How to find the position of the finger on the violin 5

When you first learn the piano, the teacher will stick the line on your fingerboard, you just need to find the position according to the fingering, and at a certain time the teacher will tear off the pasted line, which is relatively difficult at this time, it is very important to listen to the ear, and find the corresponding position in combination with the pitch and feel. I'm like this, I don't know if there has been any change now, hope it helps.

Yes, don't do it yourself. And these tips posted won't exist for a short time.,Anyway, when I was a kid, I used it for a while.,No way.,How solid this most basic thing is not too much.。

When you first start practicing, you can paste finger stickers on the handlebar, and after a while, you can judge the position by listening to the sound.

Beginners usually use correction fluid or colored tape on the fretboard to indicate the fixed position of each note (similar to the "fret" of a guitar).

If you are proficient, you will naturally find it.

It is best to ask the teacher to post it, which has very high requirements for pitch, and a slight error in sticking to the ground will affect the future practice and the feeling of pitch.

It's best to ask the teacher to post it, which requires a high sense of pitch, if you post it wrong, it will be difficult to correct your pitch in the future.

If you have to post it yourself, just find a piano, play the b c d e of the **c position, confirm it yourself and paste it, you only need to post the four fingers of a bit, and it is best to show the teacher after pasting. This is very important for your intonation later on.

I hope I can, thanks!! \o^)/~

You need to be able to distinguish the pitch, and you don't need to stick or draw every semitone. If you can't distinguish the pitch and you stick or mark it yourself, you can only mark one note, preferably because it's more accurate, that is, the thick one goes to the treble by 5 degrees, and when you press that place, it will resonate with the thinner strings.

But each string has to be tuned.

Novices only need to post a handful of four finger bits

Find a piano, play the b c d e in the **c position, and then touch and paste it yourself

First you need a violin that fits the length of your arm.

Align the line of the bottom knuckle of your left index finger with the front end of the fretboard (the fretboard is usually black) and the index finger will hang down naturally. It's usually not wrong to hold down the A string (the second string on the right) -- that note is the tone of one finger, and as long as you find a finger, it's easy to find the tone of the 234 finger according to inertia. Another:

It is recommended to find a teacher to learn. The teacher will help you put up the instructions. And self-study is prone to the misalignment of some basic postures.

And you can't correct it when your pronunciation is inaccurate. and many other issues

It's okay to do it yourself, but of course, it's better to do it with the teacher, otherwise if you don't do it well, you will practice badly

Here's how: Novices only need to post four finger slots of a handful of bits

Find a piano, play the b c d e in the **c position, and then touch and paste it yourself

Strap the rubber band around the stem and touch it with your fingers.

For beginners, to find the position of the fingers of the left hand, you can use the left index finger as the basic finger, and then apply tape on the fretboard according to the position of the index finger in different positions, and then practice syllables, arpeggios, etudes, etc.

If you have been learning the violin for a certain amount of time, you need to remove the tape and determine the position of the fingers of your left hand based on the feeling you feel during practice.

The position of the fingers represents the pitch of the violin, and almost no one can get the pitch exactly right without making mistakes. Therefore, there is no way to determine the position of the fingers when learning the violin, so you can only take out the parts with problems with the pitch and practice them separately.

Did you learn the violin?

If so, I'd better listen to the teacher.

If you want to find a teacher to post it, it will be inaccurate.

There are two kinds of kneading strings: one is the kneading of the wrist, the other is the kneading of the arm, the kneading of the wrist only moves above the wrist, and the kneading of the arm is moving the whole arm.

The kneading of the arms has a large change in pitch, which is suitable for rough sections. You must be able to knead both kinds of strings, and you will have a complete understanding of kneading strings.

The similarity between these two kneading strings is that the fingers will move, but the point of force is different, one is from the arm and the other is from the wrist.

Therefore, the biggest problem in kneading the string is how to make the fingers hold down the string, but the joints of the fingers can be relaxed at the same time, so that when the arm or wrist moves, the fingers can move to cause the effect of kneading. (I would like to remind you here that the movement of the fingers is driven by the arm or wrist when kneading the strings, and the fingers themselves do not need to exert force, and the fingers cannot be moved by pointing the force with the hand.)

