Find a kind English master to translate a few sentences, thank you

Causes you to wait for something that is uncertain what will happen.

Are you writing love letters in English? ：）

We go from the research of Van der Feld, the pioneer of Art Nouveau before the Second World War, to the three masters in succession – Walter Gropius and Hans. The works of Meyer and Mies van der Rohe illustrate the extent to which the leading advocates of German architectural culture were closely associated with this institution in the first two decades of the last century.

At the same time, the early Bauhaus school of architecture, initiated by Gropius, was also based on anonism. After the end of the First World War in 1914-18, Bruno. Tautto's anti-industrialized ideas became the most advanced ideas of the time, and this ideology was part of Paul Scheerbat's visionary glass architectural ideas.

However, Gropius had already made the transition from an Expressionist when he was about 25 years old, as evidenced by the Bauhaus building in Dessau that he and his companion Adolf Meyer built in 1925. In the 1922 Chicago Tribune, the windmills in his work exemplified the style of neo-plasticism. Although its cantilevers are reinforced with steel, there is an entire all-glass curtain wall, which brings the building into line with the mainstream ideas of the German pragmatist architectural style.

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We only need to enter the pre-warseminars by its place of origin in the pre-warseminars by the avant-garde art designer, Van der Feld, to the extent that three successive directors – Walter Gropius, Hans Meyer and Ludwig Mies van der Rohe – achieved the degree that in the first century the protagonists of German architectural culture had been closely involved in this system.

At the same time the early establishment of the Bauhaus, Gropius, was also based on the a**ism, Bruno's ideas as industrial taut, which was advanced after the 1914-1918 war, partly through the visionary glass structure of Paul Scheerbat. However the fact that Gropius took himself from expressionism at the age of 25 is evident in Bauhaus architecture, Dessau in 1925 with his partner Adolf like their Chicago Tribune design 1922 pin-wheeling from his work to prove the influence of neo-modelism, although its cantilevered reinforced concrete skeleton, partially facing the all-glass curtain wall, makes this building the mainstreem of the German functional structure of the 25 years old.

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