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Zhang Ruoxu's "Spring River Flower Moonlit Night" was Wen Yiduo became "a poem in a poem, the pinnacle of the peak", and was praised by Wang Minyun of the Qing Dynasty as "a lonely piece, but for everyone", this poem is Zhang Ruoxu's only representative work, so that Zhang Ruoxu occupies an important position in Tang poetry. For thousands of years, countless readers have been impressed by the beautiful scenery of the moonlit night of the Spring River, and pondered the philosophy of life contained in it.
The author begins by sketching a picture of the moonlit night of the spring river - in a night in spring, the river is mighty and the soup is formed, forming a tide, and the sea water is connected, what a magnificent picture! In the sky on the sea, a bright moon and the tide coexist, and the word "life" gives life to the bright moon and the tide, just like the birth of life, when it is born, it is silent; After its birth, it illuminated the world and gave people infinite vitality and hope. The river flows with the waves, the river is illuminated by the moonlight, shrouded in a light, and the rivers everywhere in the world seem to be shrouded in moonlight at this moment, which seems to be secretly interpreting parallel time and space, making people think - is it at this moment in another world, the same person as himself is doing the same thing as himself?
Carefully read "Where is the spring river without moonlight", it is more intriguing. The river twists its waist elegantly and zigzagly, surrounding the island full of flowers, the river seems to be incarnated as a beautiful girl, choosing to surround the island full of flowers, and the moonlight shines on a land full of flowers, like a crystal clear frost shining; The moon in the sky casts the moonlight on the world, and the moonlight is like frost, making people perceive that different moonlights are flying and changing. The river and the white sand on the island are so blended together that it is difficult to tell what is white sand and what is river.
Everything, under the baptism of the moonlight, seems extraordinarily quiet and dreamlike. The river and the sky are connected, and it is impossible to distinguish ** is the sky and ** is the river water, and the connection is flawless. However, in the sky, only the moon hangs alone in the sky.
Is the author at this moment also as lonely as the moon? The moon illuminates the world, but it is still lonely and sad, and it is like some heroes who have made outstanding contributions to the world, but are not well known. Does this arouse the author's deep pity and arouse the author's sadness, so that the author cuts into the feeling.
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At this time, the author has transitioned from the natural scene to the philosophy of life, which then leads to the following outpouring of lovesickness between men and women.
The wanderer is like a white cloud, gone forever, the wanderer seems to be about to go far away, as for when he will come back is difficult to know, at the water's edge full of maple trees, is there anyone watching the wanderer? Who is grieving for the loss of the wanderer on Qingfeng Pool? Why do you grieve over the departure of your wanderer?
The author then couldn't help but ask, "Whose family is Bian Zhouzi tonight?" Where is the Acacia Mingyue Building", "Who's Home" and "Where" form intertextuality, of course, there must be more than one family with a flat boat, and there are people everywhere who miss their own flat boat. On the one hand, it may refer to the hazy and looming moonlight at this moment, and on the other hand, "pitiful" seems to tell the pity of the moon for the woman waiting for her sweetheart, and at the same time, "pitiful" also reflects the anxiety and loneliness of the woman waiting for her sweetheart.
Warring States Policy" cloud: "The soldier dies for the confidant, and the woman is the one who pleases himself." "And the sweetheart has left, who will appreciate dressing up?
The woman may have no intention of dressing up at this time, "from the east of the uncle, the first is like a flying canopy." Is there no anointing? Who is suitable for toleration", because he missed the man and had no intention of dressing up, so that the makeup mirror table was covered with dust.
Or dress up all day long just so that the man can dress up when he returns. But the moonlight at this moment may be superfluous, shining on the woman may be like a kind of scrutiny, or it may be like the lover's affectionate eyes, which intensifies the woman's longing for her lover, so that the woman wants to pull up the curtain to block the moonlight. At the same time, the moonlight that can't be rolled up also symbolizes that the woman's longing for Bian Zhouzi cannot be ruled out.
The moonlight on the anvil is still there, even if you want to brush it away, it still can't dissipate, just like a woman can't break the love of a man no matter what.
But the woman looked back and thought that although she and the man could not confide in each other at this time, didn't they now enjoy the same moon together? She could pray for the moonlight to shine on the man as if she were looking at the man herself. However, such words are just self-comfort, and I can only send my thoughts about Bian Zhouzi to the moon, and I can't look at my sweetheart, in order not to make myself more sad, I can only use such words to prevaricate my heart, so that the emptiness in my heart can be filled.
The woman looked at the sky and saw the wild geese flying, but she still couldn't fly out of the moonlight, just in vain; The fish swim in the water, and if they want to jump, they can't make a big move. It's like if you do it at the moment, it's just in vain. It may only be when her sweetheart comes back that the sadness in her heart can be compensated.
Although this poem does not specifically write about the woman's actions and inner thoughts at the moment, but only writes about the environment in which the woman lives, but through the imagery, it can make people think more of the depth of the woman's longing for the man, the depth of her heart, and the depth of friendship.
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The tide of the spring river is even with the sea, and the bright moon on the sea is born together.
Thousands of miles with the waves, where is there no moon in the spring river?
The river flows gracefully around Fangdian, and the moonlit flowers and forests are like hail. The stool in the air is frosty and does not fly, and the white sand on the court cannot be seen.
Jiangtian is colorless and dustless, and the lonely moon wheel in the bright sky. Who first saw the moon on the riverside, and when did the river moon shine on the nuclear promotion brigade at the beginning of the year?
Life has been infinite from generation to generation, and Jiang Yue is only similar every year.
I don't know who Jiang Yue treats, but I see the Yangtze River sending water.
The white clouds are gone, and the green maple is not worried.
Whose house is Bian Zhouzi tonight, where is Acacia Mingyue Tower?
Poor upstairs wandering for the moon, should be taken away from the makeup mirror.
The jade curtain can't be rolled up, and the clothes are smashed and the anvil is returned.
At this time, we don't hear each other, and we are willing to shine on you month by month. The wild goose flies for a long time, and the fish and dragon dive into the water.
Last night's idle pool dream fell into flowers, and the poor spring half didn't laugh at the luck family. The river flows to the end of spring, and the moon falls in the river and the lake slopes westward.
The oblique moon sinks into the sea fog, and the stone Xiaoxiang has an infinite road. I don't know how many people will return to the moon, and the falling moon will shake the river trees.
Li Bai's poetry works are as follows:
1. The most popular homesick poem: "Silent Night Thoughts". >>>More
Romantic poet (flying down 3,000 feet, suspected to be the Milky Way falling for nine days).
Qinglian layman!
Attach. Qinglian monk - Li Bai (great poet of the Tang Dynasty); >>>More
You don't see it, the water of the Yellow River comes up from the sky, rushes to the sea and never returns. >>>More
His ancestral home was Chengji, Longxi (near Tianshui, Gansu Province), and his ancestors migrated to Central Asia in Sui for their crimes. He was born in Xiaye (present-day Tokmak in the Soviet Union) in Central Asia, and moved to Qinglian Township in Zhangming County, Sichuan Province with his father at the age of five. (People's Literature Publishing House, 1963, p. 71). >>>More