For Yan Qinli Monument , how to write it to achieve the house leakage?

Yan Zhenqing is erudite and talented, proficient in words and literature, his books in the early years of Zhang Xu's disciples, and the predecessors of calligraphers such as Cai Yong, Wang Xizhi, Wang Xianzhi's father and son, Chu Suiliang and so on. The representative works of this period include "Duobao Pagoda Tablet" and "Oriental Shuo Painting Praise". In the middle period, Yan Zhenqing used the seal to gradually form a style of calligraphy with a clear backbone and majestic atmosphere.

The representative works of this period include "Manuscript of the Sacrifice of Nephews", "Fighting for the Seat", and "Guojiamiao Tablet". In the late period, Yanzi became more perfect, with simple and rich brushes, natural characters, and magnificent momentum, which established his irreplaceable position in the history of Chinese calligraphy. The representative works of this period include "Song Guangping Tablet", "Magu Mountain Immortal Altar Record", "Tang Zhongxing Song", "Li Yuanjing Tablet", "Yan Qinli Tablet", "Yanjiamiao Tablet", "Self-written Confession Post" and so on.

Yan Zhenqing's book style is dignified and bold, and it has become a broad and majestic, and the posture of Changhong has formed a "Yan body" style based on "tendons", so for more than 1,000 years, it has been praised as "Yan muscles and willow bones" by the world together with "willow body", and has become a classic work in the book world.

Due to the seal calligraphy into the Kai, Yan Zhenqing's calligraphy has become a model of the center's pen. Its line of pen is strong and powerful, the pen force contains, the pen is more hidden front, the pen is more back to the front, especially the round pen at the beginning of the pen is much more than the square pen. The horizontal painting is light, and the vertical painting is heavy (the contrast between the horizontal and vertical thickness of the "Yan Qinli Monument" is very strong), but when the two verticals appear at the same time, the left vertical is often as thin as the horizontal painting, and the two verticals are often arranged in opposite directions (that is, the arch is outward); Turning the pen is often used to lift the pen, the circle turns straight down, and does not fold the pen, and the turning pen is mostly outside the circle and the inside and so on.

It is worth noting that when practicing the face body, we should not blindly emphasize its thick side, and ignore the main characteristics of the heavy, strong and strong brush.

Yan Qinli Tablet is a Shinto tablet (tombstone) written by Yan Zhenqing for his great-grandfather Yan Qinli, engraved on four sides, and two sides and one side exist. There are 19 lines of stele yang and 20 lines of stele yin, with 38 characters in each line. There are 5 lines on the side of the stele, each line has 37 characters, and the inscription on the left side has been worn away in the Northern Song Dynasty.

It was unearthed in Xi'an in October 1922, and then moved to the new city, and now it is a forest of steles in Xi'an. "Yan Qinli Tablet" is Yan Zhenqing's book in his later years, his calligraphy art has entered a period of full maturity, the whole is magnificent, with the pen vigorous and powerful, without being removed by later generations, it is a representative work in Yan Ti.

The basic strokes of Chinese characters are pointed, horizontal, vertical, apostrophe, pinch, fold, hook, and pick, and basically no matter how complex the strokes are, they are evolved from these basic strokes. Strokes are the basic elements that make up Chinese characters, and they are also the "basic skills" that beginners must study diligently. Here is a summary of the basic strokes of "Yan Qinli Monument" and some of the strokes derived from it, beginners can practice carefully, and have a focus on the practice according to their own characteristics.

The horizontal painting of the face is rich in variation, and the demeanor is myriad. or as long as a halberd but not bulky, or as short as a dot painting without being restrained, or as thin as a hair without frivolity, this is all due to Yan Zhenqing's seal into the seal, good at using the pen.

In fact, there are many methods, and you still need to arrange them according to your own characteristics: the first method: first read the post carefully, understand the relevant background information of the post, and then be familiar with the characteristics of the pen and figure out the characteristics of the strokes.

This is Yan Zhenqing's calligraphy, his calligraphy is horizontal and vertical, strong and advantageous, and very bold.

Yan Zhenqing's book style is dignified and bold, and it has become a broad and majestic posture that runs through Changhong, forming a "Yan body" style dominated by "tendons".

He is the essence of a literary history, and he wrote it this way to show the conditions of the time.

Yan Qinli Monument", Tang Yan Zhenqing wrote Wen Dan, and self-signed in the fourteenth year of the Great Calendar (779). Regular script, inscription through.

Yan Qinli Monument is a book written by Tang Yanzhen. It is a very famous book in the history of Chinese literature.

"House leak marks" is a metaphor for the pen, and we should carefully understand it.

This is Tang Yanzhen's book, and it is not very clear what a house leak is.

Yan Zhenqing's calligraphy attainments are still very high, and ordinary people don't understand it very well.

