The tone of awake is classified as Xia Pingsheng Jiuqing rhyme in ancient poems, and it is read as

First, the theme is biased. Most of the themes of ancient poetry are ambitious.

The theme of modern poetry creation here refers to a certain direction, that is, modern lyric poetry and love poetry. Second, artistic conception and imagery. Ancient poetry has elevated artistic conception to a fairly high status, and modern poetry has inherited this and extended it.

Whether a poem is good or not depends on whether the artistic conception is good or not, and whether it easily and clearly brings the reader into the author's world. Third, aesthetic orientation. Ancient poetry has changed for thousands of years, what is beautiful and what is ugly has left an indelible mark in people's hearts, and it is naturally reflected in modern poetry.

For example, if you want to sing praise, it must be applauded by everyone; Whatever is despised and disgusted must be spurned by all.

Personal opinion.

The main reason why there were classical Chinese and poetry in ancient China was because there was too little paper and there were not many people who could write, so it was necessary to use the shortest words to express and record some words, deeds, and thoughts. On the one hand, the influence on modern literature spreads and records the ideas of the ancients, which has a certain educational significance, and creates a way of literary language for modern literature.

From the big concept to the small concept, in order:

Literary works, poems, ancient poems, silent night thoughts.

Silent Night Thoughts, Ancient Poems, Poems, Literary Works.

From small to large in terms of range.

Some of the common imagery in ancient poetry are mainly as follows:

1. Trees:

The crooks of the tree: the ups and downs or smoothness of career and life.

Yellow leaves: withering, ripening, beauty twilight, metabolism.

Green leaves: vitality, hope, vitality.

Bamboo: Integrity, positive.

Liu: Farewell, nostalgia, sadness, the beauty of spring.

Folding willow: It is the custom of the Han Dynasty to cherish farewell. The latter has the meaning of regretting and not being far away.

"Willow": Farewell feelings.

Smoke from the embankment willows: It can trigger the past like smoke, and is often used to express the sense of rise and fall.

Red leaves: Referred to as the thing of love, and later borrowed to refer to the love of poetry.

Pine and cypress: strong, proud, strong, vitality.

Pine: The pine tree is a model of frost and snow, and it is naturally the object of praise by everyone.

Li Bai's "Gift of Books and Serving the Yellow Clothes": "May you be a senior and be pine, be careful not to be a peach and plum." Wei Huangshang has always flattered the powerful, and Li Bai wrote poems to persuade him, hoping that he would be an upright person.

Liu Zhen, a native of the Three Kingdoms, "Gift to My Brother": "Wouldn't it be cold, pines and cypresses have nature." The psalmist exhorts his cousin to be as faithful as the pine and cypress, and to maintain a noble character in all circumstances.

Sycamore: Sycamore is a symbol of desolation, misery, and sadness.

For example, Wang Changling's "Long Letter Autumn Words": "The autumn leaves of Jinjing Wutong are yellow, and the bead curtain does not roll up the frost at night." The smoked cage jade pillow has no color, and the Nangong is long and long.

It is written about a girl who has been deprived of youth, freedom and happiness, in the desolate and lonely deep palace, lonely, lying and listening to the scene of the palace leaking. The first sentence of the poem breaks the theme with a yellow sycamore by the well, which sets off a bleak and lonely atmosphere. Yuanren Xu Zaisi "Double Tone Water Fairy.

Li Bai was Du Fu was a poet of the Tang Dynasty.

Literary works, Chinese literature, poetry, ancient poetry.

Literary works, poems, ancient poems, Chinese literature.