Seeking documentation Modern poetry shapes the image of the hand, and there are three main exaggerat

(1) Modern style poetry: In terms of literary genres, modern style poetry is based on the Chinese vernacular language as the carrier.

The general harmony of the rhythm of speech reproduces the language art of life, lyrical speech. The representative work is "Sister" by the contemporary poet Yu Jinshui in China.

2) Modern metrical poetry: In terms of literary genre, modern metrical poetry is a language art that uses the vernacular of the Chinese language as the carrier to reproduce the lyrical aspirations of life with the highest harmony of language rhythm. The requirements of modern metrical poetry are the same as those of classical metrical poetry, such as fixed words, fixed sentences, fixed sections, fixed balances, fixed rhymes, etc.

There are many expressions of poetry, and the traditional expressions that are the earliest popular in China and are still often used today are "endowment, comparison, and xing". "Preface to Mao's Poems" said: "Therefore, the poem has six meanings: one is the wind, the second is the fu, the third is the comparison, the fourth is the xing, the fifth is the elegance, and the sixth is the song." ”

There are many ways to express poetry, and they have been constantly developed and created over the ages, and their use is also flexible and changeable, exaggerating, repeating, overlapping, jumping, etc., which is difficult to describe. However, all kinds of methods are inseparable from imagination, and rich imagination is not only a major feature of poetry, but also the most important expression of poetry. In poetry, another important means of expression is symbolism.

Symbolism, simply put, is "righteousness by symbolism", but in modern poetry, symbolism is also expressed as a direct image of the mind, which should be noted. From a modern point of view, there are three main ways to shape the image of poetry: analogy, borrowing, and exaggeration.

From a modern point of view, there are three main ways to shape the image of poetry: analogy: analogy is "metaphor in sound, or square in appearance, or in the heart, or in things."

There is also a common technique in analogy, which is "anthropomorphism": anthropomorphism with objects, or anthropomorphism with people.

Exaggeration: It is to magnify the things to be depicted, like "capitals" and "close-ups" in a movie, so as to arouse the reader's attention and association.

Borrowing: It is to replace this thing with another thing. It has similarities with analogy, but it is different, and the difference is that:

Analogy is generally the comparison and the things being compared are concrete and visible; On the other hand, borrowing is concrete on the one hand, and abstract on the other, building a bridge between the concrete and the abstract, so that the image of the poem is more distinct and prominent, so as to arouse the reader's association.

To shape the image of poetry, we can not only use the materials ingested from the perspective to depict the picture, but also use the materials obtained by the senses such as hearing and touch to reflect the image from many aspects, so as to be colorful, vivid and novel.

Whether it is analogy, exaggeration or borrowing, it depends on the poet's keen observation of objective things, incorporating his own emotions, and boldly imagining and even fantasizing. It can be said that whether it is a romantic or a realist, without imagination (fantasy), he cannot become a poet.

Poetry is divided into archaic poems and near-style poems.

Ancient style poems are divided into music and miscellaneous poems.

Near-body poems are divided into rhythmic poems and quatrains.

I don't even know, a million is in a hurry!

Poetry is the oldest and most literary form of literature. **In ancient times, people's labor trumpets and folk songs were originally a general term for poems and songs. At the beginning, poetry and song are indistinguishable, and poetry and ** and dance are combined, collectively known as poetry.

Chinese poetry has a long history and rich heritage, such as the Book of Songs, Chu Ci and Han Yuefu, as well as the works of countless poets. The poetry of Western Europe was started by poets such as Homer and Sappho in ancient Greece and Virgil and Horace in ancient Rome. Restrictions on the Laws of Grid.

Ancient Absolute is generally limited to the Five Absolute Uniques.

Poetic expressions.

There are many techniques, and the traditional expression techniques that are first popular in China and are still often used today are "endowment, comparison, and xing". These three expressions have been handed down, often used comprehensively, complementing each other, and have had a great influence on the creation of poetry throughout the ages. From a modern point of view, there are three main ways in which poetry can shape images:

1. Comparison. Liu Xian, in the book "Wenxin Carving the Dragon", said: Analogy is "either metaphor in sound, or square in appearance, or imitation in the heart, or in things." There are many examples of this in the poems we have listed above.