The house leakage mark is a metaphor for using a pen, which was proposed by Yan Zhenqing. When the pen is used for vertical painting, the pen can not fall down, and the pen must be frustrated, so that it appears to be three points into the paper and round and vivid, so that the pen and ink can be like the rain leakage marks between the broken house walls, and its shape is dignified and natural. Therefore, the realm of "house leakage" with a pen is higher!

Qinli stele is Yan Zhenqing's fine in his later years, has completely taken off the posture of the early Tang Dynasty, the regular script is against the style of the early Tang Dynasty, the line is the pen of the seal, turning the thin and hard into the plump and majestic, the body is broad and magnificent, the bone strength is strong and awe-inspiring, this style also reflects the prosperous demeanor of the Tang Empire, and fits with his noble personality, it is a classic example of the perfect combination of calligraphy beauty and personality beauty.

This stele is dignified, wide and sparse, the momentum is strong, the skeleton is open, the square is extended, the horizontal and vertical thickness is very distinct, and the penmanship of the square and circle turn is clear. Because it was put into the soil earlier, the damage was less, and it was not repaired and carved by later generations, so it can more accurately reflect the wind god of Yan Shu's spaciousness, heaviness, uprightness and tenacity.

Its structure has the characteristics of dignified and open-minded, comfortable, dynamic and static, clumsy and clumsy, graceful and generous. It uses a pen horizontally and vertically, hides the head and tail, and uses both square and round, which is strong and powerful. The vertical painting takes the trend of "facing each other", the painting is thick and the tail of the goose is forked, the hook is like a bird's beak, and the momentum between the dot paintings is coherent.

The characters in the stele, the same dot painting has different variations, vivid and colorful, and has a strong sense of rhythm. This monument emphasizes the law and rules, and has the atmosphere of the prosperous era of the Tang Dynasty.

"Qinli Monument" is a Shinto tablet written by Tang Yan Zhenqing when he was 71 years old for his great-grandfather Yan Qinli. This stele pen force calm connotation, broad body, graceful and upright, gestures to each other and more connotation, give people a solemn and strong feeling. It is neither as square and solemn as "Duobao Pagoda", beautiful and handsome, nor as clumsy as "The Legend of Magu Xiantan" that reveals a bit of domineering (Xia Changxian), and is one of the representative works of Yan's regular script in his later years.

The structural characteristics of the "Qinli Monument" can be summarized as follows:

1 Horizontal and vertical weight, the contrast is obvious. Many characters in Chinese characters are composed of horizontal and vertical drawings, or mainly horizontal and vertical drawings. For these characters, the "Qinli Monument" is basically horizontal and vertical in terms of structural treatment, with sharp contrasts and handsome forms, which reminds people of the thick trunk and thin branches.

Such as the word "taxi".

2. Take the momentum vertically, tight inside and loose outside. "Qinli Monument" posture takes more vertical potential, so that each word looks very close, but through the use of techniques such as interspersing, concession, avoidance, virtual and real within the word, the whole character shape is dignified and steady, and there is a temple atmosphere. Such as the word "que".

The figure 3 is square, open-minded and dignified. The Yanzi changed the structure of the side and was written with more upright strokes. The left and right sides are also basically symmetrical, and the characters are square. It absorbs the ancient seal calligraphy, takes the positive momentum, makes people feel solemn and upright, and the connotation is magnificent. Such as the word "therefore".

4 Grace and generosity, generosity. Grace and generosity, broadness and ancient swing are the artistic characteristics of Yan Ti, and they are also its structural characteristics. The penmanship of the center of the round pen;The juxtaposition of the two verticals in the opposite direction creates a kind of tension that extends outward, with strength and strong dynamics;The thickness of the painting is an important condition for the formation of this characteristic.

Such as the word "four".

In short, there are other characteristics of "Qinli Monument", the above points embody the majestic and dignified style, the words are quite powerful, the momentum is compelling, and it is one of the excellent models of learning Yan.

In the typical inscriptions such as "Yan Qinli Tablet" and "Yanjia Temple Tablet", Yan Shu is full of fresh and lively vitality in the old and spicy, shows the simple and dense wind god in the sparseness, shows the perfection of skill in the pride of the pen, and reveals his heroic bearing in the mellow and plump.

