What is the montage in Shots and Montages? Thank you

In the production of the film, the director shoots many shots according to the script or the theme of the film, and then organically and artistically organizes and clips these different shots together according to the original creative concept, so that they can produce coherence, contrast, association, suspense and other connections and different rhythms, so as to selectively compose a film that reflects a certain social life and thoughts and feelings, and is understood and loved by the audience.

Within the same shot, changes between the camera and the subject due to the movement of the camera or the subject (mainly the actor) cause a change in size.

This series of images of different sizes is combined in a single shot, forming a "montage inside the shot."

Structure. This explanation is mostly found in Soviet film theory.

The use of montage inside the camera is sometimes out of the need for scene scheduling. For example, the design of in-depth scene scheduling; Sometimes it is to show the close relationship between the characters and the environment, so that the characters are not separated from the environment and atmosphere when the characters are highlighted, so that the actors' performances in a relatively long scene will not be interrupted, and can be completed in one go, which can not only maintain the integrity of a scene in terms of modeling effect, but also avoid the lack of depth of field.

and the change of scenery to produce the phenomenon of poor modeling and dull rhythm.

In general, Soviet directors in the interior montage i.e. long shots.

The focus is on using the changes in the styling factors such as scenes, compositions, light and shadow, scenes, and character movements in a shot to strengthen the ideological meaning prescribed by the director for this shot.

And the French film theorist Bazin.

The long-lens theory advocated is different from the long-lens expression method generally referred to. Although he also pays attention to scene scheduling, especially the scheduling of in-depth scenes with a large depth of field, he emphasizes the photographic nature of film, that is, it combines documentary and documentary nature to maintain the integrity and unity of time and space.

An example illustrates the role of a montage inside a shot.

First, the nature is different.

1. Montage: editing, there was no editing in previous films, one roll was filmed in ten minutes before changing to another volume, the first to use editing on the movie was "Battleship Pottankin", in which the stroller fell down the stairs, the people around him were shooting, the mother was nervous, and these pictures were edited interactively.

2. Long lens: relatively long single lens.

Second, the characteristics are different.

1. Montage: It shows the jump of time and space, time is the connection between points and points, which is different from the movement of a line from A to B of the lens. The time presented by the montage is a point that the director has strictly extracted.

2. Long lens: The long lens does not interrupt the natural process of time, and maintains the uninterrupted time process - consistent with the actual time and process, which excludes the possibility of imitating or extending the actual time before the montage is compressed through lens slitting.

The space expressed by the long shot is the real space that actually exists, and the natural transformation of space is realized in the movement base of the lens, and the connection between the part and the whole is realized, which excludes the possibility of montage lens editing and piecing together a new space.

1. The meaning is different.

Montage (French: montage) is a transliterated loanword, originally an architectural term, meaning composition, assembly. Often used in three artistic fields, it can be interpreted as an artificially collage and editing technique of time and space with meaning.

The long lens is a shooting technique, which is the opposite of the montage shooting method. The "long lens" here does not refer to the length or focal length of the appearance of the physical lens, nor the distance between the photographic lens and the subject, but the time distance between the high and dissipation of the camera from the point of start and the point of shutdown, that is, the length of the clip of the film.

2. The characteristics are different.

Montage was first extended to film art, and later gradually became widely used in derivative fields such as visual arts, including interior design and art paints.

There is no absolute standard for a long lens, and it is a relatively long single lens. It is usually used to express the director's specific ideas and aesthetic tastes, such as the inner description of the actors in the literary scene, the real kung fu of the martial arts scene, etc.