Which moment made you feel that the Chinese animation industry was really over?

When Japanese anime was released, I thought so.

There has never been a moment like this.

I think the industry is still very rough.

It's the kind of anime that has a lot of mindlessness.

It's definitely the kind of anime that lacks IQ.

Luffy's assistant is a very popular one.

It's not going to be real, it's going to decline.

I think it should be those brainless Chinese animations.

I think it's something that's trending.

This year marks the 100th anniversary of the birth of Chinese animation. From the 1-minute animation commercial of Wanshi Brothers to the total annual duration of TV animation of nearly 80,000 minutes; From hand-drawn pen drawings and stop-motion shots to computer drawing, 3D rendering, ......Over the past 100 years, Chinese animation has forged ahead in exploration. In recent years, Chinese animated films have taken myths and legends, folk tales, ancient legends, etc. as the source of creation, and have embarked on a creative path rooted in Chinese culture and national art, continuing the aesthetic style of the animated film "Chinese School" to promote the excellent traditional Chinese culture and contain the spirit of Chinese aesthetics, and a number of well-made and visually aesthetically pleasing animated films such as "Journey to the West: The Return of the Great Sage" (2015), "Nezha's Demon Boy Descends" (2019), "Lion Boy" (2021) and so on. While satisfying the diverse entertainment needs of the audience, it has achieved good box office results.

Data shows that from 2015 to 2021, the average annual box office of domestic cinema animated films reached 4.5 billion yuan, and the market share of Chinese animated films accounted for nearly seventy percent. It can be seen that Chinese animation has been developing,In the future,The application of high technology and the cultivation of animation talents are the two major focuses of development,"The rise of Guoman" can be expected in the future。 The Western China Cultural Industry Expo will be held in Xi'an International Convention and Exhibition Center from November 18th to 21st, and the digital culture hall of the exhibition will have three exhibition areas: culture + digital exhibition area, radio and television and press and publication exhibition area, and cultural equipment manufacturing exhibition area, covering the following areas

Digital publishing, VR AR MR, animation games, e-sports, Internet + performing arts platforms, online studios, etc., you can learn about the latest information and development trends of the animation industry, if you are interested, you can go to the official website for more information!

At present, there is still a certain gap between the development of the animation industry and the developed countries such as the United States, Japan and South Korea, and there are still many adjustments that need to be adjusted. Compared with the early animation industry, which was difficult to make a profit, the animation industry now adopts the method of creating animation IP, excavating traditional Chinese culture, and creating animation with the image of traditional Chinese culture, animation IP is also more likely to become a hit, and it is easier to form a commercial industrial chain.

It takes time to build animation IP, and so does the development of the animation industry, which needs long-term value in the long run. For example, the Kaka Tiger animation IP launched by Chimelong Theme Park, after a long period of accumulation, the animation IP has derived the original scientific and technological animation "Kaka Tiger Adventure", which is equivalent to a tree growing its main branches, and slowly and continuously producing branches.

China's animation industry began in the 50s of the 20th century, due to the lack of original ability, the domestic market has been occupied for a long time"Imported products"Monopolize. In order to encourage the development of the domestic animation industry, the state has been increasing support for the animation industry, providing support in finance, taxation, financing and other aspects. With the support of the state, the animation industry has achieved rapid development in recent years.

According to statistics from China's Ministry of Culture, the total output value of China's animation industry in 2012 was close to 76 billion yuan, an increase from 2011 and double from 100 million yuan in 2009, with an average growth of 27% for three consecutive years. At the same time, the total output value of China's media and cultural industry in 2012 was 760 billion yuan, an increase over 2011, and the average growth rate for three consecutive years was about 15%. The development rate of China's animation industry in recent years has been much higher than the overall growth of the cultural industry in the same period, and the animation industry as a whole has shown a strong development trend, becoming an important force leading the development of the cultural industry.

The positive trend of the animation industry has given birth to the rise and agglomeration of industrial bases. According to the analysis of the "2014-2018 China Cultural Industry Base (Park) Construction, Operation and Investment Strategic Planning Analysis Report Forward-looking" released by the Prospective Industry Research Institute, more than 20 provinces and cities across the country have vigorously supported animation as an emerging industry, and Beijing, Shanghai, Suzhou, Guangzhou, Shenzhen, Dalian and other places have successively introduced preferential policies to establish animation industry bases.

The gap between American animation and Japanese animation is very large, and the gap between Chinese animation and American animation is also very large. If you want to develop, you will wait for North American Chinese films to get extremely high box office anime to develop, of course, this is impossible.

I think it's slowly improving, improving. Slowly developing from ink anime to oil anime, the lines of the characters will not be as thick as before, the expressions will be rich, and the thin strips will not be stiff. The overall feeling is still good.

It's not about making children, it's about making ** money! I've been in this industry for many years. The animation industry is very broad and the water is also very deep.

The misunderstanding is to blindly listen to the slogans of the vigorous development of relevant departments, what to support funds. This money has been deceived by many leather bag companies, and it is almost useless to really fall on those who do practical things and do things at the grassroots level. Another problem is that the copyright awareness of the humanities is very weak, which also leads to the continuous spread of piracy.

I don't think it can be developed, Guoman has some good ones, and they were all banned later. It's all left for those children to watch.,For example, the sheep and sheep series (speechless)。。

Personal opinion: Just complain.

China's animation industry is currently in the exploratory period (1999 to the present).

With the continuous introduction of foreign animation, the Chinese animation industry finally knew its own shortcomings, so it began to explore and try various things.

In 1999, the large-scale animation "Baolian Lantern" produced in China is one of the attempts, absorbing foreign production methods and experience, combined with traditional Chinese myths and legends; The large-scale feature-length animation "Journey to the West" produced in China in 1999 can also be regarded as one of the attempts; In 1999, the 52-episode feature-length animation "I'm Crazy for Songs" and the 100-episode feature-length animation "Legend of the Fengshen Bang" were also attempts by the Chinese animation industry. Among them, "I'm Crazy for Songs" began to be broadcast, imitating the Japanese animation "Basketball Flyer" to produce China's own animation works, although the work itself seems to be not very well received, but the form of the attempt is still very good.