What is the meaning of the Four Treasures of the Study, what is the meaning of the Four Treasures of

The four treasures of the study refer to the pen, ink, paper, inkstone, is the four kinds of stationery that are often prepared in the study, and it is also a unique calligraphy and painting tool in China. Since the Song Dynasty, the "Four Treasures of Study" specifically refer to Xuanbi (Xuancheng, Anhui), Huimo (She County, Huizhou, Anhui), Xuan Paper (Xuanchengjing County, Anhui), She Yan (She County, Huizhou, Anhui), Tao Yan (Zhuoni County, Gansu), and Duan Yan (Zhaoqing, Guangdong, known as Duanzhou in ancient times).

Origin. The tools and materials of Chinese calligraphy are basically derived from pen, ink, paper, and inkstone, and people usually refer to them as the "Four Treasures of the Scholar's Room", which roughly means that they are the four treasures that must be used in the literati's study.

Because the ancient Chinese literati were basically able to write, or paint, or both to write and paint, they were inseparable from the four treasures of pen, ink, paper, and inkstone.

The name of "study" originated in the period of the Northern and Southern Dynasties (420-589 AD) in the history of our country, specifically referring to the literati's study, with pen, ink, paper and inkstone used in the study, and was known as the "four treasures of the study". In addition to the four treasures, there are pen holders, pen holders, ink beds, ink cartridges, arm rests, pen washes, book towns, water bowls, water spoons, inkstone drops, inkstone boxes, ink inks, printing boxes, cutting knives, stamps, rolls, etc., which are also essential items in the study.

Value. The four treasures of the study collected by the Palace Museum are mostly made by famous teachers in the Qing Dynasty, used by the royal family, and their materials are exquisite and exquisite, representing the development level of the study utensils in our country for thousands of years and the creative wisdom and artistic talent of the skilled craftsmen, which is the treasure of the study utensils.

The "Four Treasures of the Study" is not only a stationery with strong practical value, but also a work of art integrating painting, calligraphy, carving, decoration, etc. In 2007, the Institute of History of Science and Technology of the Chinese Academy of Sciences and the Four Treasures Association of Chinese Scholars declared pen, ink, paper and inkstone to UNESCO as a world-class "intangible cultural heritage".

Pen, ink, paper, inkstone, each has its own use, each has its own exquisite, the so-called "famous inkstone clear water, ancient ink new hair, Fangmatan paper, habitual pen, old paper", together is a whole set, and then write our words, synthesized into our unique traditional calligraphy art. It is not only for our self-appreciation, but also more and more attention and cherished by people all over the world. Pen:

Also known as pen inkstone, it is used to check the shade of ink or straighten out the brush, and is often made into a flake leaf shape.

The pen group loses ink paper inkstone or filial piety, collectively known as the "four treasures of the study".

The Four Treasures of the Study Room are unique calligraphy and painting tools (calligraphy and painting utensils) in China, namely pen, ink, paper, and inkstone.

The name of the Four Treasures of the Scholar's Room originated in the Northern and Southern Dynasties.

Historically, the things referred to by the "Four Treasures of the Study" have changed repeatedly. In the Southern Tang Dynasty, the "Four Treasures of the Scholar's Room" specifically refers to the Zhuge pen of Xuancheng in Anhui, Li Tinggui ink in Huizhou, Anhui, Chengxintang paper in Huizhou, Anhui, and Longwei inkstone in Wuyuan, Huizhou, Anhui.

Since the Song Dynasty, the "Four Treasures of the Scholar's Room" specifically refers to Xuanbi (Xuancheng, Anhui), Xunlu Huimo (She County, Huizhou, Anhui), Xuan Paper (Xuanchengjing County, Anhui), She Yan (She County, Huizhou, Anhui), Tao Yan (Zhuoni County, Gansu), and Duan Yan (Zhaoqing, Guangdong, known as Duanzhou in ancient times).

After the Yuan Dynasty, Hubi (Huzhou, Zhejiang) gradually prospered, Xuanbi gradually declined, after the reform and opening up to grasp Changpei, Xuanbi gradually regained its vitality.

Pen, ink, paper, inkstone.

The Four Treasures of the Study Room refer to pen, ink, paper, and inkstone, which are unique calligraphy and painting tools in Xiyan China. The Four Treasures of the Study originated from the period of the Wei Dynasty and the Northern and Southern Dynasties, and the "Four Treasures of the Study" in the history of the demolition are also called the "Four Treasures of the Study" and the "Four Scholars of the Study". Each of the four treasures of the study carries China's unique cultural connotation and historical value.

The tools of writing in the traditional culture of the Han nationality in China are pen, ink, paper, and inkstone. The name of the Four Treasures of the Scholar's Room originated in the Northern and Southern Dynasties. In the history of Yumu Chop, the things referred to by the "Four Treasures of the Study" have repeatedly become resistant to potatoes.

Pen, ink and paper are noisy and hidden, and the ancient Chinese study must be equipped with writing and painting tools.

Pen: Brush, there is a hard and soft hair.

Ink: A black pigment developed with water for writing.

Paper: Generally refers to rice paper, there are raw Xuan and cooked Xuan.

Inkstone: An inkstone is a box made of stone or metal used to grind ink, and the ink is ground into a liquid form with water, and then a brush is dipped in ink to write and paint.

It refers to the clerical tools in ancient Chinese traditional culture, namely pen, ink, paper, and inkstone.

