Where to trade and identify antique porcelain quickly, where there is a formal porcelain appraisal a

Formal porcelain appraisal institutions can go to ** TV station, or Henan TV station's treasure appreciation column group.

The key to determine the era is to grasp the shape, decoration and glaze characteristics of ceramics, according to the modeling, decoration and glaze characteristics can be determined the approximate age of ceramics, such as dragon pattern, the Sui and Tang dynasties mostly appeared in the form of sculpture, used to decorate the handle of the pot, the dragon pattern of the Song Dynasty is mostly carved and printed, its image is very regular, and the dragon pattern of the painting and rust weaving and other handicrafts of the same period is the same, the dragon pattern of the Yuan Dynasty is vigorous, and the dragon pattern of the Ming Dynasty is rich in changes.

Another example is the red glaze of Lang kiln, and the upper limit of the glaze can be concluded to be a product of the Kangxi period, while the upper limit of cobalt blue glazed porcelain will definitely not be earlier than the early Yuan Dynasty. The same is true for the shape, such as the phoenix tail zun, the upper limit of which will not be earlier than the early Qing Dynasty. For example, the upper limit of the mallet bottle will not be earlier than the beginning of the Qing Dynasty.

There is also a plum vase, which became popular in the Song Dynasty, and was produced in the Song, Yuan, Ming and Qing dynasties, but the shape curve changes in each period are different.

Porcelain antique:

The production of imitation ancient ceramics appeared as early as the Yuan Dynasty. For example, the Yuan Dynasty imitated the Jun kiln of the Song Dynasty, and the porcelain areas in the north and south were produced. Another example is the Yuan Dynasty Huoxian kiln imitation Song Dynasty Ding kiln, which is also antique.

However, from the perspective of historical development, the antiquity of the Yuan Dynasty can also be regarded as the inheritance and development of ceramic production in the previous dynasty. The production of antique ceramics in Jingdezhen in the Ming and Qing dynasties is the real antique, which is mainly the imitation of the famous kiln products in history. Such as Yongle imitation kiln; Chenghua imitates Ru kiln; Qing Yongzheng, Qianlong imitation official kiln, Jun kiln products and so on.

These imitations are very successful, but most of them are signed by the dynasty, and some are not. In addition, there are still Ming Dynasty imitation Ming Dynasty, Qing Dynasty imitation noise section cover Ming Dynasty, Qing Dynasty imitation Qing Dynasty rise and trouble products. If Chenghua has imitation Xuande products; Jiajing and Wanli have imitation products; Tianqi and Chongzhen have imitation Xuande, Hongzhi, Zhengde, Jiajing, and Longqing products.

Kangxi, Yongzheng, and Qianlong have imitation Yongle, Xuande, Chenghua, Zhengde, and Jiajing products; In the late Qing Dynasty, there were imitation Kang, Yong, dry products and so on. Most of these imitations are signed to imitate the dynasty style, and there are a few signed dynasty funds.

**There are formal porcelain appraisal institutions, and the analysis is as follows:

Chinese ceramics have a long history and a wide variety, and it is the crystallization of China's past dynasties. There are many people who love ancient ceramic artworks, but there are few people who know how to identify them. China's famous kilns have emerged in an endless stream, and in such a long time, there are still many excellent imitations.

For example, the five famous kilns of Ding, Ru, Guan, Ge and Jun in the Song Dynasty were imitated by other local kilns at that time, although there were fine and coarse points in Shouzhou, but they could also be popular in the world. As for the Yuan, Ming and Qing dynasties, the style of imitating ancient porcelain is increasing unabated. It can be said that antique porcelain made over thousands of years can be seen almost everywhere.

It's easy to make mistakes if you're not careful. To identify the authenticity of a ceramic antique, we must first understand the production of ceramics in China for thousands of years, so as to make an accurate judgment.

The font of the Ming Dynasty mostly uses regular script, but there are a few exceptions in Yongle, Xuande, Hongzhi years, the Shunzhi branch of the Qing Dynasty, the Kangxi Dynasty is also the prevailing period of regular script, Yongzheng regular script is more than the seal book, the Qianlong period of the seal book is gradually more than the regular script, after Jiaqing, the seal book has become the mainstream, until the end of the Qing Dynasty to resume the trend of regular script.

The observer shape must first have a basic understanding of the shape of the past dynasties. The shape of ceramics is closely related to people's living habits, aesthetic standards and technical conditions at that time, which can better reflect the characteristics of each era, and gradually become complex with the evolution of the times, while the shape of ancient times is more simple than simple.

Nanjing Appraisal Porcelain Institution is located in the south of Xingyu Road, Tangquan Street, Pukou District, Nanjing.

Porcelain is made of porcelain stone, kaolin, quartz, mullite, etc., and is covered with a glass glaze or painted surface. The forming of porcelain is to be fired at high temperature (about 1280 1400) in the kiln, and the glaze color on the surface of the porcelain will undergo various chemical changes due to the difference in temperature, which is a treasure of Chinese civilization.

The porcelain capital of China

China has always had three major porcelain capitals, namely Jingdezhen in Jiangxi, Dehua County in Quanzhou City, Fujian Province, and Liling City in Hunan. Jingdezhen: Needless to say, Jingdezhen has a wide variety of art ceramics and has a high collection value.