Therefore, the problem lies in the way the strings are pressed, and when the strings are pressed, if the strings are pressed with the force of the hand point, the fingers will become stiff and unable to move. The correct way to press is to relax the hands and hands, use the weight of gravity to drive the fingers down, and the fingers themselves are hung on the fingerboard like a hanger, and the fingers themselves feel that they have gravity to stand on the fingerboard.

Violin left hand string practice.

At the beginning of learning the violin, the left finger of the violin will indeed be more inflexible, because we rarely use the fingers in this way, so the muscles will not be able to control the strings as they like, but the way the fingers press the strings also has some tricks, you can check it yourself, practice it in the right way, the effect will be twice as good with half the effort, the following Yu ** device will introduce you to the relevant practice methods and correction methods, I hope it will be helpful to you who are learning the piano.

Figure 1The strength of pressing the string comes from the strength of the palm, just like the feeling of holding the hand into a fist, the curvature of the finger bending when the fist is clenched and the feeling of force, which is basically the same as pressing the string, so before practicing the string, you can first shake a fist, feel the way the fingers exert force, and then apply this feeling to the practice of pressing the string.

Figure 2It needs to be reminded that the feeling of clenching a fist should be held to the palm of the hand, not the root of the finger, and the feeling of holding the root of the finger is not as smooth as holding the palm, so it also represents the way of force, and the trajectory of the finger press is not correct enough.

The remaining 80%.

1. The correct left-handed hand shape should be, the palm of the left hand is hollow and ball-shaped, the four fingers are naturally bent and relaxed to show the arc, 1 to 4 fingers are placed in a straight line above the string to be pressed, the thumb is generally opposite to the middle finger, and the thumb is slightly bent outward to adapt to the curvature of the neck.

2. While maintaining the above hand shape, the knuckles of the thumb, belly finger and index finger of the left hand are gently in contact with the neck.

3. Keep the four fingers in a natural and relaxed bend shape regardless of whether they are pressed or not, and keep the fingers above the string to be pressed. When pressing the string, the fingers should be gently beaten down and placed softly on the string, the left hand should always be kept very soft and relaxed, and the fingers should not be close to other fingers when lifting the fingers to ensure the ability of the fingers to move alone.

4. While maintaining the correct left-handed hand shape, it is necessary to firmly establish the same string: 1 finger and 4 fingers on the same string are pure fourths, and 1 finger and 4 fingers on two adjacent strings are pure octaves. This will ensure better stringing and intonation.

The position of the little finger, if you know the position of the third finger, you can find it yourself with the piano set. Because I can't put it into writing here, if it's a 4 4 piano that's about three fingers an inch away. There are three training methods, finger smashing, kneading the strings, and more practice.

Little Thumb is the failure of my life!! It doesn't seem to be a big problem from your **, unless the little finger is abnormally short, how can it not be pressed? At most, it's a bit difficult, you have a teacher to communicate with.

I just tell you not to be lazy and don't press the strings with your fingertips, I just developed this bad habit with my little finger before I was afraid of pain, and now I can't change it, remember, press with my fingertips.

You mean the position of the little finger of the right hand, the correct posture of the little finger is to stand directly above the bow shaft naturally separated from the other fingers, about the position of the knob at the end of the bow, the most common problem for beginners is that the little finger of the right hand is lying around, some are not standing on the bow, some are in the wrong position, tightly pressed with the other fingers, these are extremely wrong postures that must be corrected.

The little finger of the left hand should be naturally and completely together on the fretboard, and the little finger of the landlord is not bent enough, so try to avoid an unnatural stiff posture.

The little finger should be active and active.

Be sure to hold the violin when practicing.

So that your little finger can be held down well.

The left-handed hand shape is terrible. Didn't the teacher teach.

Ask your teacher about the rudder movement.

It's right for someone else to tell you that your hand is rotating inward.

The position of the arm is different when the hand pulls the gdae string, like four gears.

That is, the left arm is pointed to the right, so that the palm of the hand will naturally be to the left, and the hand will be able to reach the left. Of course, dThe arm of the G string is to the right, and don't forget to restore the A E string.

Violin finger practice is a long-term practice process, and the teacher will stick finger points on the fretboard at the beginning of learning.

The little finger practice usually holds the fingers up when you are not practicing, and the exercise of lifting and falling with the little finger can improve the strength of the little finger.

Practice on the violin, keeping your wrist moving your wrist up and down slightly with your fingers, keeping the first joint of your little finger at an angle of 60 degrees.

