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Insist that the green mountains are not relaxed, and the roots are in the broken rocks.
Thousands of blows are still strong, and the wind blows from east to west, north and south.
Zheng Banqiao (Qing Dynasty calligrapher, painter, writer).
Zheng Banqiao (1693-1765), formerly known as Zheng Xie, the word Kerou, the name Li'an, also known as Banqiao, known as Mr. Banqiao, was a native of Xinghua, Jiangsu, and his ancestral home was Suzhou. Kangxi Xiucai, Yongzheng ten years of people, the first year of Qianlong (1736) Jinshi. Guanshan Fan County, Weixian County Order, remarkable political achievements, after living in Yangzhou, to sell paintings for a living, for the "Yangzhou Eight Monsters" important representatives.
Zheng Banqiao only painted orchids, bamboos, and stones throughout his life, and called himself "the orchid that is not thanked at four times, the bamboo that is evergreen in a hundred sections, the stone that is invincible through the ages, and the person who remains unchanged for thousands of years". His poems, calligraphy and paintings, known as the "Three Uniques", were more representative literati painters of the Qing Dynasty. [1] His representative works include "Bamboo Repair New Fence", "Qingguang Liuzhao", "Orchid Bamboo Fangxin", "Gangu Chrysanthemum Spring", "Conglan Thorns", etc., and he is the author of "Zheng Banqiao Collection".
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The author of "Bamboo and Stone" is the Qing Dynasty calligrapher and painter Zheng Xie (Zheng Banqiao).
The full poem is as follows:Insist that the green mountains are not relaxed, and the roots are in the broken rocks. Thousands of blows are still strong, and the wind blows from east to west, north and south.
Translation of the whole poem:The bamboo grabs the green mountains and does not relax at all, its roots firmly rooted in the crevices of the rocks. After countless hardships and blows, the body is still strong, whether you blow the southeast wind of the scorching heat or the northwest wind of the harsh winter.
Appreciation:"Insist that the green mountains are not relaxed, and the roots are in the broken rocks", using anthropomorphic techniques to describe the roots of bamboo in scattered and broken rocks, not afraid of thin soil and hard stones, and the foundation is not firm, but like sharp teeth, once bitten will not relax. "Determination" writes its unswerving form, and "Roots" says that its nature is lonely and does not follow the custom, which shows that its roots are deep and stable.
The word "original" has the meaning of pushing its roots, and it is precisely because of this bamboo "standing in the broken rock" that the green mountains are home, so that they grow more strong and upright. This vividly portrays the strong and tenacious character of bamboo. The second sentence provides both an explanation of the first sentence and a copy of the last two sentences.
With the foreshadowing of the first two sentences, the last two sentences naturally lead: "Thousands of blows are still strong, and the wind is blowing from east to west, north and south." The word "also" has the meaning of still, and it also has the meaning of the opposite.
It means that no matter the storms and rains in all directions, the frost and snow of the four seasons, the thousands of torments and blows, it is more vigorous and upright, tenacious and unyielding. This further depicts bamboo's arrogance in defiance of environmental pressures. This is not only the natural nature of bamboo, but also what the poet longs for and pursues.
The poet used the words "thousand" and "ten thousand" to write the tenacious, fearless, calm and confident demeanor of bamboo, and it can be said that the artistic conception of the whole poem suddenly came out. In praising the firmness and tenacity of bamboo, the poet implies his own strength.
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