Peking Opera is one of the types of opera in China, what are the characteristics of its performance?

On the stage, there is generally only one table with a "table circumference" and two chairs with a "chair drape", which is called "one table and two chairs".

Peking Opera is one of the types of opera in China, and its performance characteristics are high and powerful.

It refers to a variety of art forms, literature, dance, fine arts, martial arts, acrobatics, etc

Performances such as physical art and singing are just one of the main features.

Peking Opera is a type of opera that is mainly formed by absorbing various local tones such as Kunqu Opera and Bangzi Dialect on the basis of the two major operas of the Hui and Han dynasties.

On the basis of the two major operas of the Hui and Han dynasties, the opera genre was formed by absorbing a variety of local accents such as Kunqu opera and Bangzi dialect.

Chinese Peking Opera is the "quintessence" of China and has a history of 200 years.

The main characteristics of Chinese opera are: (1) Comprehensiveness is one of the characteristics of Chinese opera. Chinese opera is a collection of literature, art, rap, acrobatics, martial arts, and dance, and it is a synthesis of time art and space art.

It is mainly formed on the basis of absorbing a variety of local tones such as Kunqu opera and Bangzi cavity on the basis of the two major opera genres of Hui and Han dynasties.

Staring at the sail answer]: a

Knowledge points] representative repertoire of modern Peking Opera.

Answer] a. Analysis] The representative works of modern Peking Opera include "Red Lantern", "Shajiabang", "Outwitting Tiger Mountain", Xi Zexun; "Rebellion is Justified" is a quotation song; "The White-Haired Girl" is a dance drama; "Bangs Chopping Wood" belongs to the Hunan Flower Drum Open This play; "Tianxian Pei" is a Huangmei opera.

The characteristics of Peking Opera are mainly expressed in six aspects:

1. The stylization of the performance, the performance process and form of Peking Opera are fixed, and a certain norm has been formed.

2. Clothing regulations, different characters have specific costumes and patterns.

3. The stage, the stage of Peking Opera does not have a big curtain, so the audience can see the stage very clearly, and the stage generally only has a table and two chairs.

4. Singing cavity, Peking Opera singing cavity belongs to the plate variation body, the singing cavity is mainly based on Xipi and Ergong, of which Xipi is mainly used to express cheerful and resolute emotions, and Ergong is mainly used to express depressed and sad feelings.

5. Combining a variety of forms of expression, Peking Opera includes many forms of artistic expression, such as dance, art, martial arts, acrobatics, etc.

6. Virtuality, usually Peking Opera actors will use highly virtual performances to resonate with the best performers.

The characteristics of Peking Opera do not include the organization of celebrations.

Summary. 2.Virtuality: The scenes and props of Peking Opera are quite simple and have strong symbolic meanings, and the actors use highly virtual performances on stage to arouse the imagination and resonance of the audience.

Hello, happy to answer for you, for your question the answer is:1. Comprehensive. It refers to a variety of art forms in Peking Opera, such as literature, dance, art, martial arts, acrobatics, etc., and a variety of artistic expressions are combined into an organic whole in Peking Opera.

2.Virtuality: The scenes and props of Peking Opera are quite simple and have strong symbolic meanings, and the actors use highly virtual performances on stage to arouse the imagination and resonance of the audience.

3.Stylized The process and form of Peking Opera performances have formed a high degree of standardization and fixation, and different professions of chanting have their own different vocal cavities, performance movements, singing, chanting, fighting, etc., as well as costumes, facial makeup, props, etc.

4.Categorization Peking Opera was later divided into four major types: sheng, dan, jing, and ugly, but in each category, there were several sub-categories, so in fact, the ten types of Chinese opera were included.

Mr. Ye Shaolan talked about why Peking Opera has become the quintessence of the country.

The Peking Opera genre has formed its own unique artistic style and a number of representative works with this style, which have been recognized by non-expert audiences and followed by insiders. Genres and genre works must be masterpieces, the symbol and banner of this genre, so they must be inherited and carried forward.

Mr. Ye Shaolan said that the art of Peking Opera is a programmatic, virtual art, and a comprehensive art. Peking Opera not only has literary scripts, storylines, contradictions, and personalities, but also **, singing, monologues, dances, martial arts, acrobatics, masks, headdresses, costumes, etc., and are all true artistic expressions of life.

The face in Peking Opera art is not an arbitrary depiction, but an exaggerated beautification of the bones, facial lines, complexion, and facial features of the human face, and there are also stories reflected in it - why Meng Liang's brain is painted with the pattern of the fire gourd, why the overlord hooks a face with only black and white, why Bao Gong's head is painted with a crescent moon, and how Lu Zhishen is a monk who wants to hook a pink face, there are stories in it, and the story is culture. At the same time, the programming technology of Peking Opera cannot be explained purely from a technical point of view, it contains life everywhere and pays attention to it everywhere. In "Autumn River", for example, there are only two people and one prop on the stage, the boat pulp, and the actors can let the audience see the boat, see the size of the boat, see the water, the wind and waves.

There are various ways to walk on the stage of Peking Opera, taking Xu Xian in "The Legend of the White Snake" as an example, he is a kind pharmacy guy, a small person, and has no prominent identity, so he can't wear thick-soled official boots, and he can't walk the square steps of the prime minister and the general; Although he wears a costume made of silk for the sake of art, there is no heavy embroidery on his clothes, which shows the identity of the character in terms of costumes and movements. There are many examples of this art on the stage of Peking Opera. And every opera story is based on the theme of traditional Chinese virtues.

The various exquisiteness of Peking Opera art on the stage has been recognized by the world after being created by a group of art masters, and it contains the painstaking efforts of generations of artists over the past 200 years, so it is not surprising that Peking Opera art can become the quintessence of the country.

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