What is a good way to learn sketching still lifes?

Are you an artist? Actually, there is no good way to do it You can think about it, those very good masters of painting are not old or famous after they are dead, they are all paintings that have accumulated over time, and the more reasonable way to sketch still is to copy them, first look at the better works in the copying books, see how their lines go in different places, how the pen is written, the sense of space, and the near-reality is well grasped Just like our professional teachers said, in fact, the fastest way to grow is imitation. If you learn things from others and then add your own ideas and changes to your own things, you will be able to copy good works, and if you copy more of them, you will subconsciously understand in your mind the methods of the masters in painting, and you will grow! This is my own method, and you can use it as a reference! Hehe.

To be honest, there is no good way, other people's learning methods are also for other people's own, if you want to learn well, I can only say practice well, practice more, sketching is originally a class that needs to be practiced hard.

First, it is necessary to master the correct method of observation. Through the observation and analysis of the structure, composition, light and shade, rhythm, relationship between virtual and real, spatial relationship, texture and overall relationship of still life, etc., the overall understanding of students will be improved.

Second, modeling training and the use of various relationships. The relationship between the virtual and the real, the relationship between black, white and gray, the relationship between contrast and the relationship of the whole.

Third, the overall adjustment. The overall adjustment is the final stage in the formation of a good sketch.

The basic process of learning to sketch still life is to first master the correct observation method, improve the overall awareness of the students, then improve the students' modeling ability and composition ability, and finally adjust the overall work, so that it is an excellent sketch work.

First learn the basic principles of perspective and observe light, objects are three-dimensional, so there are three sides: light, dark and gray, generally draw a cube first, then learn to draw fruits, and then combinations, including bottles, jars, cubes, fruits, etc. In the process, I also have to copy some works. Once you have mastered the key, you can draw a plaster cast of higher difficulty.

First, consider space (i.e., the relationship between objects and objects, and their relationship between them before and after, and side by side). Second, consider the volume of the object (i.e., whether there is a sense of weight). Third, consider the relationship between the object you draw and the surrounding objects, cloth, and background, and focus on perspective and shadows.

When drawing objects and cloths, it is better to draw a square rather than a circle, and draw the feeling of a block. When painting objects, the tone should be played according to the structure (generally at the elementary and intermediate level, and when the tone is at the advanced level, the tone is a tool, and it doesn't care how the tone is played, but focuses on dealing with space and volume.) ）

Once you understand the structure and can handle it, it's time to practice memorization (this is an important way to improve your drawing).

Pay attention to the composition, triangular composition (I personally like it) When painting fruits, such as apples, whether there is a fruit in the real thing or not, you must draw it, don't underestimate the small fruit, especially the fruit in the front. Hope it helps.

First understand the structure thoroughly, then copy some good exercises, learn techniques, draw **, paint lights, and finally sketch, you can go to read Wang Huaxiang's book.

To learn still life sketching well, we must grasp three points: 1. Grasp the shape of the still life 2. Master the perspective relationship between the still life 3. Carefully observe the three major aspects of the still life, namely black, white and gray, and deal with the shadow of the still life.

The grasp of the relationship between structure and perspective, the structure should be accurate - that is, by a certain modeling ability, but also to grasp the perspective relationship. Then copy some good assignments. Learn how to shape a pair of scenes.

Buy a few books first and copy them slowly, and the more recommended ones are the Stepping Stones series of books.

Grasp the proportions of still life objects

Still life sketching is the most basic. Grasp black, white and gray on it.

For geometry, this is a theory in sketching: draw a circle before a square.

All objects are cut out of squares, and when you first start learning to sketch still life, you will be asked to draw a structural sketch, which is to let you draw the lines that you see and can't see, and separate the virtual and the real.

For sketching, it is normal to not grasp the technique at first and not be able to use the theory. You have to practice more, only when practice makes perfect, you will slowly understand the truth.

I studied design and drew from a young age. You must not be in a hurry with still life sketches, because she is the foundation of future painting, and she must lay a good foundation.

In fact, there is nothing to explain the landlord's doubts here, because the landlord must have a good understanding of the concept of geometry and structure, but he can't use it, and the use of this thing is not taught by others, but slowly practiced by himself.

This is a little experience I have learned to draw, and I hope it can help you. Answer supplement Before drawing bottles and jars, the landlord can draw simple geometry, such as cubes, diamonds, cylinders, spheres, etc., which will help you understand geometry and structure. Beginners should pay attention to:

1.The main object should be prominent.

2.The size should be appropriate, and there should be some gaps around it, and the drawing should not be all over the paper.

3.The space on both sides should be roughly equal, but not exactly equal.

4.The space below is slightly larger than the one above.

