How to shoot a stage play, how to shoot stage stills

First of all, you must have a good script, secondly, you must have a good director, mainly have good actors, the key is to have funds, if you want to arrange a wonderful stage play, first of all, the stage set, props and actors' costumes are very important, which requires money, and as for how to set up the stage, that is the director and the stage design, so it is very important to choose a complete set of behind-the-scenes team, secondly, the actors, the key to the actor must also have strength, because the stage play is not like a TV series or movie, If you don't perform well, you can do it again, but stage actors only have one chance, which requires you to choose some powerful actors to act. A good director can be said to be the soul of a work, because a good director can integrate his creative works into life, a director I appreciate more is Director Yang Xiaoqing on the stage of Yue Opera, her creation is very soft, it may be related to the specific drama of Yue Opera, in addition, the actors and backstage staff must be harmonious, and the whole team should be a united atmosphere. The last is the selection of the script, the key is to have classic singing words or lines, because the audience and experts watch the play from different angles, if it is an expert, he will consider it comprehensively, but the audience has to let him remember the singing words or lines he remembered after watching the work, so as to attract him to continue to watch, and it is convenient for others to inherit it in the future.

Find good actors. Find a good script.

Find a good leader.

Find a rehearsal location.

Basically OK.

This question is a bit difficult.

The details are as follows.

When filming a dance drama, the first thing to do is to confirm the position of the stage lights on the actors. The actor will move around as he or she performs, and then capture the light as it falls on the actor's face. Otherwise, it's **easy** not to shoot the stage figures, and to choose the right seats.

For example, the position of the 3-4 row is better in the middle, which is suitable for shooting large scenes and close-up shots.

It is also recommended to use a tripod or monopod sparingly (it is not convenient for framing and instant capture), and try to keep the camera balanced. Whether a ** is good or not, the first thing to look at is the composition. It's the same when it's usually filmed or on stage.

Before pressing the shutter, keep the camera balanced before shooting. If there are many people, take more pictures. If there are many actors (large number of people) in some scenes, it is recommended to shoot more.

If people. Cut the **. When filming the stage, sometimes there is no good position, or the position is too far forward in the first 1-2 rows, and it is easy to shoot the steps of the Luchai stage.

But it doesn't matter. Cuts can be made in later adjustments.

The method of rehearsing and choreographing the play is as follows:

1. Action design.

The movements of the play should be designed to be layered, rhythmic, and powerful. The design of the action should be carried out according to the characteristics of the character and personal habits, so that the audience can clearly feel the meaning and power of each action. In addition, the use of ** in the play is also very important, taking into account the characteristics of ** and the character of the character, so that ** becomes an extension of the role.

2. Sound effect coordination.

It is very important to choose the right sound effects to match the action of the play, so that the audience can better understand the rhythm and strength of the play. In the emotional expression of the play, it is necessary to enhance the emotional appeal through actions, expressions, sound effects and other means.

3. Choreography.

The choreography of the play should take into account the rhythm and plot of the whole play, and let the play be integrated with the whole play. When choreographing, it is necessary to pay attention to the symmetry and rhythm of the movements, so that the movements of the play are more beautiful. The emotional expression in the fight scene is also very important, so that the audience can feel the inner emotions of the characters.

Prospects for the current situation of stage plays:

Stage plays are gradually marginalized in people's daily entertainment activities, because leisure time resources have been ruthlessly divided among other alternative forms of entertainment, and stage plays are too expensive because of consumption. Although some people are still clamoring that the difficulties faced by stage plays are due to the playwright's inability to write works that "reflect the times".

This is because the appreciation level and cultural quality of the Chinese people need to be improved, and because the management system of the troupe needs to be reformed. In short, due to the limited audience resources and the variety of entertainment options, the living environment of stage plays is not optimistic. It is difficult for the stage play to be "revitalized" as its lovers would like.

But the stage play will still exist, on the margins of people's daily entertainment.

It will have a small but loyal audience. These people may have some kind of historical, cultural, and artistic self-esteem. or a willingness to choose less popular forms of entertainment to meet the differentiated needs of a certain cultural group, or both.

Of course, they usually have a higher income.

The large and small stage troupes that once spread across the country will gradually decline or even disappear. Successful performing groups will be concentrated in one or two economically developed and populous metropolises, because only these metropolises will have the market size to support the survival of these performing groups.