Practicing the little finger is mostly in the nameless cooperation, rarely the index finger and middle finger are not pressed, and the hand is not relaxed from the first point of view.

The pinky position is easier to find, the four-string pinky finger is the same as the three-string empty string, and the three-string pinky position is the same as the two-string empty string.

Thus begin the practice of pressing the little finger on the four strings and then pulling the bow.

Three or four in unison will be pressed.

After practicing the first position, the second and third positions are in the middle finger, and the nameless press the last empty string will be accurate.

The fourth little finger is an octave relationship with an empty string, which is easier to find, and you can practice overtones at this time. Xingleda.

Well... Ever tried finger punching with your little finger?

Hold the shape of the rest of your fingers, then hit your little finger too high and let the strength of the little finger hit the fretboard.

Finger it out more. Concentrate and pay attention to the shape of your hands as well as your little finger.

Be sure to keep the rest of your fingers in the shape of your hand, and be careful not to bend your thumb and wrist.

Practice the longbow with fingers for ten minutes a day. You can practice the strength of your fingers and the longbow of your right hand. After practicing for a long time, it may be a little stiff and sore, after practicing a few bows (it is best to control a certain amount of one bow, one beat up and down), relax the fingers and move the joints.

Another note is that when maintaining the hand shape, you should press the index finger and lean back as much as possible, and stretch the little finger forward to elongate the hand shape and control the straight line between the wrist and the arm.

Your hands are stiff and your fingers are bent.

Keeping your wrists in line with your hands is one of the most important requirements for standard piano holding. The palms and forearms are in a straight line that naturally extends, and the wrists should not be concave or protruding. Turn the palm of the hand slightly inward, the thumb is opposite to the index finger and the middle finger, and gently clamp the piano with the base of the thumb and index finger, paying attention to the muscles at the base of the thumb and finger must be relaxed.

The depth of the thumb position depends on the specific situation of each person's thumb, but regardless of the length or shortness, the mouth of the tiger must not be attached to the neck. The wrist is obviously bent, which directly leads to the fingers not being able to stretch out, making it difficult to press the correct sound, not to mention other techniques such as flexibly changing positions.

Precautions for pressing the strings:

In order to play the perfect **, in addition to the need for the right hand to skillfully and accurately control the bow, it must also rely on the fingers of the left hand to instantly press the strings to the fretboard, the faster the speed, the clearer and more natural the sound quality, but in the process of pressing the strings, you must also deal with the strength, not to make the fingers appear too stiff.

In order for the left hand to move correctly, flexibly, agilely, forcefully and naturally comfortably, the right hand must be able to move the bow easily and easily, and it is necessary to have a correct posture for holding the piano. The violin should be flat (generally the strings are flat, but it can also be high or low according to the actual needs of the performance), the surface is slightly inclined to the right, and the direction of the piano is slightly to the left. The angle at which the piano is held to the left varies from person to person, depending on the length of the left and right arms, and it is generally advisable to carry the bow naturally and straight with the right hand to the tip of the bow.

The fingers of the left hand are naturally curved in a semi-circular shape when pressed on the strings, and the fingers are raised from the strings in a semicircle. The finger strings and lifting are mainly based on the knuckle joints, followed by the adjustment of the small joints according to their intervals, and the speed of the fingers rises and falls according to the length of the notes, the speed of the music, and the mood (except for the practice of finger agility and dynamics). The second joint of the thumb should be slightly bent, with the center of the thumb facing the neck, and the second joint of the other four fingers should be slightly bent so that each finger is curved so that the fullest part of the belly of each finger touches the string.

The thumb and index finger are V-shaped, and the tiger's mouth and neck keep a certain space; In the wrong demonstration on the right, there is no space between the tiger's mouth and the neck, and the thumb exceeds the fingerboard too much, which will cause various problems such as holding the piano too tightly, and the tightness of the thumb Nianling leads to various problems such as the left fingers are not flexible enough. The index finger is called 1 finger, the middle finger is called 2 fingers, the ring finger is called 3 fingers, and the little finger is called 4 fingers, and they are placed on the tape of the four tones of fa, so, and la si in turn. When applying the adhesive tape, you should ask an experienced person to help, or use a sound effect, adjust the standard tone, and then stick the adhesive tape on the cardboard, if the finger is over the adhesive tape, the sound will be high, otherwise, the sound will be low.