P.S. For beginners, it is advisable to place the object slightly lower than the eye, so that we can see a plane on top of the object. This makes it easier to draw a three-dimensional effect. If the object is placed too high, you can't see the plane above.

If you want to draw an object like it and draw it accurately, you must learn to make outlines. This is an indispensable basic skill for learning to draw, and you must work hard to learn it well.

The basic steps to make a contouring are:

1.Measure the approximate ratio of the height and width of the object, and first determine the position of the picture on the drawing paper.

2.Simplify the entire object into a geometric shape and gently draw it on paper.

3.According to the structure of the object, the whole is divided into several parts, and the drawing is gradually detailed and accurate.

You must learn to draw straight lines by hand to draw outlines, not rulers. If the edges of the object are rounded, beginners can use the method of chamfering corners to gradually draw their outline curves.

The answer is supplemented

Carefully arrange the line, sharpen the pencil frequently, do not use a pencil that is too soft or too hard, the first pass is 3b or 4b, and the hardness of the pen should also increase with the number of passes. Start with the line between light and dark, then the dark and transitions, and don't forget to leave reflective areas at the end. Don't tune for the sake of the tune, the tone is just the service provider of the physical structure.

That is to say, even if the use of tones should reflect the internal structure and ups and downs, it should be carried out around the center of the physical structure, and oppose the use of plausible, ambiguous or useless tones; The tone is best used with the line, the line is the master of the outer contour, and the tone is the strong one that expresses the volume, texture and level of the inner shape; If the line is the foundation frame in the building, then the tone is the interior and exterior decoration, and the two complement each other, complement each other, and promote each other.

The porcelain is relatively smooth and delicate, pay attention to the reflective point, and the line should be denser.

The interlining should be a little bit whole, and each structure should be integrated into the large shape, not too prominent a certain fold, and pay attention to the turning shape where there are folds. The lines should not be too thin, and it is best to use a pen and paper to draw with a pencil, and not too many strokes, it will appear softer.

Sketches, of course, are lines! But lines don't stop at straight lines. All the painting methods are laid first.,This can't be linked all at once.,It's recommended to read more books.。

Still life is for color!

The texture of porcelain is wiped out, as for the cloth, you can find an example to see, painting this thing is practice makes perfect, but also to master the skills, paint slowly, don't rush.

Let's see more works of masters.

Take a look and you'll see the doorway.

The texture of porcelain is relatively smooth, and the landlord first lays the dark side background color when painting the dark side, and then gently wipes the side with a soft rag, and then uses a hard pen to arrange the dense lines, and then to the gray surface that the effect will be better! The cloth is also the same way to draw, first draw the dark side, use the same painting method, but the turning point should be drawn on the three sides, try to make the appearance clear, and the effect will come out. For the problem of lines, just add it where the gray side is too shiny.

The texture of the cloth is often determined by the line to determine the boundary between light and dark, then spread the light and shade, erase with a brush, and finally have time to depict it in depth.

The porcelain lines are slightly denser, pay attention to the reflection and light source.

I usually draw like this, and I hope it helps.

Compared with the gypsum geometry, the complexity of the still life has increased, the vertices and line positions that need you to determine the position have increased many times, and at the same time, the concept of inherent color has been introduced into the still life, which requires you to carefully observe and judge, the so-called painting skills are not too important at this stage of Pai Zen, only the correct results of observation will be observed so that the results of the performance are also correct, and the problem of many enthusiasts who have not been trained by the system is to stare at the surface phenomenon and trace too much, and pursue the 'effect'. In fact, there is no accurate positioning of the most basic vertices and lines, nor does it compare the relationship between the darkest and brightest parts of the picture.

1: First of all, you have to learn to look at the whole thing!

Usually you can look at the notes more (I sometimes go to WeChat to see some articles of flower sketches, which will be helpful to you, especially the analysis of the text, you need to read it several times and experience the analysis, which is better than you look at it as a whole. )

2 : Be bold

Using the principle of drawing geometric figures, black, white and gray are always the first, the black must be black, the white must be white, and the contrast can be further deepened in the later stage.

3: Wipe with a tissue or pen and paper

It is recommended to use a paper towel to fold it in half into a triangle, first wipe the outer line on both sides, and finally transition slowly (still pay attention to the whole.) )

4: Detail portrayal

Prepare 2 or 3 more pens, which must be sharpened and drawn in the form of a face, and depicted using the principle of (three major tones and five faces). Pay attention to the relationship between reality and reality. Look at the painting as a three-dimensional, a sense of space, and you will definitely need it later.

5: Stand and look far away

Think about it for 1 2 minutes, or look at it as a whole.

What are some techniques for still life sketching? That's it, more basic sketching basics, introductory tutorials, learning tips, and other content will be continuously updated. You can learn more and enrich yourself.