As far as the tour reform is concerned, there will be a shortage of theatrical productions, which makes it possible for performing groups in the metropolis to travel and perform in the places they go; It also makes people in other places who have not seen the stage play possible to take the theater as an opportunity to taste it when they visit the sedan car metropolis.

The most basic stage 3 taboos: laughing, backstage, and watching the audience.

First, you have to analyze the script

Analyze the characters (analyze the personality of each character, to discover his habitual language, movements, etc.).

Character relationships (i.e., specific relationships between each character and each character).

Prescribed Context (The prescribed environment in the script is the time and place.) ）

Conflict (I don't know how to explain it, it's important anyway.) It's not a good stage play without conflict).

You don't need anything else. Because it's not professional. The rest of the time is to rehearse more and find new things to add in the rehearsals. It's best to have actors fit into every role. In that way, distractions can be eliminated, and the role is played vividly.

Also, grasp the rhythm of the whole scene and don't fall off. That way, the audience will be very bored.

Remember: the play is not enough to make up the scene, and the scene is not complete. In other words, if the play is not good, the old imagination is full of other things

I think that since your teacher let you be a director, it means that you are a very unique person, you must have your own advantages, first of all, you must have confidence in yourself, and then I suggest that you watch more classic stage plays like "The Voice" and other excellent works! Play with imagination and emotion! I'm sure you'll do it well! Come on!

Stage play is a comprehensive art, and a sentence or two is not clear, but as a director

First, it is necessary to carefully analyze the script and divide and deepen the characters, character relationships, prescribed situations, contradictions, conflicts, events, and other elements

Second, analyze the connotation of the script (subtext or something).

Third, find a good stage to act

Fourth, grasp the rhythm of the stage

Fifth, take care of the other stage departments

That's pretty much it

It's best to write a director's plan first

As for the acting techniques, there are too many to watch more good dramas that will help you

In terms of equipment, there should be a tripod, a wide-angle lens and a telephoto lens, and the maximum aperture of the lens is as large as possible.

In terms of camera settings: If it is a good SLR body, set a high sensitivity, set it to 1000 according to the brightness of the light, or it can be higher, depending on the body, because the flash used for shooting the stage will destroy the atmosphere. Moreover, the chorus scene is relatively large, and the range of the body flash is limited, so it is best to set it to the automatic state if the external flash is installed.

Shooting a panoramic view of the stage requires a certain depth of field, the aperture should not be too large, the maximum is used, and if the light is very good, it can be used to 8 or even higher. If you're shooting close-ups, use the maximum aperture to blur the background. Select Aperture Priority as the shooting mode, and then test a few shots to see, if the shutter speed is lower than 60 1 sec, then you need to set a higher sensitivity.

It's best to use the raw format when shooting, so that even if there are some deficiencies, you can adjust it in the software, and you can set the automatic tone in the software to help you process the color normally in post-processing.

The white balance also needs to be set, first put it in the auto white balance state to take a few shots, if you feel that the tone is normal, use the automatic white balance, if the tone is not normal, use other white balance, if necessary, customize the white balance.

If you use a card machine, then put it on the automatic transmission to shoot, because the model is different, the effect is not the same, it is not easy to say here. Of course, the effect is not easy to say, it is definitely not as good as the SLR.

High ISO, say 1600, speed 1 100 sec, with long lens.

When filming a stage performance, you need to discuss the details of the shoot in advance. Only by knowing in advance the constraints of the camera, the optimal position of the camera, the optimal lighting, and other details, can we get the desired image. When shooting images in the auditorium, you are constrained by distance and orientation, and only by constantly changing the distance and orientation of the camera around the stage can you get a good stage performance video.

1. Select the location where you want to shoot.

When filming a stage performance, you should arrive at the scene in advance to make corresponding preparations. Television stations can use multiple cameras to shoot at the same time, but when recording the entire process with a single camera, it is even more important to be familiar with the shooting environment. The position close to the level of the actor's eyes was designated as the main base of the camera.

If you bring a wide-angle lens and a telephoto lens, you can shoot stage performances without any constraints. However, if there is no similar lens, you can observe the stage shooting range at the maximum zoom out at the camera base, and then set the maximum zoom in state to observe the stage performers with maximum clarity.

2. Take the stage actor as the camera center.

The performers are in the center of the stage, and the stage performance can be shot with a panoramic lens to get a relatively stable image. However, keeping the same camera angle from start to finish can make the picture appear monotonous and lengthy, so you can adjust the picture appropriately with the zoom in and zoom zoom functions, and you can also show the whole picture of the stage in close up with the performers.

