Did you really understand Big Fish and Begonia ?

One is the world of humans and the other is the world of gods. In the God's Fence Tower, there are all gods who can control all things and spells, and before the gods grow up, they are all a group of dolphins.

In fact, there are still a lot of positive things in the movie, such as Xiao Bang's friend cult who likes "Big Fish" very much, and wrote a special article to express his love for "Big Fish and Begonia".

I am the dividing line of the body.

The hot screening of "Big Fish and Begonia" has caused widespread heated discussions, this animated film with a huge topic effect, there are many problems at many levels that are actually worth thinking about, and looking at the present, some of the debates on the Internet about the quality of the film itself are lacking in the word "thinking".

Big Fish and Begonia"What kind of domestic animated film do we need? How to present traditional culture reasonably and effectively in an animated film? What is the standard for evaluating the merits of a domestic animated film?

Our animated film industry is not yet mature, and for a long time we have demanded both originality, stories and pictures and expectations to see technological progress, which puts considerable pressure on the creators of animated films, but creation is never an easy thing, this is also what creators need to face, and when a new problem comes, when a work that has been expected for many years comes to everyone's eyes, why do we want to beat it to death? We have requirements for the work, do the works have requirements for us? <>

I personally think that there is a world setting of "Big Fish and Begonia", and the most important thing is to keep thinking and look at the work.

The rich traditional cultural soil has given us endless space for original stories, characters and world views to create and build, and the three words Chinese style are not just purely visual things. In a movie, the visual level and the exposed plot level are just the surface of a movie, and keeping thinking to look at the work is actually to appreciate the surface of the work while properly excavating the soul and flesh of the film.

In the worldview of "Big Fish and Begonia", there are three gates, and the three are interlinked, and Tsubaki, as a "other person", has to enter the world through the "gate of the sea and sky" for seven days, and the connection between the world and the world where she lives seems to be a circular existence.

In the world where Chun is located, people's residences refer to the Yongding Tulou in Fujian, and the layout, appearance and form of Yongding Tulou happen to be an important embodiment of Bagua culture, and the ring of the Tulou reflects the close connection of heaven, earth and people, and it is also a circle.

The deepest circle is about the reincarnation of life and death, all life is a fish, from birth to death, from a small fish to a big fish, to complete the practice of this life, reincarnation is a circle, the film wraps a moving love story in the triple door, big love contains small love.

Big Fish and Begonia" in the children represented by Tsubaki to go to the world on the day of the coming-of-age ceremony to observe the natural laws of the world, there is a "internal evidence" in traditional Chinese culture, in the era when science is not yet developed, people should observe and understand the laws of natural operation through "internal evidence", the world parade is both a trial and a kind of "internal evidence".