Wang Wei s poetic style? What are the stylistic characteristics of Wang Wei s poetry?

Throughout Wang Wei's life, it can be divided into two periods, before and after the age of about 40, with a smooth career in the early stage, high political enthusiasm, and full of ambition to help the world. The style of his early landscape poems is manifested as distinct images and profound rhymes.

After the age of 40, with Li Linfu coming to power, the politics of the Tang Dynasty gradually became corrupt, and his political enthusiasm was suppressed, and he gradually embarked on a path of avoiding political struggles and pursuing a leisurely life.

1. Early stage: Vivid image and deep rhyme Wang Wei's career was smooth in the early stage, and his poems were rich and diverse. Because he can thoroughly understand the similarities and differences between poetry, painting, ** and other arts, and explore the special laws of poetry more deeply than ordinary poets, his landscape idylls have both painting and beauty, and are called "paintings in poems" by later generations.

The basic style of Wang Wei's early poetry was "clear and beautiful."

The colors delicately depict the beauty of the mountains and forests, the empty realm and the leisure and elegance of living in this quiet and beautiful environment.

Another characteristic of Wang Wei's early landscape poems is that he is good at outlining majestic and magnificent mountains and rivers with sparse lines and vigorous brushwork.

2. Later Period: Ethereal and Quiet, Void and Quiet Before and after the Anshi Rebellion, there was political corruption and darkness, the turmoil of the war, the imprisonment life after being captured by the rebels, and the conviction for being given a false post after the rebellion ......Wang Wei looked down on fame and fortune and chose "no one in the empty mountains, in loneliness and loneliness, with Zen enlightenment as the joy of life."

Looking at Wang Wei's landscape poems after the age of 40, the words "emptiness" and "silence" appear most often in the poems, such as "after the new rain in the empty mountains, the weather is late in autumn......There are too many to mention, which shows the influence of the Buddha's view of "emptiness" on him. Wang Wei lived in a villa in Gongchuan all his life, especially in his later years, where he traveled with friends all day long, enjoying the smoke and haze, chanting landscapes, playing the piano and painting.

In his later years, the poet had a quiet and leisurely secluded life, forgetting the noise of the world, and in the aesthetic photos of the natural landscape, he was clear and pure, without distractions, wandering in the mountains and forests, feeling nature, and then transferring this understanding to the understanding of life. Most of Wang Wei's landscape poems in the later period were written when he lived in seclusion in Zhongnan Beiye and Lantian Gongchuan, when the body and mind were also idle, and the landscape poems were empty and clear, such as a light and elegant ink painting, which could be read to taste its clear fragrance, appreciated its charm, and realized its Zen.

Hibiscus flowers, red calyx in the mountains.

The stream is lonely, and they open and fall.

Just like the Zen in this song Xinyiwu, it's not so much that it's inexplicable.

It is better to say that in the face of nature, man has nothing to say - cannot be said.

There are paintings in the poems, there are poems in the paintings, and they are close to the countryside.

"Painting in poems" is the artistic characteristic of Wang Wei's poetry works. Wang Wei's poems, often in the form of five rules and five uniques, are short, the language is exquisite, and the syllables are relatively soothing, which are particularly suitable for expressing the quiet landscape and the poet's comfortable mood.

People often use the phrase "there are paintings in poems" to comment on Wang Wei's poems, which indeed summarizes the artistic characteristics of Wang Wei's poems. Wang Wei's landscape idylls are numerous, and most of them have the characteristics of this poetic and pictorial fusion. The so-called "painting in poetry" refers to a high degree of imagery, that is, using language to depict a picture of life that seems to be seen and touched.

Wang Wei Profile:

Wang Wei was born in the Wang clan of Hedong, and was promoted to the Shidi in the ninth year of the Kaiyuan Dynasty (721) of Xuanzong of the Tang Dynasty, and was Taile Cheng. The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival. During the Tianbao period, the worship of the Ministry of Langzhong and the matter were in the middle of the matter.

When An Lushan captured Chang'an, he was forced to accept a false position. After Chang'an was recovered, he was appointed as the crown prince. During the first year of Tang Su Zongqian, he was appointed as Shangshu Youcheng, known as "Wang Youcheng".

Wang Wei Shen Zen enlightenment, proficient in poetry, calligraphy, painting, **, etc., with the name of poetry in Kaiyuan, Tianbao, especially long five words, more than the landscape and pastoral, and Meng Haoran together called "Wang Meng", because of the sincerity of the Buddha, there is a "poetry Buddha" said.

The calligraphy and painting are particularly exquisite, and later generations recommend it as the ancestor of Nanzong landscape painting. He is the author of "Wang Youcheng Collection" and "The Secret of Painting", and has about 400 poems. Su Shi of the Northern Song Dynasty commented on the clouds: "The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. ”

Wang Wei's poems are characterized by the following styles:

1. The artistic conception of the landscape idyllic is lofty, light and quiet, and there is a sense of freehand and expressiveness, and the magic of both form and spirit. With a fresh and distant, natural and refined style, Wang Wei has created an artistic conception of "painting in poetry, poetry in painting", and set up a banner in the poetry world.

