How to practice abdominal resonance, how to practice abdominal resonance pronunciation

1. The opening and closing of the mouth is practiced, opening the mouth is like yawning, and Fu Soxiao is like gnawing an apple. The opening should be gentle, the corners of the mouth should be raised diagonally upward, the upper and lower lips should be slightly relaxed, and the tongue should be naturally flattened.

2. Chewing exercises, a combination of open mouth chewing and closed mouth chewing, and the tongue is naturally flat.

3. Combined chest and abdomen breathing, after inhalation, the two ribs are expanded, the diaphragm descends, and the lower abdomen is slightly retracted.

4. Strong control exercises, inhale deeply and maintain a certain leakage measurement, and exhale evenly, smoothly and flexibly.

5. Oral resonance, that is, the nasopharynx should be closed when the voice is made, so that there is no nasal leakage.

6. Expand the vocal range, increase the volume, and control the breath. When practicing, pay attention to the changes in the height, strength, virtuality, rigidity and softness, thickness and lightness of the voice.

First of all, if you want to find nasal resonance, then you must first have a very relaxed state of high canopy, so as not to pull your throat and throat when you sing and sing high notes, so here you must usually practice your basic skills solidly, especially bubble sound or toot, which can relax your mouth and your larynx.

The first step is to establish a stable vocal cord position and decompress the vocal cords, so that the vocalization is more efficient and healthier and scientific, and with this necessary condition, you are basically halfway to the battle.

The second step is to stabilize this position you have found, delay and stabilize again! (This requires you to learn to listen more and watch the master's singing and lectures) let the breath hit the cavity in a stable position, so that the volume and sound quality will be very different from your previous ones.

The third step, don't deliberately look for resonance after having the above qualities, because the conditions are ripe, and there is only one way out for the breath, that is, to enter the resonance cavity when you rush to Qi Dan, you don't need to look for it, and the resonance will find you. You just need to keep track of your movements, your position, your breath. In this realm, the breath has its proper effect, don't believe in what breath is king, it doesn't make sense, only at this stage (considered a more advanced stage) you will use the breath (Pavarotti is also developed in the basic conditions and then tinkered with the breath, and then the resonance timbre is very bright, reaching his peak).

The fourth step is the breath. Breath needs to be delivered evenly and in a controlled manner at a stable vocal cord position, of course, into the resonance chamber to ultimately produce a good resonance.

This is the sensation of the sound coming from the center of the eyebrows.

In the process of speaking, these two resonances are rarely used. Generally speaking, it is more than enough to do a good job of resonance in the chest, mouth, and nasal cavity, and to speak and speak.

If you have a little bit of bel canto and folk song foundation, you can use a little abdominal breathing, combined with chest resonance, the voice can be kept round and rich for a long time, and the sound penetration is better.

The sound produced after the training of national singing and bel canto singing, some people call it "mechanical sound", compared with the voice we usually speak, it increases the methods and skills of acquired modification, which can only be achieved through professional system training, do not practice blindly, otherwise it is easy to damage the vocal cords.