There is also a common technique in analogy, which is "anthropomorphism": anthropomorphism with objects, or anthropomorphism with people.

2. Exaggeration. It is to enlarge the things to be depicted, like "capitals" and "close-ups" in a movie, so as to arouse the reader's attention and association.

3. Borrowing. It is to substitute one thing for another. It has similarities with analogy, but it is different, the difference is that analogy is generally compared and the things that are compared are concrete and visible; On the other hand, borrowing is concrete on the one hand, and abstract on the other, building a bridge between the concrete and the abstract, so that the image of the poem is more distinct and prominent, so as to arouse the reader's association.

The expressive techniques of poetry include: direct lyricism, lyricism through scenes, words and aspirations, scene blending, combination of movement and static, movement and stillness, music and scenery to write mourning, scene ending, borrowing from the past and the present, rendering, contrasting, allusion, combination of fiction and reality, suppression, and contrast.

1. Direct lyricism.

That is, the author directly describes the strong feelings in his heart in the text without concealment, so that the strong emotional torrent directly pours out.

2. Borrowing scenery to be lyrical.

It is a kind of indirect lyricism, which expresses the feelings of the writer through the description of real scenes.

3. Supporting things and words.

It is a kind of indirect lyricism, and the words and aspirations of the object are to express the feelings and thoughts to be expressed with the help of the description and discussion of a certain thing or object.

4. Scene blending.

In the description of the scene, the author's feelings are integrated, so that the poem reaches the realm of "the unity of things and me", and it is impossible to distinguish which is "scenery" and which is "love".

5. Combination of dynamic and static.

It refers to the depiction of people, events, and scenes when they are in motion or relatively static.

6. Set off static with movement.

It is one of the contrasting techniques, that is, through the description of the dynamic, the rendering contrasts the static, that is, the static is displayed in the dynamic description.

7. Lejing writes mourning.

It is one of the contrasting techniques, which on the surface is written as a joyful scene, but in practice it is used to express a sad and sad emotion.

8. Romance with scenery.

In the process of discussion or lyricism, the poem comes to an abrupt end, turns to writing scenes, and ends with the scenery replacing feelings, making the poem "ruthless is better than affection at this time", which seems to be unfinished.

9. Borrowing from the past to satirize the present.

This is a common expression technique in epic poetry, using historical events to satirize the current dynasty.

10. Rendering.

One of the traditional painting techniques in China, it was later borrowed to refer to the writing techniques used in literary and artistic creation to highlight the characters and environment.

11. Accentuation.

The positive lining in the backdrop is one of the original traditional painting techniques in China. It is also known as "baking clouds and supporting the moon". Later borrowing refers to a writing technique, which refers to the technique of highlighting a certain mood of a character or highlighting the image of a character through the description of a specific environment and atmosphere. This technique is often used in conjunction with rendering.

12. Dictionaries.

A dictionary is a rhetorical way of quoting words from historical stories or ancient books to illustrate one's opinion. There are explicit and implicit uses.

13. Combination of virtual and real.

Realistic writing refers to the direct and positive narration and description of people or events. Fictional writing refers to the use of side explanations or contrasting narratives and descriptions. The combination of fiction and reality, that is, the two techniques are used at the same time in narration and description.

14. Suppression.

There are two kinds of suppression: desire to promote and suppress first; If you want to suppress the law, you should first promote the law.

15. Contrast.

By using contrast, we can distinguish different characters, different life phenomena, and different thoughts and feelings more distinctly, so that the beautiful are more beautiful and the ugly are uglier.

Mom's grapes.

Live here in a cave.

Please see the poems.

See the story.

The first is to look more.

Do you like ancient poetry, modern poetry, or postmodern poetry?

Start by finding a poet or genre you like.

Start with an imitation.

Accumulate inspiration and rhetoric in life.

Write one or more songs every day.

1. Integrate your own true feelings.

2. Read more poems and feel the beauty of poetry.

3. Speak in highly concise language.

You should read more poems, first figure out the rhythm, and then comprehend the parts of speech, accumulate the scenery, and practice the poetic heart!

The state of mind, through the feeling of the heart, shapes one's own poetry.