2. The poems are bright and beautiful, heroic and majestic. Wang Wei's works, such as "From the Army" and "Longxi Journey", which are based on the theme of military travel and border life, are all magnificent and flying works. "Watching the Hunt" vividly describes the scene of hunting, and "Yimen Song" sings about the chivalrous spirit of historical figures.

3. The poem for a friend is subtle, deep and sincere. In Wang Wei's farewell and chronicle poems, there are often good sentences written about the scene, such as "distant trees take travelers, and the lonely city is the sunset", "the desert is lonely and the smoke is straight, and the sun sets on the long river", etc., which are all famous sentences that have been recited for a long time.

Wang Wei is a representative of the Shanshui School.

Wang Wei (693 or 694 or 701 - 761), the word Maha, the name Maha. He was born in Puzhou, Hedong (now Yongji, Shanxi), and his ancestral home was Qi County, Shanxi. Tang Dynasty poet and painter.

Wang Wei was born in the Wang family of Hedong, and was a Jinshi in the Kaiyuan period of Xuanzong of the Tang Dynasty, and was Taile Cheng in the ninth year of Kaiyuan (721). The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival.

During the Tianbao period, the worship of the Ministry of Langzhong and the matter were in the middle of the matter. When An Lushan captured Chang'an, he was forced to accept a false position. After Chang'an was recovered, he was appointed as the crown prince. During the reign of Tang Su Zongqianyuan Sou, he was the right man of Shangshu, and he was known as the "Wang Youcheng" family type.

Expansion:

Wang Weishen Zen enlightenment, proficient in poetry, calligraphy, sound and painting, with the name of poetry in Kaiyuan, Tianbao, especially long five words, many songs of landscape and pastoral, and Meng Haoran together called "Wang Meng", because of the sincerity of the Buddha, there is a "poetry Buddha" said. The calligraphy and painting are particularly exquisite, and later generations recommend it as the ancestor of Nanzong landscape painting. He is the author of "Wang Youcheng Collection", with about 400 poems.

Su Shi of the Northern Song Dynasty commented on the clouds: "The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. ”

Wang Wei's literary achievements are mainly reflected in the creation of poetry. Wang Wei's poems depicting natural landscapes such as landscapes and pastoral fields and singing about secluded life are painted with shadows and shapes, and have the wonder of freehand and expressive, form and spirit. Wang Wei has created a kind of artistic conception of "painting in poetry, poetry in painting" ("Dongpo Inscription and Book Maha Lantian Smoke and Rain") and "Zen in poetry" with a fresh and light style that is buried in the distant world and natural and refined, and has set up a banner in the poetry world.

The above content refers to the encyclopedia - Wang Wei.

Idyllic.

Wang Wei was born in Puzhou (present-day Yongji, Shanxi) during the Wu Zetian period. He was very smart at an early age, and his talent was early on.

In the third year of the reign of Emperor Xuanzong of the Tang Dynasty (715), Wang Wei left home and went to the capital, hoping to be recommended by dignitaries. Because he can write good poems, work in calligraphy and painting, and has a talent for music troupe, he immediately became the darling of the princes and nobles of the capital as soon as he arrived in the capital.

In the fifth year of Kaiyuan (717), in Chang'an, sometimes to Luoyang. There are poems such as "September 9th, Remembering the Mountains and Collecting the Brothers of Wang Dong".

Wang Weishen Zen enlightenment, proficient in poetry, calligraphy, sound and painting, with the name of poetry in Kaiyuan, Tianbao, especially long five words, many songs of landscape and pastoral, and Meng Haoran together called "Wang Meng", because of the sincerity of the Buddha, there is a "poetry Buddha" said.

In the seventh year of Kaiyuan (719), in Chang'an, in July, Jingzhao Mansion tested. There are poems "Li Lingyong", "Xi Shi Yong" and so on.

In the eighth year of Kaiyuan (720), in Chang'an, Li Fan, the king of Qi, often feasted. In the spring, the Ministry of Rites was tried, and the first place was lost.

In the ninth year of Kaiyuan (721), Zhongjin Shi, Ren Taile Cheng, was responsible for **, dance and other teachings for the court to enjoy the sacrifices and banquets. However, after serving for only a few months, he was demoted to the rank of Jeju Sichang and joined the army because of the yellow lion dance of his subordinates. The Yellow Lion Dance is exclusively for the emperor to enjoy, so it is disrespectful for the servants to dance privately, which affects Wang Wei to offend and degrade officials.

On the way to Jeju, he wrote poems such as "Staying in Zhengzhou".