Is it okay to use the sketch painting technique, the method and technique of drawing the sketch

Eun, I see, what you're saying is that you can draw gray, right? You should have heard the teacher say that you need to draw a sketch three times at least if you always draw it flat, no matter how many times you draw it, it is equivalent to one side, and the steps should be the first time is to grasp the overall relationship of the picture, the second time is to carefully depict the picture, and the third time to adjust the picture is like this, not what you said, every time you must draw it, every place must be drawn.

Sketching is mainly about the relationship between black, white and gray, and if you can't pull the relationship between black, white and gray, then the sketch will fail.

If there's anything you don't understand, please feel free to ask, hehe.

If you have a good foundation, it's okay to go from the part to the whole It's okay to kick out a good painting with your feet Some painters in the United States use a ruler to paint, and there are also pastels on the Russian side, and there are paintings that use black, white and gray are very important, and those painters must meet the basic evaluation criteria no matter what they paint with, and softness does not mean that there is no black, white, and gray ......Or open the level from the basic space, volume, virtual and real, black, white and gray, and then start with a deep understanding. You can see there's a painter in the United States who paints ...... that are basically carbon strips(I don't know how to describe it) I forgot the name It seems to be a book from the academy Come back and ask for you But if you are an art student in the college entrance examination, it is recommended that you still take the regular road ......This is China, after all.

You can sketch the outline first, and then paint it flat according to your own method, and then you have to pull out the relationship between black, white and gray, which is also the key to the problem, the first is to use an eraser to erase the highlights, and the second is to use a pencil and fingers to transition. This is a little bit of experience that I hope can help you.

This method is not good! Be sure to go from the whole to the part. If you are currently going on to higher education or it is not recommended that you apply flat painting, my classmates used this method in the college entrance examination before, and the result was very low.

This doesn't matter, the old man Baishi said "those who learn from me live, and those who are like me die", don't care too much about the technique, just think it's good, the key is that the painting has characteristics Fu Bouldering is not different from anyone else, so he has his own "bouldering".

From the whole to the part, don't use painted paper, it will be smeared, and it's hard to erase, and you have to keep arranging the lines, I like to use a rough side of paper and a pen with a high number of b to spread.

It means that you have only been painting for a long time, and you have not learned the essence, so you only care about painting by yourself.

No one uses your method of sauce purple, the picture is full of gray, no contrast, no rhythm, then it's not called a painting, it's called a cement floor!

If you are bold, black is black and white is white, ask the teacher to help you change your painting, and ask why when you change your painting, so that you can learn the skill. You are learning to draw, not art, this point must be clear!

To distinguish between priorities and priorities, the picture needs to be whole. Well, it's okay to pick one that interests you for in-depth portrayal, but it must be unified, no matter what time you take out the painting, it's OK if the big relationship is clear.

If the black, white and gray are not properly handled, the whole picture is easy to gray, there is no layer, the dark part should be deepened, pay attention to brightening, and the contrast between light and dark should be strong to "jump" out. It is recommended that you buy a few books and refer to the works of famous artists.

I personally have a personal favorite, but it may not take enough time to start from the part to the whole, and I don't know how fast or slow you draw. If you are going to take the exam, maybe your flat painting is not liked by the invigilator, then your score is not high.

Soft can also ... It's the junction line here in a moment, and then the dark is painted darker, and the light is brightened...

From the part to the whole, you need to have a strong grasp of the whole, it doesn't matter how the technique is, it is also a kind of tool, the main thing is to achieve the final effect.

No matter what technique you use, the first thing to do well is to have a good sketch, the second is to control the relationship between black, white and gray, and finally to draw on the basis of the first two items.

Painting should be painted with a sense of volume, flat painting is not a picture, pay attention to the various turning surfaces of the shape, and divide the ...... such as the boundary between light and darkIt is recommended to buy this book of tactile sketches in Xiaodong.

I used to be the same ......It's very softly drawn.

Later, a lot of time was spent on ......See how others draw, learn how they draw, and look at the ......... as you drawI've probably been practicing like this for less than a year......With the addition of the previous soft drawing method, I feel that the soft drawing method is much better.

Go learn from Wu Zhaoming, really.

The methods and techniques for drawing sketches are as follows:

1. Before sketching, it is necessary to observe the object to be painted in all directions and at multiple levels, and the angle and light sensitivity of the object should be observed, rather than simply observing the object to be painted.

2. Then use a line to outline the general outline of the object. Then, according to the intensity of the light source, the various sides of the object are determined. The details of each side should be dealt with in different ways, and details are a very important part of the sketching process.

3. After the details are processed, start to beautify the painting to make it more natural, to express the texture of the painted object, and to make the painting more realistic and vivid.

