The relationship between the Wu and modern sacrificial activities, the meaning of the three Wu sacri

Summary. Pre-Qin period.

In ancient times, due to the backwardness of science and technology, people were full of fear of various natural disasters and plagues, believing that they were caused by ghosts and gods, such as plagues caused by "plague ghosts". On the basis of this primitive religious emotional need, witchcraft became widespread among the people, and the sacrificial form of sacrifice was born.

In the Xia and Shang periods, the Nu culture had begun to take shape. The ancients usually wore masks, dressed themselves up as hideous-looking gods, danced fanatically, and used a posture of "suppressing evil with evil" to drive away evil spirits and avoid epidemics.

In the Zhou Dynasty, the Wu was included in the category of the ritual system, forming a relatively complete set of Wu sacrifice rituals, and the Wu sacrifice has developed into a major national sacrificial activity, which is often used to expel the plague and bless people's safety.

According to the records of the Book of Rites and the Order of the Month, the Zhou Dynasty generally held three sacrifices a year: first, the sacrifice in mid-autumn, which was held exclusively for the king of Zhou, called "the Son of Heaven"; the second is the sacrifice of Ji Chun, which is jointly held by the king of Zhou and the princes, called "national Wu"; The third is the national sacrifice in the winter season, and the whole country must participate, called "Dada". The ancients believed that when the cold and heat were alternate, ghosts and spirits haunted the disease, and diseases were most easily spread, so it was necessary to hold a sacrifice to fight the epidemic.

The meaning of the three sacrifices of the Zhou Dynasty.

Hello, I am helping you to inquire about the relevant information and will reply to you immediately.

Hello, I'm glad to answer for you: In the ancient times of the pre-Qin period, due to the backwardness of Qi Mo's scientific and technological level, people were full of fear of various natural disasters and plagues, thinking that they were haunted by ghosts and gods, such as plagues caused by "plague ghosts". On the basis of this primitive religious emotional need, witchcraft became widespread among the people, and the sacrificial form of sacrifice was born.

In the Xia and Shang periods, the Nu culture has begun to take shape. The ancients usually wore masks, dressed themselves up as hideous-looking gods, danced fanatically, and used a posture of "suppressing evil with evil" to drive away evil spirits and avoid epidemics. In the Zhou Dynasty, the Wu was included in the category of the ritual system, forming a relatively complete set of Wu sacrifice rituals, and the Wu sacrifice has quietly developed into a major national sacrifice activity, which is often used to expel the plague and bless people's safety.

According to the records of the Book of Rites and the Order of the Month, the Zhou Dynasty generally held three sacrifices a year: first, the sacrifice in mid-autumn, which was held exclusively for the king of Zhou, called "the Son of Heaven"; the second is the sacrifice of Ji Chun, which is jointly held by the king of Zhou and the princes, called "national Wu"; The third is the national sacrifice in the winter season, and the whole country must participate, called "Dada". The ancients believed that when the cold and heat were alternate, ghosts and spirits haunted the disease, and diseases were most easily spread, so it was necessary to hold a sacrifice to fight the epidemic.

Hope the above helps you have a happy life!

Hello Wu culture is one of the ancient traditional cultures of China, which refers to a ritual held by the Tujia, Miao and other ethnic minorities in the southwest of China and the middle and lower reaches of the Yellow River in the first month and February of the lunar calendar every year. The Wu culture represents the traditions of these ethnic minorities in terms of religion, belief, folk customs, opera, etc., and has made rich and unique contributions to the development of Chinese culture. The practical significance of Nu culture is mainly reflected in the following aspects:

1.Protection and inheritance of intangible cultural heritage: Wu culture is one of China's intangible cultural heritages and a precious traditional cultural resource.

To protect and inherit the Nu culture, Yanyin can help us better understand and recognize the history, folk customs and beliefs of the Chinese nation, and also make important contributions to the cultural diversity and harmonious development of our country. 2.Promote the development of the local economy and tourism:

The Nu culture is rich and colorful, very ornamental and valuable, which can attract a large number of tourists to watch and experience. The development of Nu culture will not only help to improve the development level of the local economy, but also bring new opportunities and impetus to the development of local tourism. 3.

Enhance national cohesion and social stability: Nu culture is the traditional culture of ethnic minorities, which represents the beliefs and cultural characteristics of the nation. The inheritance and promotion of the Nu culture can enhance the self-confidence and national cohesion of the ethnic minorities in the Yanyan banquet, and can also promote the exchange and integration between different ethnic groups4

Enrich and enhance the connotation and extension of Chinese culture: Wu culture is an important part of Chinese culture. But don't be feudal superstition, don't be feudal superstition.

Summary. Hello, the practical significance of the Wu culture stems from the profound cultural reserves of Chinese Taoism. The connotation of Nu culture is rich, including the Taoist spirit, Taoist Analects, traditional religious beliefs, historical and cultural idioms, legends and myths, and so on.

It played a very important role in ancient Chinese society, it appeared in different forms in the academic world, and it has been passed down to the present day, and the influence of Taoist culture is deeply rooted in Chinese culture. It represents the Chinese historical civilization and humanistic spirit, and clearly points out the concepts of naturalism and humanism in traditional Chinese culture. The Wu culture is not only still very popular in today's Chinese society, but its spirit still exists and still has great influence in contemporary life.

