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The linguistic features of "Camel Xiangzi" are as follows:
1. "Camel Xiangzi" uses psychological narrative and free indirect speech to close the language of the imitative characters.
2. "Camel Xiangzi" uses irony. Shoko lives a frugal life, is careful and calculates, often calculating his belongings, but as if a disaster has struck, Shoko's calculations cannot make up for the pain of his ill-fated fate, which presents obvious irony.
3. The story of "Camel Xiangzi" is compact. **The text is crisp and straightforward, conveying the authentic charm of the Beijing dialect.
4. "Camel Xiangzi" grasps the salient features of Xiangzi's inner life and explores his inner world in depth, so that the humble life of a coachman has greater symbolic meaning.
5, "Camel Xiangzi" Lao She attributed the protagonist's depravity to the social environment, influenced by Conrad's **, and wrote that the characters were "locked by the environment and had to fall", showing the fierce struggle between man and the environment and its inevitable failure, revealing a pessimistic position and fatalistic determinism.
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"Camel Xiangzi" literary knowledge:
1. Lao She, the author of "Camel Xiangzi", formerly known as Shu Qingchun, is a Manchu, a native of Beijing, and has the title of People's Artist.
2. Xiangzi is a character in Lao She's masterpiece "Camel Xiangzi". This work depicts the story of Xiangzi, a simple and sturdy man from the countryside, who went to Beiping to make a living and start a business, bought a car three times and lost it three times, and finally fell to the bottom of life.
3, Xiangzi and the car are the basic clues of this **, and the heroine who has a close relationship with Xiangzi is a tiger girl.
4. Xiangzi is an insulted and damaged image of a lower-class laborer in Lao She's pen, he was originally a farmer, and after entering the city, he made a living by pulling carts. Hu Niu is the wife of Xiangzi and the daughter of Liu Siye, the owner of the car factory.
5. Lao She's works have a very prominent position in the development of modern Chinese art, and together with Mao Dun and Ba Jin's long-form creations, they constitute the three peaks of modern long-form art.
Background of the creation of "Camel Xiangzi":
Set in old Beijing in the 1920s. Shoko was in the era of the rule of the Beiyang warlords. The backdrop of "Camel Xiangzi" is a dark, deformed, unbalanced old Chinese society.
People live in poverty, and Shoko is only a representative of the vast majority of working people. Although they have a certain degree of freedom, they have to run for a living. Poverty deprives them of the freedom to be poor.
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Features are:"Camel Xiangzi".The language is like a cup of tea, which feels bland at first reading, but the more you taste it, the more you feel its fragrance. The language of "Camel Xiangzi" is as clear as the water of a lake without waves, and it is easy and simple to express in the plain and natural language, without carving.
Camel Xiangzi is about the city of Beiping, China.
Shoko, a young and strong rickshaw driver full of vitality, has three ups and downs in life. "Camel Xiangzi"**, set in old Beijing in the 20s of the 20th century, Xiangzi lived in an era of Beiyang warlords.
The era of domination.
Language achievement: "Beijing accent", crisp and fast, playful and vivid, beautiful and lively. Lao She.
Coming from the lower strata of society, he is blessed with a unique use of language. He doesn't have to deliberately take the road of popularization and popularization, he has already "melted" into it.
After the May Fourth Movement, Western humor was introduced to China. Western humor, the irony of Zhang Hui**, the taste of folk literature, plus Beijing dialect.
's playfulness makes Lao She's vernacular language unique. Lao She is also a serious and calm person, he strives to be concise and accurate in every word he writes, and refrains from dragging mud belts, holding fingers and floating smoothly.
His goal is: to strive to explain a person's character in two sentences; I tried to be able to describe the sunset or the wind in the most vulgar language of a coachman or a shackler, and I read it to make people feel immersive. He asked not to add any soy sauce or monosodium glutamate.
Such as proper nouns, parables, allusions, and verses, put the vernacular.
The true fragrance burns out, and is recited forever.
Exquisite language and art skills are one of the most prominent features of Lao She's literary works, and it is also an important reason why Lao She has a large number of readers.
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1. Concise and smooth sentences, vivid and vivid expression.
2. The words are concise and subtle, and the performance style is humorous and witty.
3. The language of the characters is personalized, and the character is typical.
Example: The language of Camel Shoko is unique. The author uses the colloquial dialect of Beijing that has been processed and refined to vividly portray the speech and behavior of the people of the lower class of Beiping.
The author also uses simple and natural brushstrokes to describe the natural features of Beiping and the ancient capital style of Beijing accent and Beijing rhyme, so that the work has a strong regional cultural color and market atmosphere.
Another feature of the work is the delicate and in-depth portrayal of the psychology of the characters. Shoko is taciturn, and the author uses a large psychological description of the spring to show his personality traits and the process of ideological changes. Relying on his understanding of the lower class society in Beiping and his familiarity with the little people, the author uses simple language to portray the psychology of the people in the lower class society vividly and vividly.
"Camel Xiangzi" is a long story written by the people's artist - Lao She (Shu Qingchun), describing the tragic fate of the rickshaw driver during the warlord melee in the 20s of the 20th century. Shoko is a representative of the toiling masses of the old society.
"Camel Xiangzi" tells the life experience of Xiangzi, a young and strong rickshaw driver full of vitality in the city of Beiping, China.
Xiangzi is from the countryside, a bankrupt young farmer, hardworking, simple, kind, and retains everything that the countryside has nurtured and raised him, but he is unwilling to go back to the countryside again. Shoko, who came to the city from the countryside, longed to buy a car of her own with her honest labor. Being an independent laborer was Shoko's wish, hope, and even religion, and with hard work and perseverance, he spent three years saving money and finally realized his dream of becoming a self-reliant coachman.
When Xiangzi pulled into his car again, it was at the cost of achieving a deformed marriage with the tiger girl. The good times didn't last long, because the tiger girl died in childbirth, he had to sell the rickshaw to take care of the funeral. At this point, his life ideals were completely shattered.
Coupled with the suicide of his beloved woman Xiaofuzi, the last spark of hope in his heart was extinguished. After being hit by life, Shoko began to lose any desire and confidence in life, and could no longer muster up the courage to live, and was no longer as proud of pulling a cart as before.
Shoko, who was tricked by life, began to play life, eating, drinking, prostituting and gambling. In order to drink, Shoko cheated money everywhere and degenerated into "city garbage". In the end, he made a living by doing handymen for people's ceremonies.
Shoko was reduced from a "decent, strong, dreamy, self-interested, personal, robust, and great" low-level laborer to a "degenerate, selfish, unfortunate, socially sick child, and an individualistic doomsman."
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