Problems related to the timing of notes on classical guitars. Thank you, thank you.

I'll come to you, the time when the strings keep vibrating naturally to stop after plucking the strings is determined according to the speed of the music, for example, the speed of 60 and the speed of 100 are naturally divided into fast and slow beat notes, and the strings are still natural physical vibration time! So it can't be measured by integral notes.

The thinner string of the same length has a shorter vibration time, and the shorter the string of the same thickness, the shorter the vibration time. Therefore, on the guitar, the bass string vibrates for longer than the treble string! ^_

Physical analysis of the length of the line vibration time is related to the quality, the treble string vibration frequency is fast, the bass vibration frequency is slow, the quality of the bass string is heavier or longer than the treble string, the inertia of natural vibration is greater, and the longer the vibration time.

In classical guitar, it is necessary to muffle, and many chords express the sense of rhythmic pause that must be muffled to express it, without muffling, the whole or paragraph sounds without ups and downs and jumps, and in some cases it can also cause harmony confusion.

The guitar is not a violin, and the syncopation is very short, but even the adagio, which has whole notes on the score, you have to play it along. If the bass is kept for a long time, the treble will be relatively short, and you can try this to know. If the string tension is high, the sound will decay quickly.

You can buy a pair of domestic strings and compare them with imported high-tension ones, such as Daddario and the like, I (remember that good brands have high-tension ones). However, if these effects have no effect on your performance, the composer will only consider this. If it's too short, they use arpeggios or trills.

If you can, please give it to me.

The time when Ji defeated him was the length of the note, and the hollow white note without the stem and tail of the note was called "whole note". It is the big brother of the note family, and all other notes have shorter time values than it. Half notes:

The white note with the Chalazhou stem and no end is called a "half note", which is only half the length of the whole note, which is equal to the time value of the whole note 1 2. Quarter notes: Black notes with stems and no endings are called "quarter notes".

It is half a minute smaller than a half note and equal to the hour value of the whole note 1 4.

The time value of the guitar has the same concept as the "time value" in **, which refers to the length of time of the note.

See Encyclopedia for details

The timing of a guitar note is the amount of time that lasts after you play a note.

One quarter note = two eighth notes = 4 sixteenth notes, that is, the time to play one quarter note = two eighth notes = four sixteenth notes.

Notation of note time values:

Most of the note lengths in the West are based on the dichotomy, followed by the trichotomy, and it was not until the 19th century that various divisions of different lengths began to appear.

1) Dichotomy:

As the most common method of splitting the time value of a note (rest), the dichotomy starts with a whole note, and the split time value is half of the time value of the note before the split. Its name Xiaoyou is as follows:

Whole note, half note, quarter note, eighth note, sixteenth note.

Full rests skillfully make pins, two-minute rests, four-minute rests, eighth-minute rests, and sixteen-minute rests.

In dichotomous methods, dots are used to increase the value of a note by one-half. For example, a dotted half note is equal to the length of a half note plus a quarter note.

The bipartite system is the mainstream of the time value of musical notes in the West**, and if it is further subdivided, it can be divided into 32 minutes and 64 minutes......and other notes, but used less.

2) Rule of Thirds vs. Division:

Based on the dichotomy method, such as dividing quarter notes or half notes into thirds, or into fifths, sixths, or even more, such as sixths, sevens, etc., such thin split notes are usually used in rapid passages.

Quarter note Quarter note triplet Half note Half note Quarter note triplet.

To ensure the correct performance of the guitar, you must do the correct time value, the left hand presses, the right hand plays out of the notes, must be in accordance with the specified time value, so that the sound continues to the normal beat, the left hand can not be released in advance, otherwise the singing will be broken, it sounds incoherent and uncomfortable, it is necessary to strengthen the learning of ear training, the inner singing is heard in advance, and then played with the guitar, and there is to strengthen the training of guitar skills.

Rhythm refers to how notes sound in time and how they relate to each other. Each note has a certain length relative to the beat. The beat is the basic unit of **, also called the beat. When you follow the foot clap (i.e., you type with your foot), you are moving to the beat.

With the beat, clapping your feet regularly is a skill that should be cultivated. This will allow you to actually feel the beat, and your hand can pull out and play on the guitar based on the beat made by your feet. This allows you to feel the relationship between the notes and the beat of the dust book.

Beats are usually repeated "in groups". In the score, we divide the ** into groups of these repetitions. The time occupied by a group is called a syllable (commonly known as a measure). The boundaries of each bar are represented by vertical lines, which are called bar lines.

The beat symbol at the beginning of the score indicates how many beats each bar has, and what note is used for one beat. In this example, ** is 4 4 beats. This feast is meant to be in quarter note beats, with four beats per measure.

The quarter note is named according to the fact that it occupies 1 4 bar in 4 4 beats. 4 4 beats are so widely used that they are also known as ordinary beats, and most rock and pop ** are 4 4 beats.

Note time (a full quarter note is about 2 seconds, it is best to feel it, find a familiar song to play, you can understand it emotionally).

Here are the basic note hour values in 4 4 beats:

Whole note — 4 beats, a whole note occupies a measure or 4 beats.

Chromatic notes in 2 beats, a semitone occupies half a bar or 2 beats. Two semitones occupy one measure, which corresponds to the time value of one whole note.

1 4 notes in 1 beat, a 1 4 note occupies 1 4 bars or 1 beat.

1 8 notes 1 2 beats, a 1 8 note occupies 1 8 bars or 1 2 beats. Two 1 8 notes are equivalent to the hour value of one 1 4 note. 8 1 8 notes occupy a measure.

This is how the time value of each note is counted:

In order to master the rhythm well, you must be able to count the beats. Try to practice: Start beating the beat with your feet at a slow pace.

Maintain a smooth pendulum-like rhythm so that the intervals between each beat are exactly the same. Count while patting your feet, count 4 4 beats, and repeat after counting to 4, like this: 1 2 3 4, 1 2 3 4.

To ensure that your counting pronunciation is synchronized with the footbeat, make sure that the interval between 4 (the end of one syllable) and 1 (the beginning of the next syllable) is consistent with the interval between any two beats. In other words, there is no break between the 4th beat of one measure and the 1st beat of the next.

The time value of the guitar refers to the length of the note, and the hollow white note without the stem and tail is called the "whole note". It is the big brother of the note family, and all other notes have shorter time values than it. Half notes:

A white note with a stem and no ending is called a "half note", which is only half the length of the whole note, which is equal to the time value of the whole note 1 2. Quarter notes: Black notes with stems and no endings are called "quarter notes".