Hello, the practical significance of the Wu culture stems from the profound cultural reserves of Chinese Taoism. The connotation of Nu culture is rich, including the Taoist spirit, Taoist Analects, traditional religious beliefs, historical and cultural idioms, legends and myths, and so on. It played a very important role in ancient Chinese society, it appeared in different forms in the academic world, and has been passed down to the present day, and the influence of Taoist culture has been deeply rooted in Chinese culture.

It represents the Chinese historical civilization and humanistic spirit, and clearly points out the concepts of naturalism and humanism in China's traditional culture. The Wu culture is not only still very popular in today's Chinese society, but its spirit still exists, and it still has a great influence in contemporary life.

The specific form of expression of the Nu culture is the Nu opera, which originates from the ancient Nu Gao which sacrifice activities, and its initial form is the dramatization of the content of asking the gods to exorcise ghosts and chasing away the plague in the Nu sacrifice ceremony, and the opera is developed from the Nu sacrifice and the Nu song and dance. Some experts pointed out that in the process of its development, the Nu culture gradually integrated the history of the content of witchcraft, Taoism, Confucianism, and Buddhism, as well as the life events of the material, as well as the content and form of opera, so that the Nu culture has today's rich connotation and form. "The Nu culture can be called the 'living fossil' of ancient culture.

Some experts pointed out that Nu culture is a marginal discipline, involving anthropology, ethnology, folklore, religion, mythology, history, linguistics, drama, dance, art and many other fields, with great academic research value.

The explanation of the ritual of the great gift. In ancient times, the ritual of exorcising plague ghosts was held in the month of Layue. Qing Zhaolian "Xiaoting Continuation Record: Happy Qinglong Second Dance":

And outside the court, in the shape of a tiger and a leopard, a different beast, dressed as eight adults riding a horse to shoot after the shape, quite along with the meaning of the ancients' ceremony, called the rent type "Joy Dance". Ouyang Yuqian, "Dance of the Tang Dynasty", Chapter 2, Section 6: "When performing the ritual ceremony, five hundred children over the age of 12 and under the age of 16 should be selected, dressed in red clothes, put on masks, and pretend to be 'nephews'.

Word decomposition Explanation of 傩 傩 (傩) ó walking posture feminine: "Peiyu no 傩". Ancient Wax Moon Ritual of Expelling Plague Ghosts:

Trick and guess the dance. Nu opera (one of the local Chinese opera genres, in which the actors wear wooden masks and often use repetitive, large-scale programmed movements to express the stories of asking the gods to exorcise evil spirits, praying for blessings and simple battles). The god of Wu (the explanation of the expulsion rite in the legend rite (rite) ǐ social life, due to moral concepts and customs and habits, the rituals formed:

Wedding. Funeral ceremony. Ceremony.

The code of conduct that is in line with the overall interests of the ruler: etiquette (刼). Etiquette.

Self-denial. Attitudes and actions to show respect: courtesy.

Courtesy. Praise. Courtesy.

The Nu sacrifice is a local religious ritual activity carried out by shamans in order to exorcise ghosts and worship gods, and to ward off evil spirits and epidemics. Among them, the Nu opera is a combination of Nu song and Nu dance, and it is more local in nature. The written record of the Nu sacrifice began from the "Zhou Li", but its development can be far from the ancient times of our country, with a strong sense of primitive totem worship, and in the subsequent historical development process, the content of the Wu sacrifice activities have also had different developments.

From the Han Dynasty to the Wei, Jin, Southern and Northern Dynasties period,The festival is held with the consent of the imperial court, and the time is generally set on the day before Chinese New Year's Eve, and the exorcism ceremony is held before Chinese New Year's Eve, which means to remove the bad luck of the old year and usher in the anticipation of the new year. On the day of the festival, a group of young and middle-aged men, dressed in special dresses and mysterious masks with different appearances, will hold lit torches, dance exaggerated dances, shout loudly, and then march to the river while jumping, and throw the torches into the water, which means throwing all the bad luck of the year into the river.

In the Tang and Song dynasties, the content of the ritual developed in different directions, and began to add a lot of entertainment. For example, in the Tang Dynasty, the scale of the Nu sacrifice has developed to a very grand scale, in addition to the evil and the epidemic, the Tang Dynasty Nu sacrifice also allowed the people with masks to participate in the activities together, they could wear masks and sing and dance. In the Song Dynasty, the sacrifice was already close to the ancient Spring Festival Gala, there were performances, singing, storytelling, and drumming, and the common people often watched, at this time the meaning of religious sacrifice has been relatively weak.

However, with the development and progress of society, modern ideas have also been popularized, and the ritual of exorcising evil spirits has gradually disappeared, and only in some remote mountainous areas and literary works can you get a glimpse of the slightest trace. One of the more well-known should be the "Border City" that was selected into the high school textbook, in which there is a handsome young man - the heroine Cuicui's sweetheart sent the second elder, and his name was given because of the god of Wu.

It is an ancient ritual to get rid of evil spirits. During the ceremony, the masked man plays the role of the god who drives away the plague, called the god of the plague, and performs some dance moves.

This is a relatively old sacrifice, it is more popular in Jiangxi, Guizhou and other places, in which the god they want to worship is called the god of Wu, and they remove the plague through repeated and large dances.

It is during the Chinese New Year that some people wear a willow mask representing the god of Wu, and through exaggerated dances, express the sacrifice to drive away the plague and plague.