Introduction of Wang Yuanjian

Wang Yuanjian (1929-1991), a native of Qicun, Xiangzhou Town, Zhucheng City, Shandong Province, was a contemporary writer. In July 1944, he went to the anti-Japanese base area and participated in revolutionary work. In the army, he worked as a propagandist, a member of the art troupe, a newspaper and a reporter.

In 1952, he served as the "People's Liberation Army Literature and Art". In 1954, he began writing short stories**. "Party Fee", "The Story of Food", "Mother" and other short stories**.

From 1956 to 1966, he participated in the "30 Years of the People's Liberation Army Essays" - an anthology of revolutionary memoirs "Sparks in the Plain", where he had the opportunity to systematically study the history of the party and the army, and came into contact with more revolutionaries of the older generation, which made his creative themes richer and his writing more sophisticated. He has successively written more than ten short stories such as "Seven Matches", "Threesome", "Political Commissar of the Detachment", etc. In 1976, he continued to publish 10 short stories, including "Road Signs" and "Footprints".

In 1974, he cooperated with Lu Zhuguo to adapt "Shining Red Star" as a film literary script. The published collections of short stories include: "The Story of Grain", "Descendants", "Ordinary Laborers", and "Wang Yuanjian**Selection".

In 1945, he joined the Eighth Route Army. He used to be a newspaper reporter and a journalist. In 1978, he served as a screenwriter and director of the literature department of Bayi Film Studio.

Director of the Department of Literature and Fine Arts of the People's Liberation Army Academy of Arts. No. 1 of the Chinese Film Association.

The fourth and fifth term of the board of directors. His excellent works have been translated into many languages and distributed to the world, and his biography has been included in the "Dictionary of Chinese Celebrities" and the British "Who's Who in the World". Wang Yuanjian has always been committed to creation, and in 1974 he created the first script "Shining Red Star", which created the image of Pan Dongzi and other red children who yearn to participate in the revolution in the thirties, when the struggle between the Communist Party of China and the Kuomintang is fierce.

The inner portrayal of the children is in-depth, and the personalities of several children are distinct, each with its own characteristics, and the characters are vivid and cute. The image is authentic, intimate, and unforgettable. The play is rigorously structured, well-layered, and dramatic.

Since 1952, Wang Yuanjian has published short stories**, in which "Party Fee", "The Story of Grain", "Political Commissar of the Detachment", etc., describe the struggle of the people in the old revolutionary base areas; "Seven Matches", "Threesome", "Rushing Team" and so on praised the heroic deeds of the Red Army's 25,000-mile Long March; "Ordinary Laborer", "Mother", "Rest", etc. shaped the image of the older generation of revolutionaries. There are also "Morning", "Journey" and adapted film literary scripts "Twinkling Red Star". In recent years, his new works include "Footprints", "Standards", "Grass", "Song" and other short stories**, among which "Footprints" won the 1978 National Excellent Short Story ** Award of the People's Literature Magazine.

Wang Yuanjian's famous and representative work is "Party Fee", which has been selected into middle school Chinese textbooks many times and has a far-reaching influence.

Wang Yuanjian used to be the director of the Chinese Writers Association and the director of the Art Department (Writers' Class) of the People's Liberation Army Academy of Arts.