About the violin chromatic position...

In **, the minimum distance between two adjacent tones is called a semitone, and the two chromatic distances form a whole tone.

The distance of the cdefgab group is divided into twelve equal parts, and each equal part is called a "semitone". If there are two "semitones" in the distance between two tones, it is called "whole tone". In the piano, electronic organ.

On keyboard instruments, c d, d e, f g, g a, a b, there is a black key between the two notes.

The distance between them is the whole tone; e f, b c, there is no black key separating the two tones, the distance between them is a semitone.

Children, you first learn the practice of the scale, for example, after learning C major, and then learn the G major scale, you will find that the 4 in G major is 4 sharp, on the D string, the original 4 in C major is next to the left middle finger and index finger 3, and now the 4 sharp is the 5 pressed by the middle finger and ring finger next to each other. That's liter 4,。。 When learning the F major scale, you will know that 7 should be 7 flat, on the A string, in the past, 7 in C major was pressed with the index finger, and the treble 1 pressed by the middle finger is next to it, now the 7 flat should put the index finger in the direction of the headstock, and the treble 1 pressed by the middle finger is separated, that is, 7 flat...

To put it simply, like the second chord do sharp semitone, it is the original sound of the second finger press position from next to the first finger to next to the third finger.

The point is that you have to know the pitch ... The violin is not like a piano... The sound is there, just press it...

If you can hear the rest (accurately and inaccurately), it will not be difficult ... This is one of the difficulties of the violin.

Semitone, as the name suggests, is half of the sound, and it's attached to another sound.

Violin. It is an instrument in the key of C, the four strings are constant, and the tone is also constant. When the violin is tuned, the second string, the A string, is tuned first, and then the other strings are tuned as the standard.

The violin should be tuned with a tuner, so that the tuning effect is better and the pitch is more accurate. Although the violin is in the key of C, it is possible to play pieces of music with different tones by changing the fingering and position of the left hand, and the tone of the violin itself does not change.

The position of the fingers of the left hand of the violin on the piano is the position, and the fingering of different positions is different, and the tone played is also different. There is a phenomenon of overlap in different vocal ranges on different strings, so that the tone of the violin strings can be better calibrated, and there are a variety of different fingers to choose from when playing, and you can choose the most convenient one.

The closer you are to the headstock, the higher the pitch, and the higher the pitch is for a single string, and the thinner string tuners will be on the higher side. There are also many ways to change the handle with the left hand, such as an empty string.

Change, change handle, change handle, different finger change, overtone.

Changing handles and so on. Overtones are a relatively high tone, and it is necessary to master the technique when playing.

Pluck the strings lightly and you'll hear the difference between the four tones, and listen to any two strings a few more times to feel the tone of the four strings! When the new string is debugged, it should be tightened slowly, and when it is screwed, stop and twist it to give the string time to stretch out. If you tighten it all at once, it will definitely break, so you have to give the string a handicap, especially the E string A string.

The violin is not like the piano, the four strings affect each other, so you have to tune back and forth more often, don't feel that the tune is inaccurate, and the new string will not gradually stop playing out for at least a week. Steel wire strings are better, and nylon strings will last longer. Fine-tuning should be reused on a roughly punctual basis, and fine-tuning should not be used to adjust it significantly.

One is that the fine-tuning can't be done, and the other is that it is not good to keep the fine-tuning too tight or too loose for a long time, because it will affect the life of the fine-tuning chord, and if it is too loose, it will hiss.

The violin has four strings, and the tones from phase to thin are the tones of g, d, a, and e. Beginners often use tones to set the tone. Experienced people can accurately align the sound with their hearing.

Therefore, the key is to practice regularly, and after you are proficient to a certain level, you will naturally be able to achieve the level of accurate sounding.

The violin has four strings, and the timpani from thick to thin is g, d, a, and e. The difference between each open string is a pure fifth; Each open string can play a complete sequence in a different position; Each open string can play a range of about two octaves.