4. The basic skill of sketching is lines, and before sketching, you should practice drawing various lines, and the lines are not stiff, which is the basic requirement for sketching. Sketching begins with the most basic plaster geometry. Then it expands to scenes, objects, etc., from a single to a combination, gradually increasing the difficulty.

5. It is necessary to carefully observe the still life, and it is difficult to express the image of the object that you have never seen in the eyes to express it accurately. It also shows that the observation of objects and images in life is very important, it can provide rich performance materials, many students pick up the brush and paint, very fast, but also very serious, but the performance of the object is far from the object.

6. Analyze the object by searching, starting from the whole, first find out the proportional relationship between the top and bottom of the object, and then find the proportion of the part in the large proportional relationship. It is necessary to determine the position of the painter's point of view, and judge whether he is looking up, looking up, or looking down, whether he is looking at one point, two points, or three points.

Sketching first of all, you can start from the structure sketch, the shape is right, and then pay attention to the light and shade, because it also revolves around the structure, draw the light and shade lines to the dark part with 6b7b8b, plus rub with a paper towel, so that it can not see the line, to the bright part with b, 2b, 3b, let it out of the line, see the trend. Finally, to paint the space, painting a good space is the way to let the still life into the painting, a good painting into the painting is the most important, the background is painted more virtual, to line out the reality of the object in front of you, the more placed in front of you The object should be painted more solid and clear, with the depth lining the shallow, the brighter the brighter the front, the darker the darker the back, so that the object into the breathable space background. Step by step, and at the same time, at the same time, each step must force yourself to be whole, so that each step is a good structural sketch or still life sketch or all-factor sketch (shape, texture, space.

Combined) to draw a good still life and then to draw a figure, the method is the same, to grasp the person's demeanor, form, facial features are clear, the texture is consistent, the face structure should be explored to find out the common features, because the person is not the same as the bones inside, it is recommended to buy"Berriman College Book Series: Applying Human Anatomy", all of them are regular, so Leonardo da Vinci had a habit of dissecting corpses. The works of art portraits on the street only paint the human face and capture the characteristics of the facial features (the faces of celebrities are more distinctive), while the professional ones pay more attention to the internal structure, which is the difference between professional art students and amateurs.

Feel free to ask).

Sketching must pay attention to the grasp of the space before and after, try to draw more solid in front of the front (less gray color), the background behind can be painted as much gray as possible, but also the focus of your picture to depict the object delicately, the main object should generally be very conspicuous, this is the most basic of a good sketch.

As for figure painting, it is necessary to focus on depicting the facial features, which is the most important thing; The internal skeleton structure is also very important and must be expressed.

First of all, you must have a solid foundation for sketching still lifes, and then you must also have a good foundation for gouache and color, and oil painting is based on these two foundations. When drawing a character, you should pay attention to the color of the eyes, as well as the mouth and body shape, as well as the color of the hairstyle and hairstyle, and the clothing is also very important.

Contrast the real with the virtual. The lines should be smooth and flexible, without barbs, and grasp the light and dark tones.

Skill characteristics of these things are divided into people, don't go too far to pursue this, lay a good foundation, this is the key, the so-called practice makes perfect, there are many ingenious methods, the most rare thing is how to use your heart in an iz practice, to find your own, the things in the painting, such as the first stage, the second stage, the third stage. meaning, words intangible)) 1 is not limited to the form, "the pen is controlled by the hand, the will, the heart, or down-to-earth good, and one day, the line unintentionally has its own skills."

Grasp the relationship between light and shade and the relationship between space.

Introduction: Sketching is the foundation of painting, the skeleton of painting; It is also the art that is most temperate and most in need of the assistance of reason. Let me introduce you to the benefits of sketching, so let's find out quickly

Advantage 1There are many students who are always stupid when they are drawing, and they are very taboo to wipe and erase, for fear that the picture will be dirty. But Xu Beihong's old-timers once said, "Rather dirty than clean". This sentence tells us that in the process of painting, we should be bold in dotting, sometimes dirty spots will increase the effect of the picture, and will make the picture more atmospheric.

Advantage 2The layering of the picture is richer, and in the process of painting, there will always be traces on the fingers that were rubbed on the previous drawing. Toner or lead powder, some fine gray surfaces, we can use the toner or lead powder on the fingers to process the picture and increase the effect of the picture.

Advantage 3Speeding up and using the wiping method instead of playing the tone can save a lot of time. But the picture needs a large area of color, a single row of lines will be a bit vertical is not enough, we can wipe some places, many places that are not heavy enough, can be treated with the method of wiping. In painting, you can use any means to increase the effect of the picture.

Advantage 4When used in the dark part, it can sometimes make the dark part appear weak. However, at the same time as we take shape, first lay the dark side of the place with a tone, use the method of wiping to press the tone down, excessive gray surface, retain the bright belt fiber excavation surface, and in the later adjustment, you can carry out a deeper layer of shaping as needed.