The artistic characteristics of the pen under the lamp 5, the artistic characteristics of the pen un

"Writing Under the Lamp" is a companion piece to "Late Spring Chatter", from the essay collection "Grave".

It is said that the structure of the article is free and flexible, first from the specific event to generate feelings, introduce the topic, and then grasp the topic, the association is extensive, the quotation is rich, and the bamboo shoots are peeled off layer by layer, revealing the essence of things from the surface and the inside.

Lu Xun. With the combination of narrative and discussion, he vividly described the turmoil, meticulously expressed his mood of sorrow and joy, and then turned the pen, triggering the incisive discussion of "we are very easy to become slaves, and after the change, we still like it very much".

It. Shi Chen Gong was engaged in Dongjun, and he also had a good relationship with Tao Qian.

Narrative, argumentative, lyrical integration.

This article was written in 1925 and was originally published in two installments, the second and fifth issues of the weekly Mangyuan on the 1st and 22nd of May Potato Hands in 1925. At that time, all classes and social forces in China were exploring their own paths, "the admiration of the quintessence of the country by the scholars of the country, the admiration of the inherent civilization by the writers, and the enthusiasm of the Taoists were retro", indicating that they were all dissatisfied with the status quo and longed for the restoration of the peaceful and prosperous era of the ancient times.

Fascinated by the peaceful and prosperous times that existed in ancient times, it shows that at that time, we were in an era when they wanted to be slaves but couldn't, and many people were looking for the era of temporary slaves. Lu Xun believed that revolutionaries were also dissatisfied with the status quo, but there was no need to look back, they could not go back to ancient times to repeat the old road, and they should explore the new road ahead.

Under the lamp is a melody on the tomb, and the source of its reputation is Lu Xun's "Tomb".

This paper generates associations from specific events, introduces this topic, and then grasps the topic, with extensive associations, rich quotations, and layers of bamboo shoots, revealing the essence of things from the surface and the inside.

Judging from the article, this article uses the small story of discounting silver during the depreciation of silver tickets as an introduction, explains people's life-saving mentality that is easy to "degrade to seek" in danger, and reflects on and criticizes China's feudal civilization.

Background of creation

This article was written in the late spring of 1925. On the one hand, China's thousands of years of old culture, old system, and old traditions were attacked layer by layer, and by this time, it was already dark, reactionary, and incomparably decadent, and it was like a huge cancer that had been parasitic on the people for a long time, imprisoning the people's body and mind, and making the people afraid and numb.

On the other hand, a few of the pioneers had woken up from the darkness, and they had begun to raise their voices to awaken the sleeping people in the "iron house" and began to fight with halberds to "shoulder the floodgates of darkness and let them go to the place where the wide chain of light is clear."

Lu Xun was one of the few pioneers of awakening. He came from the old camp, had a deep study of Chinese history, and saw the essence of "cannibalism" in Chinese society very clearly; He saw through the social reality at that time.

In this text, Lu Xun deeply dissected the characteristics of the history of China's feudal society, and pointed out that the cruel rule of feudal tyrants caused the backwardness of Chinese society and the ignorance and numbness of the people.

Manga"It refers to informal hand-in-hand. Lu Xun refuted the distortion and embellishment of history by feudal historians and compilers of modern history textbooks, and sharply exposed the cannibalistic nature of feudal society and the historical truth of class antagonism. He analyzed the difficult situation of the Chinese people with grief and indignation

The Chinese people are neutral, and in wartime they don't even know which side they belong to, but they belong to either side. ”

When the robbers came, they thought that they were obedient citizens of the government, and of course they should be killed and plundered, and as soon as the officers and soldiers arrived, they were charged with "rebellion" and "banditry" to kill the good and invite merit, which shows how difficult and miserable the situation of the obedient people is!

The manuscript of the comic pen under the lamp belongs to an essay, and when I read the prose, I feel that the best part of the prose is Bi Ye, when you read it, you feel very relaxed, and after reading it, you will definitely be able to have a search for filial piety and some impressions.

Lu Xun's "Writing Under the Lamp" uses the short story of discounting silver during the depreciation of silver stamps as an introduction, explaining the life-saving mentality of people who are easy to "degrade to seek" in times of crisis. Extending to the historical status quo of China since ancient times, it is judged that in Chinese history, the people "can only be slaves, and often even slaves". From the perspective of the status of working people, Chinese history is divided into "the era of wanting to be a slave but not being able to" and "the era of temporarily being a slave".

Through examples such as "assimilation" and "beauty of life", the author points out that the reason for the formation of the historical status of the Chinese people is "the "etiquette and religious program" in China's inherent culture. The author believes that this culture cultivates the social character of the Chinese people to endure humiliation, go to peace, and suppress. As a result of the long-term widespread recognition of this culture in ancient China, it brought a deformed sense of satisfaction to the people:

I have already arranged it properly, there are high and low, big and small, up and down. You are abused by others, but you can also abuse others; Eat yourself by others, but you can also eat others. Level by level, I can't move, and I don't want to move.

The author's metaphor: "The civilized people of China are actually nothing more than a feast of human flesh arranged for the broad people to enjoy. The so-called Chinese are in fact nothing more than the kitchen where this feast of human flesh is arranged."

Therefore, the author believes that in Chinese social civilization, someone who can "come to the present when he is qualified to go to the banquet, and still curse the status quo of China for us, this is a truly admirable person with a real conscience!" It expresses the author's criticism of feudal culture and hopes that young people will get rid of the shackles of this culture and abandon this culture.

This article carries an "enterprising heart" to reflect on and criticize China's feudal civilization. It reflects Lu Xun's historical viewpoint of "taking the status of the people as the perspective" and the spirit of change with a negative attitude towards China's feudal culture.