The adjustment of the violin tone is a problem that every violin beginner encounters. If the tone of the violin is not accurate, it will bring a great obstacle to the practice of violin feel and tone. So this time I would like to introduce you to the method of violin tuning, which will be very helpful for novice violin tuning.

Some serious people may take a violin tuning manual to learn, but after all, the manual is complicated, and it may feel like reading a book for a novice violinist and not understanding it, but when you play the violin for a long time, he will be very useful information.

Method 2: Listen carefully to the violin tuned by the teacher.

This is important because a lot of things start with imitation. Before tuning, we should listen to the correct pitch and timbre, and make the ear remember it by listening repeatedly. How do you hear the specific needs?

Start with the e-strings and gently strike the strings. You'll hear four different timbres. Then listen to the sound of any two strings.

You will feel the tone of the four strings.

Method 3: Determine the violin strings.

In the method of violin tuning, determining the violin string is the most important step. We have to keep tuning because it helps us to hear the process of going from dissonance to harmony. We also let ourselves know whether the pitch should go up or down.

And we shouldn't get into the habit of pulling and stopping, or plucking the strings with our hands without using the bow.

Method 4: Adjust the AD double chord.

The order of the two tones is Ad and DG, and AE. When trying a double string, you should give priority to listening to the tone of the bow. When pulling, it is more helpful to understand the relationship between intervals.

When the third string is correct, you can tune the fourth string with the third string and finally the second string with the first.

Method 5: Adjust DG and AE

If you understand the 4th of the above methods, you are almost halfway there. At this point, it is necessary to check the A string repeatedly so that it is always in the right state, tune it as low as possible, don't tune it loudly in a chopping way, and try to keep it free of extra noise, which will make your ears hear the chord more clearly.

Method 6: Precautions for Violin Tuning.

It is rare for a professional violinist to have more than two in the above-mentioned adjustments, as it can affect the tone and resonance of the violin. Therefore, when practicing tuning, the D and G strings should be used to wrap around the knobs on the side of the violin head. If the A string can also be adjusted as closely as possible around the knobs of the headstock shed, then in the future, only the E string will need to be fine-tuned in the above method due to angle issues.

The most important way to play the violin is to listen first and then tune it. If you don't know how to tune, you'd better hire a professional teacher to help you. If you can't tune the tone well in any way, there may be something wrong with your violin.

It is recommended that you send your violin to a professional teacher to see your violin. You have to have a good piano to play a beautiful sound.

The outside can be tuned one by one with an electronic tuner. First of all, if you don't train your ears like this, you won't mention it.

Another problem with this tuning is that each string is tuned independently, and after tuning, the actual tone (for ease of interpretation) can be understood as a random distribution centered on the standard tone.

When the two adjacent strings are tuned in this way, it is possible that one is just higher and the other is lower, and the two tones that are pulled out are not very harmonious fifths. This relationship between fifths is, to some extent, more important than whether the pitch is in tune or not.

The second is through the homophony of the four fingers of the empty string and the previous string. First of all, you come up and press four fingers on a string that may not be accurate.

Secondly, according to this method, is the first school string a G string? I've never seen a first school G string. If you tune the G string first, the error of each step will accumulate, and the E string may have been deviated too much.

Some tuning tips: don't twist the pins too violently. I used to have my strength uncontrolled and broke two strings one after another, and I was very depressed. If the pins are slippery, you can apply a little rosin to strengthen the friction.

In the fine-tuning stage, the pins are often easy to twist. At this time, you can use the fine adjustment hook at the bottom of the piano. There is no fine-tuning hook, and the old-fashioned method of fine-tuning is to fine-tune the string low, hook the string in the neck with your fingers, stretch it, and the tone will be slightly lower; Fine-tune it to the heights, pressing your fingers on the strings above the headstock sleepers.

It is not clear whether the copied mark is a check mark.

The violin has four strings, you just need to remember that the standard tone of the inner and outer strings is the equal pitch of the two strings in the middle of the violin, which is d1 a1, and its a1 is specified as the international standard tone, and the strings are pure fifths between the strings.

