What is the difference between prose and classical Chinese, how to write both!

Prose is vernacular. Just say it and you'll understand. Classical Chinese is an ancient saying. I don't understand a word.

First of all, classical Chinese is relatively vernacular.

Second, before 1918, all articles were written in the written language of classical Chinese.

Thirdly, "classical Chinese" means "beautiful language articles", also known as linguistic texts.

You say, what's the difference between prose and classical Chinese?

In ancient times, there was also prose, which belonged to classical Chinese.

The difference between prose and classical Chinese is still relatively large. Classical Chinese is written in the style of archaic, while prose is written in vernacular. The writing style of classical Chinese, in addition to the use of words and speaking tone as much as possible in the ancient text, the expression should also be euphemistic, and the writing techniques used are more, such as metaphors, anthropomorphism, exaggerated symbols, etc., can not be verbose, often a few sentences are said in one sentence, and the artistic conception is very important.

The words of prose, in a word, are scattered. That is to say, when you read the prose, you may find that he writes a little messy, this kind of mess means that it may not say a thing from beginning to end, it may say several things in a row, or the author seems to write whatever he thinks, the structure is not rigorous, but its central idea is not messy, you can clearly see that the article seems to be messy, but in fact it is not messy. For example, such as Zhu Ziqing's "Back", he writes about father's love, but he starts from the details, you will find that his narrative is very trivial and scattered, and it is not from beginning to end, there are memories or something in the middle, but his central idea is not messy, and so many details in front of him are all paving the way for father's love.

Ancient prose: In ancient China, in order to distinguish it from rhyme and prose, all prose articles that do not rhyme and do not rearrange even, including scriptures, biographies, and historical books, are all called prose. Prose is generally longer in word count.

Ancient rhyme refers to a style of writing that has rhyme. Rhyme is rhythmic, and even most of them use the same vowel as the end of the sentence to seek a rhyming style or article. As opposed to prose, such as poems, fu, words, songs, and rhyming odes, praises, proverbs, inscriptions, lamentations, and verses.

The number of rhyme words can be long and short. Attached: The development process of ancient prose in China:

Pre-Qin prose: including the prose of Zhuzi and the prose of the history of the past and the shouting and quarrelling. Zhuzi's prose is dominated by discourses, such as the Analects, Mencius, and Zhuangzi; Historical prose is an essay based on historical topics, and all articles and books that describe historical events and historical figures are historical essays, such as "Zuo Biography".

Prose of the Han Dynasty: Sima Qian's "Historical Records" in the Western Han Dynasty pushed biographical prose to an unprecedented peak. After the Eastern Han Dynasty, individual prose forms such as books, notes, tablets, inscriptions, treatises, and prefaces began to appear.

Tang and Song Dynasty prose: Under the impetus of the ancient literature movement, the writing of prose became more and more complicated, and literary prose appeared, producing many excellent landscape travelogues, fables, biographies, essays and other works, and the famous "Eight Masters of the Tang and Song Dynasties" also emerged at this time. Ming Dynasty Prose:

First, there were "Seven Sons" who mainly imitated antiquity, and then there were Tang and Song factions who advocated that the works "all flow out of the chest", and the more famous one is Gui Youguang. Qing Dynasty prose: Qing Dynasty prose represented by the Tongcheng School, focusing on the embodiment of "righteousness".

Yao Nai, a representative writer of the Tongcheng School, summarized the ancient prose style in China and divided it into 13 categories, including debates, prefaces, recitals, writings, gift prefaces, edicts, pleadings, inscriptions, miscellaneous sayings, proverbs, praises, resignations, and mourning.

In ancient times, there were nine explanations:

1. Ancient texts "Reputation Guangyun Dust Cave", "Rhyme Meeting", Su Dry Cut, "Ji Rhyme" Dry Cut,