The name of the Four Treasures of the Study originated from the period of extinction in the Northern and Southern Dynasties. Historically, the things referred to by the Four Treasures of the Study have changed repeatedly. In the Southern Tang Dynasty, the "Four Treasures of the Scholar's Room" specifically refers to the Zhuge pen of Xuancheng in Anhui, Li Tinggui ink in Huizhou, Anhui, Chengxintang paper in Huizhou, Anhui, and Longwei inkstone in Wuyuan, Huizhou, Anhui.

Since the Song Dynasty, the four treasures of the study have specifically referred to Xuan pen, Hui ink, Xuan paper, She inkstone, Tao inkstone, and Duan inkstone silver bush. After the Yuan Dynasty, the lake pen gradually flourished, the Xuanbi gradually declined, and after the reform and opening up, the Xuanbi gradually regained its vitality. Anhui Xuancheng is the most authentic origin of the four treasures of China's study, and is the world-renowned "hometown of the four treasures of China's study".

The Four Treasures of the Study Room refer to the unique Chinese calligraphy and painting tools (calligraphy and painting utensils), namely pen, ink, paper, and inkstone. The name of the Four Treasures of the Scholar's Room originated in the Northern and Southern Dynasties. Historically,"The Four Treasures of the Study"The referent is constantly changing.

At the time of the Southern Tang Dynasty,"The Four Treasures of the Study"The crack specifically refers to Anhui Xuancheng Zhuge pen, Anhui Huizhou Li Tinggui ink, Anhui Huizhou Chengxintang paper, Anhui Huizhou Wuyuan Longwei inkstone. Since the Song Dynasty"The Four Treasures of the Study"It specifically refers to Xuanbi (Xuancheng, Anhui), Huimo (She County, Huizhou, Anhui), Xuan Paper (Xuanchengjing County, Anhui), She Yan (She County, Huizhou, Anhui), Tao Yan (Zhuoni County, Gansu), Duan Yan (Zhaoqing, Guangdong, known as Duanzhou in ancient times), after the Yuan Dynasty Douheng next to the lake pen (Huzhou, Zhejiang) gradually prospered, the empty oak Xuan pen gradually declined, after the reform and opening up, the Xuan pen gradually regained its vitality.

The Four Treasures of the Study Room are unique, which not only expresses the customs of the Chinese nation that are different from other ethnic groups, but also contributes to the progress and development of world culture and national culture. Today, China is in a new era of modernization. Understanding the excellent Chinese culture of the past is precisely to create a new culture for the future.

This is of great significance for enhancing national self-esteem and enhancing national cohesion.

Pen, ink, paper, inkstone. The name of the Four Treasures of the Scholar's Room originated in the Northern and Southern Dynasties. Historically, the things referred to by the Four Treasures of the Study have changed repeatedly.

In the Southern Tang Dynasty, the "Four Treasures of the Scholar's Room" specifically refers to the Zhuge pen of Xuancheng in Anhui, Li Tinggui ink in Huizhou, Anhui, Chengxintang paper in Huizhou, Anhui, and Longwei inkstone in Wuyuan, Huizhou, Anhui. <

1. The Four Treasures of the Study Room refer to China's unique calligraphy and painting tools, namely pen, ink, paper and inkstone. The name of the Four Treasures of the Scholar's Room originated in the Northern and Southern Dynasties. Historically, the four treasures of the study and Sun Zheng" have referred to many changes.

In the Southern Tang Dynasty, the "Four Treasures of the Scholar's Room" specifically refers to the Zhuge pen of Xuancheng in Anhui, Li Tinggui ink in Anhui Huizhi Confession, Chengxintang paper in Huizhou, Anhui, and Longwei inkstone in Wuyuan, Huizhou, Anhui.

2. Since the Song Dynasty, the four treasures of the study room "specifically refer to Xuanbi (Xuancheng, Anhui), Huimo (She County, Huizhou, Anhui), Xuan Paper (Xuanchengjing County, Anhui), She Yan (She County, Huizhou, Anhui), Tao Yan (Zhuoni County, Gansu), Duan Yan (Zhaoqing, Guangdong, known as Duanzhou in ancient times), after the Yuan Dynasty Kai stool Hubi (Huzhou, Zhejiang) gradually prospered, Xuanbi gradually declined, after the reform and opening up, Xuanbi gradually regained its vitality.

Kiss! The Four Treasures of the Study Room refer to the four kinds of stationery in traditional Chinese culture, namely brush, ink, paper, and inkstone. Brushes, ink, paper, and inkstones are essential tools for the creation of calligraphy and painting by ancient Chinese literati, and are known as the Four Treasures of Scholars because of their important position in traditional culture.

Brush brushes are widely used in calligraphy, painting and other artistic creations because of their flexibility, ink absorption, and ink control characteristics. 2.Ink:

Ink is a black pigment made by boiling water and materials such as bituminous coal, pine smoke, and pine charcoal. Because of its strong color, non-fading, and non-corrosive paper characteristics, ink is widely used in calligraphy, painting and other artistic creations. 3.

Paper: Paper is a material that can be written and painted from materials such as plant fibers or animal leather, fish nets, etc. The papermaking technology in ancient China was very advanced, and the paper made had a delicate texture and good toughness, which provided a good carrier for calligraphy, painting and other artistic creations.

4.Inkstone: An inkstone is a utensil used for grinding ink, made of materials such as stone or ceramics.

Because of its hard texture, not easy to wear, good ink absorption and other characteristics, inkstone is widely used in calligraphy, painting and other artistic creations. The Four Treasures of the Study Room are an important part of Chinese traditional culture, representing the essence of Chinese traditional culture and profound artistic and cultural heritage.