How can you blow the tone out of the leaves?

1.Choose leaves.

If you want to play a beautiful ** with leaves, you must first have a good leaf. The leaves should be fresh, tender, thin, uniform in thickness, and slender in shape. Here are several kinds of leaves, willow leaves, bamboo leaves are good choices.

2.Leaf holding pose.

3.Mouth. Use two lips to gently pluck the leaf, remember to sip it gently, do not pinch the leaf too hard, otherwise it will not vibrate and will not make a sound.

4.Vocalization. Follow the above method, blow lightly at this time, and the leaves will make sounds. Feel it vibrate from mouth to mouth, gradually increase the intensity of the blow or change the position of the lips on the blade, noting the different tones it blows in different ways.

5.Practice. Doing the above steps can only say that you are using the leaves to make a sound instead of playing, and it is not very difficult to achieve the level of performance.

Let me introduce you to another method to blow the leaves. Holly leaves must be familiar to everyone, roll it up, gently flatten it to leave a slit, and blow it on it can also be played.

Precautions: The leaves must be washed before blowing, the leaves are exposed to the outside environment for a long time, exposed to the sun and rain, in fact, quite dirty.

When playing, put the front of the blade horizontally against the lips, use the index finger and middle finger of the right hand (or left hand) to slightly fork, gently stick to the back of the blade, and hold the lower edge of the blade with the thumb in reverse, so that the upper edge of the blade pressed by the index finger and middle finger is slightly higher than the lower lip.

Use appropriate air flow to blow the edge of the blade to make the blade vibrate and pronounce. The blade is a reed, the mouth is like a resonance box, and the hands can also help to play a resonant role, through the control of the mouth strength, mouth shape, tongue tip, finger tension or relaxation of the blade, etc., change the vibration frequency of the blade, and can play a different sound of high and low, strong and weak, with a range of 3 8 degrees.

In order to make it produce a different sound, it is necessary to use different blowing methods, usually holding down the lower half of the leaf, blowing the upper half of the leaf with air, and holding the leaf with one hand and gently tapping it with the other, like playing a harmonica, to produce a sound that both resonates and produces a wavy sound.

When the blades play high and low tones, different amounts of air need to be used, and the lips will be loosened and tightened to control the flow of air. Blowing leaves can not be arbitrarily cut off and interrupted, and the tune is particularly sleek and smooth, tactful and melodious.

If you learn how to pick a leaf wherever you go, you can make a song, and you can also use plastic paper instead of leaves. Blowing melodious tunes with leaves (such as folk songs) is better. Leaves that are soft, elastic and smooth without tooth edges are easier to blow.

The method is to take a leaf, hold the two ends of the leaf with your fingers, the finger distance is about 2 cm, and touch the upper edge of the leaf with saliva to the upper lip, and the air can be blown out from the contact surface between the leaf and the lips. The pitch depends on the area of the leaf touching the lips, with a large contact being a thick bass and a small contact being a high-pitched pitch; The magnitude of the sound depends on the strength of the force; The rhythm is well grasped, and the breath stops. If the lips are rough (wrinkled) or the upper lip is bulging in the middle, it is difficult for friends to learn.

This is what I saw from somewhere else.

Put your leaves in your mouth and blow on it.

Willow leaves are easier, and small grass leaves are difficult. Because the willow leaves are relatively thin, they are prone to vibration. With a lot of practice, first connect with the sound you can make, and then slowly find the feeling, just like learning to whistle.

1. Blowing leaves, to choose excellent tree species, usually using orange, pomelo, poplar, maple, holly and other non-toxic leaves, the structure of the leaves is symmetrical, both sides of the front and back should be smooth and smooth, with moderate flexibility, not old and tender leaves are better. Leaves that are too tender are soft and difficult to pronounce; Old.

The leaves are hard and the timbre is not soft. The size of the leaves also has a lot to do with blowing, and leaves that are too large or too small are not easy to play and pronounce.

Not focused. Generally, it is more appropriate to use the leaves with a leaf length of centimeters and a width of about centimeters in the middle leaf (Fig.). The leaves are not resistant to blowing.

With a leaf, a leaf will be soft and tattered after blowing a few times, and can no longer be used, so the player needs to have multiple leaves for backup when blowing.

2. When playing, you should first wipe the dust adhered to the leaves, put the front of the leaf horizontally on your lips, and use your right (or left) index finger

The middle finger is slightly forked, gently sticking to the back of the blade, and the thumb is supporting the lower edge of the blade in reverse, so that the upper edge of the blade held by the index finger and middle finger is slightly.

Above the lower lip. 3. Use appropriate air flow to blow the edge of the blade to make the blade vibrate and pronounce. Konoha is a reed, and the mouth is like a resonance box, and the hands can also help.

It plays a resonant role, and changes the blade through various techniques such as mouth strength, mouth shape, and tip of the tongue, and finger tensioning or relaxation of the blade.

The vibration frequency can play different sounds of high and low, strong and weak, with a range of 112 degrees.

4. If you want it to produce a different timbre, you need to use different blowing methods, usually holding down the lower half of the leaf and blowing with air.

In the upper half of the piece, there is also one hand holding down the blade, and the other hand gently beats, like playing a harmonica, and the sound produced is both resonant and .

It can produce a wavy sound;

5. The higher skill is to clamp the blade between the lips, which can be played without hand support, like playing a bamboo flute, with the height of the tune, sending out a rapid and slow air flow, blowing a beautiful melody; Particularly skilled players are even more impressive, and they are able to take a bite.

Blowing two leaves at the same time, without the help of your fingers, can also play a beautiful tune. When Konoha plays high and low tones, it is necessary to use it.

With the same amount of air, the lips also loosen and tighten, controlling the flow of air. Blowing Konoha can't be cut off at will, and the tune is especially important.

Sleek and smooth, tactful and melodious.

It is important to control the airflow and choose the leaves that are not too thick.

I saw a **, which was blown with the leaves of the ficus microphylla!

I myself can blow it now. But only one sound can be pronounced. So I'm looking for answers too!

1. Choose leaves: generally require the edges to be relatively straight and smooth, without big teeth and hairs. Different blades have different sound quality.

2. The foliage performance is roughly divided into two types: blowing and sucking. Blowing can be divided into upper lip and lower lip. The vast majority of them are played with lips attached.

3. The lips are slightly taut, close to the teeth, the upper lip and the upper teeth are flush with the spine, similar to saying "phew" or blowing a candle, pinch the leaf between the thumb and index finger of both hands, the width is the same width as the lips, or pinch one side between the thumb and index finger of one hand, and the middle finger is straight and press the other side.

4. Paste the upper lip on the back of the blade, the edge is about centimeter wide and slightly folded outward, do not fold too much, too many blades are easy to break and lose elasticity, about 120 degrees of two planes, the folded edge is about centimeter wide and a plane is attached to the upper lip, which is basically consistent with the upper lip, do not exceed the upper lip line, and the air flow blows out from the middle of the upper lip and the blade, driving the blade to vibrate and make a sound.

5. Change the vibration frequency of the blade by changing the size of the airflow, as well as the subtle changes in the depth and lip shape of the blade, so as to achieve pitch change.