QUESTIONS ABOUT THE NIKON 24MM2 8F PRIME HEAD

This lens should be a wide-angle lens in the film era, mainly for landscape films, and if you want to shoot portraits, the wide-angle distortion is large, but if you use it well, you can get special effects.

The advantage of fixed focus is that it is not affected by different focal lengths, it is easy to make the best effect when designing, and the cost is low.

This head is used on the D80, because it is not full-frame, the coefficient of multiplication, is equivalent to the composition of a 36mm lens, the wide angle is not so large, and the distortion will be smaller.

D80 set can also shoot a lot of subjects, the key is to see your hobbies and uses, you can choose telephoto (portrait), ultra-wide (landscape), portrait 85 series (portrait), macro series (60 micro, 105 micro, etc.).

24 is one of the famous lenses in the traditional lens, this lens, the image is sharp, and there is a 24m wide-angle effect on the traditional film machine, to the digital age, this mirror under the APS-C image sensor, has become a 36mm angle of view, it can also be said that it has been a replacement for the 35mm lens, so that this mirror can also play a role in the digital age, it is no problem to use on the D80, but it has become a 36mm angle of view lens, this focal length is only suitable for shooting landscapes, like shooting portraits recommended, Nikon 50 fixed focus portrait king of the two heads, economic and practical recommended 50, **800 or so, stable performance, soft image quality, recommended 50 **1800 or so.

18-70 pullover is good. Imaging is better than 18-135But the latter is convenient.

Fixed focus can also be played, 50mm, if there is a meter, 85mm is also OK.

I'm pushing all the cheap heads.

Mido's words. 16-85vr this head is good. The wide angle is big enough. Also anti-shake. Useful for beginners.

Much better than the D90's pullover 18-105VR.

It's okay to take portraits, don't buy the lens yet, and talk about it when you feel the need for it.

Nikon's three generations of professional-grade standard variable lenses: 35-70, 28-70, 24-70. It can be said that the picture quality of these three heads is top-notch, and it is difficult to distinguish between high and low socks.

The difference is only in the imaging style. The strongest German flavor is 35-70, contrast.

Large, strong contrast, tough style, old and harmonious colors.

The 24-70 imaging style has changed a lot and is more like a Canon. The picture quality is delicate, the resolution is high, the color is elegant, the contrast and contrast are small, and the tolerance is large. 28-70 in between.

LZ has 28-70 on hand, so there is no need to change to 24-70, and the difference in picture quality is between Zhong Bo, not huge.

The advantage of the 24-70 is mainly in the extended wide angle. The 28-70 was originally Nikon's masterpiece, and its hand-polished aspherical craftsmanship and beautiful shape are unmatched by the 24-70.

The Nikon 24mm prime head is often classified as a wide-angle lens, and its minimum focusing distance is generally relatively long, and it can only shoot large objects, not macros. However, you can still try it for macro photography, which requires you to take some special tricks and methods to achieve it. A common method is to use a backlit ring or a focus distance extender, which can reduce the minimum focusing distance to a distance that is more suitable for macro photography.

In addition, you can also use a high-magnification magnifier or close-up lens to enhance the effect of macro shots. It's important to note that when using a backlight ring, focus distance extender, or other accessories for macro photography, you need to pay special attention to the stability and focus accuracy of your camera to ensure you get sharp, sharp macros**. At the same time, it is also necessary to pay attention to the light conditions and choose the appropriate lighting environment in order to better capture the details and colors of small items.

Overall, the Nikon 24mm prime head is not a professional macro lens, but there are some special situations where you can still achieve macro state tremor shooting with some special tricks and methods.

Summary. The differences between the Nikon 50 and Nikon 50 prime are: the maximum aperture is different, the filter size is different, and the number of aperture blades is different.

First, the maximum aperture is different.

1. Nikon 50 Fixed Focus: The maximum aperture of the Nikon 50 Fixed Focus is.

2. Nikon 50 fixed focus: The maximum aperture of Nikon 50 fixed focus is:

Second, the filter size is different.

1. Nikon 50 Fixed Focus: The filter size of the Nikon 50 Fixed Focus is 52nm.

Is there a difference between Nikon's 50 focal length and fixed-focus portraits?

