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If you refer to Japanese anime alone, it appeared during the time of Emperor Meiji.
Cartoons were first born in France. In 1877, the optician and painter E. E. in ParisBased on the principle of "visual persistence", Renault made a new toy activity glass.
In 1878 he won a prize at the Universal Exhibition in Paris. In 1879, he made improvements to the movable mirror, according to the basic principle of cartoons, using a biscuit cone, invented the movable mirror shadow machine, which can make the continuous picture strip indefinitely extended, and can express longer live ** painting. Renault drew more than 20 animated mini-shows such as "Feeding the Chickens", "Swimming Girl", and "Monkey ** Home", which is the world's earliest original cartoon.
With the invention of the slide projector, in October 1888, Renault used the technology of the slide projector to make an optical movie machine. The cartoon "A Delicious Beer" he drew became the world's first relatively complete cartoon before the invention of cinema.
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Strictly speaking, the founder of Japanese animation is Osamu Tezuka, who first used the storyboard format in his paintings, and that's why we have the anime we watch today.
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Osamu Tezuka was influenced by the Chinese animation master Wan Laiming Chinese animation started very early Wan Laiming is the work of Havoc in the Heavenly Palace Tezuka was influenced by Mr. Wan Lao's Iron Fan Princess before he started the step of animation Chinese animation began in 1922 The first animation was a very simple advertisement called Shu Zhendong Chinese typewriter.
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……There was animation in the Stone Age, ......
The first animated film with sound was Walt Disney's Steamboat Willie, and the first color animated feature film was Snow White and the Seven Dwarfs, also his work.
The foundation of modern animation was the first to produce animated films from negatives in 1908 by the Frenchman Emile Cohl.
Much like the modern animation industry, in 1906, the Americans produced a film that was close to the concept of modern animation, called "The Humorous Image of Funny Faces".
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As early as thousands of years ago, the great king of Qin came up with it!
1:1 figurines.
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1, Wan Laiming.
Wan Lai Ming ( No. Lai Weng, stage name Ma Idiot. World animation master, art master, the first person in Chinese paper-cutting art, the founder of animated films, a world-famous director, and one of the 500 celebrities in the modern world.
2, Wangu Toad.
Wan Gu Chan (January 18, 1900 - November 19, 1995), a native of Nanjing, Jiangsu, was one of the founders of Chinese animation and one of the famous Wan brothers. Wan Gu Chan graduated from the Shanghai Art College in 1920 and joined the Movable Film and Drama Department of the Shanghai Commercial Press in 1925. In 1926, he joined the Great Wall Picture Company as an artist.
3, Wan Chaochen.
Wan Chaochen (. A native of Nanjing. One of the pioneers of early Chinese art films, one of the four famous brothers of the Wan family.
Born in Nanjing. Influenced by his brother, he loved painting since childhood. At the age of 17, he was admitted to the Western Painting Department of Nanjing Art College, and later studied decorative painting at Shanghai Oriental Art College.
4, Tewei. Tewei (August 22, 1915-February 4, 2010), formerly known as Sheng Song, was born in Shanghai, his ancestral home is Zhongshan City, Guangdong Province, animation director, screenwriter and painter in Chinese mainland, and graduated from Shanghai Shangxian Middle School. In 1951, he directed his first animated short film "Little Iron Pillar".
5, Xu Jingda.
Xu Jingda (1934-1987), alias Ada, was born in Kunshan City, Suzhou, Jiangsu Province, and was an animation director, screenwriter, art designer and special effects artist in Chinese mainland. In 1956, he worked as a set designer for the animated short film "I Know". In 1958, he wrote and directed his first animated short film "Catch the UK".
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The four Wan brothers (Wan Gu Toad, Wan Laiming, Wan Chaochen, Wan Dihuan).
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What a mess, the answer downstairs is not right, the father of animation is Emile Renaud, the man who invented cartoons.
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The father of modern Japanese animation is Osamu Tezuka.
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The father of contemporary cartoons isCole
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The origin of cartoons.
As early as 1831, the Frenchman Joseph Antoine Plateau put the painted ** on the disc of a machine in order, and the disc could be rotated under the drive of the machine. This machine also has a viewing window, which is used for **live** film effects. Driven by the machine, the disc rotates at a low speed.
The ** on the disc also rotates with the disc. Looking through the observation window, ** seems to move, forming a moving picture, which is the prototype of the original animation.
In 1906, American J Steward produced a film that was close to the concept of modern animation, titled "Houmoious Phase of a Funny Face." After repeated pondering and scrutiny, he continued to revise the sketch, and finally completed this short film that was close to animation.
In 1908, the Frenchman Emile Cohl pioneered the use of negative film to make animated films, the so-called negative, which is the film whose image is exactly the opposite of the actual color, just like today's ordinary film negatives. The use of negative film to produce animation conceptually solves the problem of film carrier and lays the foundation for the development of animation in the future.
In 1909, the American Winor McCay used 10,000 sheets to represent an animated story, which is the world's first recognized decent animated short film to date. Since then, the level of creation and production of cartoons has become more and more mature, and people have begun to consciously produce cartoons that express various contents.
In 1915, the American Eerl Hurd created a new animation production process, he first painted cartoons on plastic film, and then shot the first piece of ** painted on plastic film into an animated film. This animation process has been used for many years.
Beginning in 1928, Walt Disney, as he became known, gradually pushed animated films to the top. (Refer to "Disney Biography") while perfecting the animation system and production process, he linked the production of cartoons with commercial value, and was known as the father of commercial animation. To this day, the Disney company he founded continues to create colorful cartoons for people all over the world.
Disney" - the greatest animation company of the 20th century.
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Peter Roger's book "The Visual Persistence of Moving Objects" explains that the retina of the human eye can stay for about a second before an object is moved. This means that the human eye also has a temporary memory function, but for a very short time, only about a second. The animation is the use of this principle, in this second or so to quickly switch the picture, it is possible to make the naked eye feel that the previous picture has not disappeared, the next picture will enter the line of sight, so that the picture to get the overlapping and continuous effect.
In the same year, the Frenchman Emil Cole used the freeze-frame technology on the camera to shoot and produce the first animated film "The Phantom Book", and in the same year, the American Stuart Blackton created "The Humor of the Funny Face", which are known as the earliest animated films and marked the birth of animated films.
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