66 meters wide from north to south, and 41 meters high. The shape of the building is mainly composed of three parts: a rectangular enclosed structure, an elliptical façade and a metal roof.

The interior of the building is divided into three independent buildings, namely: a rectangular pavilion, an oval thematic pavilion, and a strip-shaped office and research building. The space between the three is the ** hall and the indoor bamboo courtyard.

Capital Museum

With people's continuous pursuit of high-quality life, the educational function of museums has also been unprecedentedly developed, and has gone beyond the scope of simple cultural learning, museums have increasingly become indispensable places for activities in public life, and more importantly, museums are the windows of cities and even countries, and are the display of culture of cities and countries. Due to the above-mentioned functions, the architectural design of the museum needs to comprehensively consider the sociality, the sense of the times and the physiological and psychological needs of people, combine the characteristics of culture itself, and make full use of design methods to create a cultural space that can meet the needs of the audience.

In the architectural design of the museum, the two subsystems of architecture and exhibition design should be organically integrated, so as to overcome the defects of dividing the exhibition system into independent links in the traditional design, and avoid the conflict between internal exhibition and architectural style. The principle of "flexibility and adaptability" of architectural functions and spaces is skillfully applied to create a spatial artistic conception with personality, history and regional characteristics, so as to promote the complementarity of architectural design and exhibition design.

The design and construction of the museum building was completed in one go, and then it took decades or even hundreds of years of use, management, maintenance and maintenance. The creation of architectural designers determines the cost of building construction and operation, the level of energy and resource consumption, and whether the building operation is safe and reliable.

Maintainability design is another construction requirement put forward from the perspective of its own sustainable development capacity in the whole life cycle of the building. Like a large public place such as a museum, the architectural design should not only consider the appeal of the external shape and spatial pattern, but also consider the development in the process of operation. It is necessary not only to pay attention to the overall cost of construction, but also to reduce the maintenance costs required during the life cycle of the building. The architectural design goal of the museum should not only focus on the expression of its cultural atmosphere, but also not ignore its inherent construction purpose and mission.

1.The Forbidden City is the imperial palace of the Ming and Qing dynasties, the Forbidden City, and is the largest ancient building complex in China. The Forbidden City is 961 meters long from north to south and 753 meters wide from east to west, covering an area of 720,000 square meters. The construction area is 10,000 square meters, with more than 1.8 million cultural relics;

The Louvre Museum in France covers an area of 450,000 square meters, with a construction area of 10,000 square meters and a collection of more than 400,000 pieces;

The Russian East Palace covers an area of 90,000 square meters, with a construction area of 10,000 square meters and a collection of 2.7 million pieces.

The world's three major museums are on a par and are the most brilliant pearls of human cultural heritage).

2.Generally speaking, the analogy is that a football game is sold out. It is the size of 101 football fields (the Forbidden City covers an area of about 720,000 square meters, and the area of a regular football field is 7,140 square meters.

So the area of the Forbidden City is about 101 football fields). Walking from the Noon Gate (front gate) to the Jinmu Gate (back gate), I mean it takes half an hour if you don't visit. It usually takes an hour and a half to two hours to read it all.

If you want to read it all, it will take 5-6 hours, which is about the same. Because there were too many rooms, too many gardens, too many wrong walks. Our guide's words were figurative, saying that a newborn baby would spend one night in every room of the Forbidden City, and would be 27 years old when he came out.

But now there are 8,704 rooms in the Forbidden City, and all of them have not yet been opened.

3.The Forbidden City has an area of 720,000 square meters, 160,000 square meters less than twice the size of Tiananmen Square.