The differences between the Nikon 50 and Nikon 50 prime are: the maximum aperture is different, the filter size is different, and the number of aperture blades is different. 1. The maximum aperture is different 1. Nikon 50 fixed focus:

The maximum aperture of the Nikon 50 prime is the Nikon 50 fixed focus: The maximum aperture of the Nikon 50 fixed focus is. 2. The filter size is different: 1. Nikon 50 fixed focus:

The Nikon 50 Fixed Focus has a filter size of 52nm.

2. Nikon 50 Fixed Focus: The filter size of Nikon 50 Fixed Focus is 58nm. 3. The number of diaphragm blades is different 1. Nikon 50 fixed focus:

The Nikon 50 has a fixed focus with 5 diaphragm blades. 2. Nikon 50 fixed focus: The number of aperture blades of Nikon 50 fixed focus is 8.

That's basically the difference.

You can take a look.

Hope mine can help you, okay, thanks. 

1. It is zoom, and zoom imaging is not as good as fixed focus. But the Nikon 24-70 is the better of the few SLR lenses, at least better than Canon's performance.

2. It is a commonly used focal length. Able to meet most shooting needs. The best choice for the hang-up head.

3. The zoom composition is convenient, which can improve work efficiency, and the wide-angle and medium focus are often the most commonly shot scenes, so it is more efficient to use it than to use it separately, and there is no need to change the head frequently.

24-70 is the best focal length of each wide angle to medium focus and 70-200 can be seamlessly connected.

As for what you said about the wide angle and telephoto, the Canon 50 is not long, not short, but **more than 10,000.

The Nikon 28 14D is neither long nor short, but also more than 10,000.

The lens is not looking at the focal length.

Look at imaging and technology.

This head imaging, color, distortion control, and focusing speed are all superior and unaffordable, drooling.

The 24-70mm head is a portrait. Wedding photo studios everywhere have this lens from 24-70mm.

It's normal.

It's impossible to do it all in one lens and one company. There must be a division of labor. Let's create together.

I don't understand, don't blame me for being wrong.

1. Differences:

1.Canon 24-70 heads:

lighter; Better imaging quality;

Better performance in low-light situations;

Cheaper.

2.Canon:

The zoom head is easy to use;

After extensive use of aspherical and low-scatter lenses;

The imaging effect is similar to that of a fixed focus;

The more sophisticated the materials.

1. Canon:

In the early 20th century, Japan's camera industry was lagging behind;

At that time, most people used foreign goods;

A few young Japanese people made domestic cameras in order to make them;

began to imitate high-end German cameras;

And in 1934, he successfully copied the German Leica camera in a small workshop in Tokyo;

Japan's first 35mm focal plane shutter camera, the Kwanon, was also developed.

You only need to pay for those that you want to rinse, and you can delete the other things you don't need;

Color reproduction and color range no longer depend on the quality of the film;

The sensitivity is no longer fixed by the film, and the photoelectric converter chip can provide a variety of sensitivity options.

First of all, the current market share of the D head itself is low, although it is a little cheaper than the G head of the same level, but the focus is slow, the sound is loud, and the bellows is pulled. The coating technology is not as good as the current G head, and the performance is relatively poor when backlit and complex light. And the number of pages with an aperture is generally 6, so the bokeh is not as good as the g-head.

24 It is used less not only for the above reasons, but also because 24 is a wide-angle lens, and the wide-angle end is generally used to shoot landscapes and landscapes.

In landscape shooting, there is generally no need for a large aperture, so not only does it not sell well, but the new 24 also sells very little.

Landscape photographers prefer small zoom heads, such as the 17 35 or 14 24 large bulbs, which offer the same prime imaging and distortion control at small and medium apertures (around f8), as well as a wider framing flexibility (IMHO, 14mm and 24mm are two worlds at all). In this way, it is more convenient to frame and compose the shot, and the filter only needs to prepare a set of calibers, which also saves costs.

The main market of the fixed focal length is still in the middle focal range (35 50 85 105), and the photographic subjects of these focal length fixed focal heads are mostly humanities and portrait close-ups, and the relatively cheap price of the fixed focal head and the large aperture and excellent imaging that are better than the zoom heads at the same price are the competitiveness of the fixed focal head.

The market share of fixed focal length lenses is mainly concentrated in 50mm, 80mm and 100mm focal lengths, these focal lengths shoot portraits or macros more, and they are also the subjects that most people like, with large sales and market share, and the lens width of 24mm focal length is not enough, and the length is not, so in addition to special needs of photography enthusiasts, there are not many market sales, and consumers choose relatively little.