Articles that reflect the western style, write his title and author

Wolf Totem Jiang Rong.

Tengu" Jia Pingwa.

Life" Lu Yao.

Go behind the old poplar tree" Chen Zhongzhong.

Qinghai writer Mei Zhuo's "The Secret History of Tibet".

The works written by Shaanxi writers are very representative, and as long as I read his articles, I can feel this western style, and it is very down-to-earth, and I personally like this style of debate.

Wolf Totem Jiang Rong.

Tengu" Jia Pingwa.

Life" Lu Yao.

Go behind the old poplar tree" Chen Zhongzhong.

The Secret History of Tibet" Mei Zhuo.

Suspected Love" Zhou Li.

General Gobi "Zhang Jixue.

Red Apricot Rain" Zhang Yulin.

Wolf Totem Jiang Rong.

Tengu" Jia Pingwa.

Life" Lu Yao.

Go behind the old poplar tree" Chen Zhongzhong.

1."Prairie" 2"Topol" 3"Build the Railway to Lhasa" 4The Silk Road

"Suspected Love", "The Secret History of Tibet", "General Gobi", "Red Apricot Rain" ......

"Suspected Love", "The Secret History of Tibet", "Red Apricot Rain" ......

Wolf Totem Jiang Rong.

Tengu" Jia Pingwa.

Life" Lu Yao.

Go behind the old poplar tree" Chen Zhongzhong.

Zhang Jixue's "General Gobi", Mei Zhuo's "Secret History of Tibet".

Wolf Totem Jiang Rong.

Life. Condensed like love Wang Wei.

The bicycle wants to ask the side, and the subject country lives extends.

Zheng Peng out of Hanse, return to the wild goose into Hu Tian.

The desert is lonely, and the sun sets over the long river.

Xiao Guan waited to ride, and he was all protected by Yan Ran.

Wolf Totem Jiang Rong.

Tengu" Jia Pingwa.

Life" Lu Yao.

Go behind the old poplar tree" Chen Zhongzhong.

The author's name is contradictory, and the original text is praised by Poplar.

Wolf Totem Jiang Rong.

Tengu" Jia Pingwa.

Life" Lu Yao.

Prairie "Lao She.

Good scenery in the west.

The Tianshan Mountains are green and Kunlun is reckless.

Mount Everest is majestic and long.

Ah, the mountains are high and the water is long, and the road is wider.

The Silk Road led to the far west.

The old camel bells still ringed in my ears.

The caravan's laughter still lingers in the memory.

Ah, the Silk Road.

You are the self-confidence and backbone of the Chinese nation.

Good scenery in the west.

Yumen spring warm Yangguan is majestic.

Cantaloupe sweet milk tea is fragrant.

Ah, the mountains are high and the water is long, and the love is longer.

The Silk Road connected the East and the West.

The prosperity of the Tang Dynasty is still shining in the annals of history.

The large-scale development of the western region has set sail again amid hope.

Ah, the Silk Road.

You are the pride and glory of the Chinese nation.

The West, the beautiful West.

Your revival of life.

It's in the sweat of the builders.

Thriving, fruity flowers.

The West, the beautiful West.

Your rich ship.

It is in the care of the motherland.

Ride the wind and waves, sail forward.

This poem skillfully integrates the natural landscape and the human landscape, realism and romanticism, and is in love, magnificent, with beautiful rhyme, with the characteristics of poetry compatibility, and it is catchy to read

Ten stanzas in the poem. Verses 1-6 depict the deep history and culture of the West;

Verses 7-10 describe the unique geographical location and natural landscape of the western region. Verse 7 is both a summary and an echo of the lyrical sentence of verse 4. The first 9 stanzas are the last stanza to build momentum.

Verse 11 portrays a bright future for the West.

"Imagine" means: Be open-minded and imagine without constraints.

The author's ideas for imagining the western region are: imagining the splendid and long-standing culture of the western region, imagining the natural environment and beautiful landscapes of the western region, and imagining the future of the development of the western region.

Ancient verses related to "Imagination of the West":

Section 1: The desert is lonely, and the sun sets on the long river. ——Wang Wei, "Make it to the Stopper".

Section: Why should the Qiang Di complain about the willows, the spring breeze does not pass the jade gate. - Wang Zhilian's "Liangzhou Ci".

Section 2: Persuade the gentleman to have a glass of wine, and there is no one in Yangguan in the west. ——Wang Wei, "Sending Yuan Er Envoy Anxi".

Section 3: Think about the past, Jin Ge Iron Horse, swallowing thousands of miles like a tiger. ——Xin Qiji, "Yongyule Jingkou Beiguting Nostalgia".

According to the content of the poem, summarize the splendor and beauty of the West:

Magnificent natural scenery, splendid mural art, unique geographical environment, unique customs, and an important channel for spreading culture.

What does the "spring breeze" in the last section "Spring Breeze Positive Yumen Pass" refer to? What is the meaning of the last sentence?

"Spring breeze" refers to reform and opening up.

The western region is bound to develop rapidly and undergo remarkable changes.

The first three verses of the poems, some are written in real and some are fictional, what characteristics of the west do they express?

The first three stanzas show the vast beauty of the West; bleak and melodious; Tragic and majestic.

Yes! Western, Western China" is repeated throughout the poem, what is its role in structure and content?

The role of the structure is to echo before and after, so that the whole poem is integrated.

The role of the content is to repeatedly emphasize, highlight the object of the song, and express the poet's love for the western part of the motherland.

In the last section, what is the reason for "don't say lonely"?

The reason for not saying "lonely" is that the clarion call for the development of western China has been sounded. ”

Reading the last stanza of the poem, what kind of feelings does the author have about the development of the western region?

The author rejoices, cherishes hope, and is full of confidence in the development of the western region.