3. Photograph the audience.

Footage of a stage performance does not necessarily only capture the stage performance. When the performers leave the stage or applaud continuously, they can take pictures of the audience. Photographing the reaction of the auditorium not only sets the mood of the performance, but also serves as a source of footage for natural transitions during the camera.

In order to ensure the continuity of the performance and to shorten the time naturally, it was necessary to film the movement of the auditorium.

4. Precautions when filming performancesAdjusting the white balance When shooting indoor performances, the white balance benchmark should be consistent with the lighting of the stage. Adjusting the white balance after the show has started can be stressful, so it's a good idea to check the lighting process before starting the show or adjust the white balance at the beginning of the show before recording the performance.

Recordings are equally important.

Stage performances such as recitals or concerts should not ignore recordings and impressions. A pointing microphone can remove noise from your surroundings and is one of the most effective methods of recording a field. When a wireless microphone is available, a wireless microphone can be installed on the stage to record crisp live sound.

Setting the microphone close to the impression will increase the noise, so the microphone should not be placed close to the speaker.

The biggest difference between stage plays and TV dramas is that the performance in film and television does not need to appear in an extremely exaggerated form, because there are cameras and directors who are grasping and recording the actions of the general direction, and the actors only need to interpret this expression in place.

However, stage plays, dramas, and operas, which do not have cameras, greatly improve the actors' awareness of this feeling in the current performance. Exaggerated tones, large movements, and even extremely rich expressions are very important. Because you're never just performing for the audience in the first row, you need to make the people behind you happy or angry.

Laughing and smiling, he raised his head, grinned, and cried and cried, and he was still very demanding about body language.

A good stage actor is a qualified film and television actor, but a film and television actor needs to re-learn when he appears in a stage play. Like opera actors, due to their unique stylized content (that is, body language), most film and television directors can't understand their inevitable existence and the angle of arrest, so in most TV opera works, we often watch boring.

Like Ge Xiansheng, there are many young and middle-aged actors now, all of whom have stood up from stage plays. Because their understanding of expressions is already too good and too good to enter the play, all the director needs is to remind them how to reduce these overly exaggerated expressions and body movements.

Tips for filming stage performances include finding the best shooting angle, adjusting the aperture and shutter speed, using the appropriate type of lens, using a stabilizer, using the right microphone for the show, and avoiding the use of flash.

1. Find the best shooting position and shoot at the right angle: The best position should be able to capture the full movements and expressions of the actors, but it should not block the audience's view. For example, try standing on either side of the stage or behind the stage to capture different angles.

2. Adjust the aperture and shutter speed: In stage performances, the light is usually insufficient. The aperture and shutter speed can be increased appropriately to capture a brighter and clearer picture.

3. Use the appropriate type of lens: Normal shots can capture the actor's performance, but wide-angle shots can capture the entire stage. The telephoto lens can capture actors from farther away, which is useful for shooting in the audience.

4. Use a stabilizer: During shooting, use a stabilizer to avoid shaking. This can be achieved by using a stabilizer bar or tripod.

5. Use the right microphone: In order to capture the sound on stage, you need to use the right microphone to capture the actor's voice, including speaking, singing, and playing instruments.

6. The use of flash should be avoided: When filming stage performances, flash may affect the performance of the actors and affect the experience of the audience, and the reflection of the flash will interfere with the stage lighting.

Precautions for filming stage performances

1. Respect the performance and the audience: Do not walk, talk, or use flash during the performance that interferes with the performance or the audience's experience.

2. Photography planning is required in advance: understand the specific time and content of the performance, select the appropriate shooting position, lens and shooting equipment, and test and debug in advance.

3. Master the basic shooting skills and knowledge: you need to understand the adjustment of shooting parameters such as aperture, shutter speed, ISO, etc., pay attention to accuracy, and ensure the quality of picture and sound effects.

4. Maintain a stable shooting posture: Use a tripod or stabilizer to avoid shaky images and ensure that the picture is stable and clear.

5. Pay attention to lens transitions: Do not change lenses or shooting angles frequently, so as not to disturb the audience or affect the performance.

6. Pay attention to keep an appropriate distance: don't stand too close or too far, keep a proper distance, and take a clear picture.

7. Comply with the rules of use: Some performances or venues may have special regulations that need to be observed and respected.