Ahhh

1. First of all, choose a good copy of your favorite copybook, generally speaking, start with the regular script, the regular script is the foundation, there is a "regular script such as standing, line such as walking" said, and wait for the regular script foundation to lay a solid foundation and then practice the line of the book or other book styles;

2. Practicing a good hand is the pursuit of a person's life, seeing the effect of three or two months, half a year is OK, the key is to see the degree of effort of friends, what is the method? Generally, you can insist on practicing for half an hour every day, of course, if time permits, it can be longer, and the effect will definitely be better;

3. You can use a fountain pen directly when you start practicing, do not use a utility pen, the art pen is not easy to master, pay attention to the methods and skills of the pen when practicing, and have a degree of light and severe illness (lifting and pressing fast);

4. In principle, it is best to write according to the pro, so that although it can not be written immediately, the grasp of the font needs to be repeatedly scrutinized and figured out, and the progress will be faster;

5. The practice of calligraphy is selected according to the hobbies of friends, everyone's aesthetics are different, as long as friends feel good; However, Pang Zhonghua's font is too square and not suitable for people's visual aesthetic needs - rectangular;

6. Strengthen the practice of basic strokes, the basic strokes are the parts that make up Chinese characters, only when the parts are perfect, the combined font can be perfect;

7. Pay attention to the structure of Chinese characters, study the different effects produced by the different changes in the length, thickness, and inclination of dots, and master the rules of interspersing and avoiding;

8. Master the center of gravity of the word, and the upper and lower left and right sides should be basically balanced and roughly symmetrical;

9. The knots of Chinese characters should be used well, such as tight at the top and loose at the bottom.

10. Persevere, practice a few words every day, and become a climate for a long time.

If it is a copy of the characters, theoretically it should be opened from regular script.

I've practiced books.

It feels good to copy it yourself.

To practice bai, a good hand, du, first of all, start from regular script.

Because regular script is its zhi

The foundation of his font DAO

Xingshu, cursive, etc., are all based on regular script.

It is best to use a fountain pen at the beginning of practicing calligraphy, and it is recommended to be fine.

I started with a fountain pen and got used to it and developed good habits.

At the beginning, I bought a calligraphy notebook and first drew a few copies, but I had to carefully ponder the strokes, and then copy them, strictly according to the style of other people's strokes.

When you feel that you are almost done, you will naturally have your own style, remember to take it step by step.

Persist in believing that in half a year, your words will be quite good.

Don't forget to give points.

Ha ha.

1. It is recommended to stick the seedlings first. [Sima Yan's] 2 3 sheets per day.

2. Write a pen every day. [Paper of the notebook].

Sticking to a month to keep the writing accurate has become much better than before!!

1 Italics After all, copy is not written in commercial words, not art words.

2 As for the time, du is. The longer you practice, the stronger your own characteristics will be3 fountain pens. The dao writing posture is right.

4 copy the best, indifferently there are a lot of things that can't be copied, individual to the seedlings of the italics italics the best! After all, you have to write it to look good and everyone knows it.

It depends on your own interests and hobbies, not just what you get and what you learn! Whether it's in italics, you can write in line. The selection of stickers is also very particular.

Answer, if you want to learn to post it, you should also choose some representative works that can play a role model!

Here's what you want to learn: Learning stickers can be divided into several stages! First: start the mold stage; the second is to be able to write similar to the sticker according to the sticker, which is the so-called similarity; The third is to be able to do god-like, this step is not easy, this has to be done step by step!

If you can learn to post like a god, it takes a certain amount of time to accumulate, not to tell you how to do it, how to write it can be done! Learning to post can be similar, it's really good! But you still have to learn about the paste, learn more about the works of other calligraphers, and expand your knowledge!

There are many great calligraphers who do not only know calligraphy, but most of them combine calligraphy, painting, literature, etc., and integrate with each other!

However, there is one point: this is my personal suggestion, learning calligraphy, not necessarily written exactly the same as the word sticker, learning to paste is to better master the penmanship, techniques, layout, creation, etc., but a person's calligraphy style is absolutely indelible, once you lose your own style, lose your own emotional integration, that work can not be regarded as a successful work!

Remember to take it step by step.

Persist in believing that in half a year, your words will be quite good.

1.Books.

2.What is needed is to hold.

Repeat it!

3.With a fountain pen, you don't need to use a lot of force.

4.First copy it, and then write it again, (to be familiar with the structure of the stroke) to be useful 5It's still a book, because it's more casual, and it's not as strict as regular script!

6.The words of practicing Qigong are active, observe carefully, and only after practicing can they be effective.

I was a kid waiting to practice a fountain pen with a hard pen to write du

Law speeder, and then I practiced calligraphy. zhi

1: Just started to practice the characters are regular script.

2: Every day is uninterrupted, and the specific time is not fixed.

Answer, you can write when you have time, but you can't stop, and it's not right if you don't practice this kind of thing for a few days.

3: Pen! There is a kind of elbow fountain pen, called a utility pen, which is specially designed to practice calligraphy and line drawing, even if you write ugly words with this pen, it is super sharp. After a long time, change to a regular fountain pen.

4: The foundation is poor, otherwise it will be copied directly.

Recommend Yan Zhenqing, Liu Gongquan or something are calligraphers who must copy. Abbreviated as Yan Ti and Liu Ti Over