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I am the deputy head of the team that knows about "Those Things in the Three Kingdoms Period".
I hope my explanation, helpful.
First of all, the first point is that "Romance of the Three Kingdoms" is not history, but **. There is a clear tendency to read history from **.
And the tendency of the author of the Romance of the Three Kingdoms is obviously to "respect Liu and degrade Cao". "Respecting Liu and degrading Cao" is a historical tradition. It is also a kind of folk image.
But it's never history. In addition, on the issue of tradition, the so-called tradition is the consistent thinking of people. The so-called consistent thinking is the word "orthodoxy".
Liu Bei is the emperor's uncle and has supreme royal blood. Cao Cao was born to a eunuch and was obviously a thief. Sun Quan's purple hair and red eyes are obviously not a good person.
This is the portrayal of Romance. It also highlights Liu Bei's royal orthodox status.
That's what I said about your first question, followed by the second. How to carry on the tradition of historiography. I would like to ask this question from two sides.
First, advocate the excellent quality of the positive characters in the **, and take the negative characters in the ** as a warning. Learn Guan Yu's "righteousness". Promote righteousness and loyalty.
Learn Zhuge Liang's "wisdom", attack people's hearts, and understand the overall situation. Don't learn from Zhou Yu's narrow temperament in "Romance" and Sima Yi's "eagle and wolf Gu". There are many more, and I won't say more.
Second, the macro overview**, "The rolling Yangtze River is passing away, and the waves are sweeping away the heroes." "Countless heroes have silently thrown their lives into the long river of history. burst out of their "light" and "heat".
We need to learn from them and contribute to society.
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Good question, but I don't understand!
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"Romance of the Three Kingdoms" vividly interprets the basic spirit of traditional Chinese culture with characters as the carrier, that is, the core elements of traditional Chinese cultural value system such as benevolence, righteousness, courtesy, wisdom, faith, and bravery. "Romance of the Three Kingdoms" reveals the historical development law of "the general trend of the world, the long-term union must be divided, and the long-term division must be united" through the stories of the three kingdoms of Wei, Shu and Wu.
From beginning to end, the work runs through the ideological tendency of "supporting Liu and opposing Cao", reflecting the people's desire to support the Ming monarch, yearn for peace, hate tyrants, and oppose turmoil. Through various political, military, and diplomatic events between the three countries, the work vividly shows the experience and wisdom of various struggles in history.
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The Romance of the Three Kingdoms describes the historical situation of nearly a hundred years from the end of the Eastern Han Dynasty to the early years of the Western Jin Dynasty, mainly describing the war, telling the story of the political and military struggle between the three kingdoms of Wei, Shu and Wu in the late Eastern Han Dynasty, and finally Sima Yan unified the Three Kingdoms and established the Jin Dynasty. It reflects the transformation of various social struggles and contradictions in the Three Kingdoms era, summarizes the historical changes of this era, and shapes a group of heroes of the Three Kingdoms.
The book can be roughly divided into five parts: the Yellow Turban Uprising, Dong Zhuo's Rebellion, the Heroes Competing for the Deer, the Three Kingdoms, and the Three Kingdoms Returning to Jin. On the vast historical stage, magnificent war scenes were staged. The author, Luo Guanzhong, integrates the 36 strategies of the Art of War between the lines, both the plot and the strategy of the Art of War.
The Romance of the Three Kingdoms is one of the four classical Chinese classics, and is China's first long chapter Hui Historical Romance, the full name is "The Popular Romance of the Three Kingdoms" (also known as "The Romance of the Three Kingdoms"), the author is the famous ** Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty. After the "Popular Romance of the Three Kingdoms" was written, there were many versions such as Jiajing Ren's afternoon book and other versions passed on to the world, and at the end of the Ming Dynasty and the beginning of the Qing Dynasty, Mao Zonggang rectified the "Romance of the Three Kingdoms", revised the rhetoric, and changed the poems.
"The Romance of the Three Kingdoms" is the first chapter in the history of Chinese literature, the pioneering work of historical romance, and the first literati novel.
Liu Bei borrowed Jingzhou--- but did not repay it.
Of course, there are so many characters and so many personalities in the Three Kingdoms, there must be someone who is suitable for you, but I advise you, choose the role carefully, there are too many tragic characters in the Three Kingdoms.
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