When playing, the four strings of the violin from left to right, from thick to thin, are set in pitch order G, D1, A1, E2.

There are two ways to set the tone, one is with the ear, the other is with the instrument, if the ear is good enough, listen to the **, or the standard tone provided by the flute, tuning fork, keyboard instrument, etc., and then use the ear to listen while tuning, the disadvantage of this method is, of course, that the basic skills are relatively high, and the ears are not good and inaccurate. The advantage is that if the ears are good, this tuning has a large degree of freedom, and it is more convenient to rely on ear tuning when the actual performance needs to be "inaccurate", especially when a certain amount of inaccuracy is required, and in addition, the average pitch of each rhythm is suitable for playing melody, not very suitable for playing harmony (especially if the quality of the piano happens to be not very good), and if you need to accompany the harmony, it will be better to rely on ear tuning.

As the key to the violin's first string.

It's the same as most pianos with a few strings.

You can only set the tone of a string first.

Wait until the elasticity is moderately set.

The other strings follow this requirement.

Your definition of this is standard, and you are slowly tuning the other strings.

So the six strings of the whole violin will be unified.

Otherwise, each has its own set of strings.

It is easy to cause between strings.

Causing a mismatch in tone.

They don't work well with each other.

This is also a big no-no for tuners.

Therefore, experienced teachers always set a golden thread first.

The subsequent leisure, according to this is determined.

Slowly, each of them is fine, that is.

The same is true of Soviet pianos, etc., and the first one.

Slowly set the others with a standard.

This is well known in the ** section.

The usual way to tune the strings is to align the standard A1 note of the second string: the A string. Align the A1 of the A string and then the D1 of the D string, and then the two strings are played at the same time until the two notes of re and la are completely out of beat (i.e., completely "pure").

Then use the d1 of the D string that is already accurate to tune the G note of the G string in the same way; Finally, use the A1 note of the A string to align the E2 note of the E string. The method is to pull out the fifths at the same time, until there is no beat rate in perfect harmony.

Of course, in the process of adjustment, the original A1 will also change slightly due to the change of pressure, which requires repeating this process many times until it is correct.

In fact, I usually practice the piano A sound is probably accurate, when there is really no fixed tone around me, pick up the earpiece of the ** landline at home, and the long tone inside is A; As long as we make sure that the 4 strings are in harmony with each other in a fifth, it's fine.

In a word, it is to adjust the order of the 2341 strings repeatedly until it is correct. aqui te amo。

Start with the E string and gently pluck the strings and you'll hear the difference between the four tones, and then listen to any two strings, and listen to them a few more times to feel the tone of the four strings!

Determine the violin's a-string.

Determining the A string of the violin is one of the most important steps in the violin tuning method, and it is important to keep the bow tuned, because in this way you can clearly hear the process of the chord from dissonance to harmony, and it will also give you an idea of whether the tone will turn high or low.

Tune the AD double strings.

The order of tuning the double notes is AD and DG and finally AE, and when trying the double strings, you should listen to the sound of the bow first. Playing the key is more helpful for you to understand the interval relationship, and when the third string is in place, you can use the third string to the fourth, and finally the second string to tune the first string.

Adjust DG and AE

If you understand violin tuning method 4, you're almost halfway there! At this time, you should check the A string repeatedly so that it is always in the right state, tune it as quietly as possible, do not tune it loudly in a chopping way, and try to keep it free of unnecessary noise, which will make you hear the chord changes more clearly in your ears.

Generally speaking, you can first play a big drop on the violin, and then play a D major key, and you can quickly judge whether the timanie of your violin is accurate. It is mainly our sense of hearing that is judged. But you can also judge whether the pitch is the same by the vibration of the empty string, adjust the first string, press and hold the second string and the fifth string, pluck the string with your right hand, compare it with the pitch of the first empty string, and adjust the knob until the two notes are the same.

And just like that, the strings of the violin are set!