Famous for its craft porcelain, blue and white, glaze red, pastel, bucket color, etc. are all of the highest quality, and were once China's gifts to foreign heads of state.

Dehua: During the Song and Yuan dynasties, with the prosperity of Quanzhou Thornton Port, it was sold overseas, and many of the ceramics salvaged from "Nanhai No. 1" were produced in Dehua. Dehua white porcelain has been highly praised at home and abroad, enjoying the reputation of "Chinese white", especially the sculpture figures, but also has a fascinating artistic charm, the Ming Dynasty built white porcelain, known as the "pearl of oriental art".

Liling City: Liling ceramic production has a history of nearly 2,000 years, as far back as the Eastern Han Dynasty, Liling has a large-scale workshop, specializing in pottery production. In the seventh year of Yongzheng of the Qing Dynasty (1729), Liling began to fire coarse porcelain.

In 1915, Liling underglaze five-color porcelain won the Panama International Gold Medal at the same time as the national liquor Moutai, and modern Liling porcelain is called "national porcelain" as porcelain for the Great Hall of the People.

1: Dating identification. It is more complicated, mainly to look at the reflective degree of the porcelain surface, the color of the carcass, the appearance shape, the composition of the composition, the composition of the tire and the glaze, etc., to determine the approximate age of its production.

2: Integrity identification. **Whether there are cracks, deglazing, bumps, patches, scratches, etc.

3: Appraisal of artistic value. For example, whether it is made by celebrities, whether it is written and painted by celebrities, etc.

4: Historical value appraisal. For example, whether it is an official kiln, whether it is a celebrity product, whether it has special historical significance, etc.

5: Material identification: such as whether it is special fine clay, tire glaze, etc.

6: Scarcity. Rare fine porcelain is worth more.

Method 1: The carcass of fake ancient porcelain is different from the real product, it is too heavy or too light, and the texture is often too fine. The production of antique porcelain often has the style of the time, and the style of the imitation porcelain is different. The lines of antique porcelain are generally too stiff, not smooth, and there is no natural nature of the real product.

Summary. Dear, I'll answer this question for you. Identification of ancient porcelain mainly from the style, modeling, ornamentation and glaze characteristics of the start, first, from a distance to see whether the shape of the size of the proportion is coordinated and symmetrical, ancient porcelain is very symmetrical.

Second, look at the glaze at close range, the glaze of ancient porcelain is thicker, and the glaze flashes softly. Third, look at the decoration and painting work, the ancient porcelain decoration has many meanings, and the lines are very natural and smooth. Fourth, look at the color of the material, the ancient porcelain color from the visual point of view feels soft but the color is thicker, and the color color is also very accurate and pure.

During the epidemic period, remember to make an address for good precautions, wear a mask, and try not to go to a large number of places, if you are satisfied with this time, please like it, thank you very much.

Hello! Dear, I'll answer this question for you. Identification of ancient porcelain mainly from the style, modeling, the bureau and the decoration and glaze characteristics of the starter, first, from a distance to see whether the shape of the size of the proportion is coordinated and symmetrical, ancient porcelain is very symmetrical.

Second, look at the glaze at close range, the glaze of ancient porcelain is thicker, and the glaze flashes softly. Third, look at the decoration and painting work, the ancient porcelain decoration has many meanings, and the lines are very natural and smooth. Fourth, look at the color of the color, the ancient porcelain color from the visual point of view feels soft but the color is thicker, and the color is also very accurate and pure.

During the epidemic period, remember to make an address for good precautions, wear a mask, and try not to go to a large number of places, if you are satisfied with this time, please like it, thank you very much.

You're looking fake.

Okay, old man's stuff, it's been years.

That's what was in the 670s of the last century.

It has nothing to do with antiques.

Dear, hello, I'm sorry, let you wait for a long time Ancient porcelain identification refers to the process of identifying and identifying ancient porcelain to determine its historical value and artistic value. The process of ancient porcelain identification includes: observation, comparison, measurement, analysis, research, and data review.

First of all, it is necessary to observe the ancient porcelain, carefully observe the appearance of the ancient porcelain, observe its shape, pattern, color, glaze color, etc., so as to preliminarily judge its type, age, manufacturer, etc. Secondly, it is necessary to compare the ancient porcelain, and compare the appearance, glaze color, firing process, etc. of the ancient porcelain, so as to more accurately judge its type, age, manufacturer, etc. Again, it is necessary to measure the ancient porcelain, measure the size, thickness, weight, etc. of the ancient porcelain, so as to more accurately judge its type, age, manufacturer, etc.

Finally, it is necessary to analyze, study and consult the data of ancient porcelain in order to more accurately judge its type, age, manufacturer, etc.

Summary. Identifying porcelain requires a certain amount of knowledge and experience, and here are some preliminary identification methods:1

Observation vessel type: The porcelain types of different dynasties have their own characteristics, such as the Yixing black pottery of the Tang Dynasty is mostly beast-shaped and bird-shaped, the celadon of the Southern Song Dynasty is mostly scholar's ware, and the blue and white porcelain of the Yuan Dynasty is simple and bold, so its era can be roughly judged through comparative research. 2.

Observation carcass: The carcass of porcelain is divided into three types: clay, limestone and quartz, of which the clay tire was found in the Neolithic Age, the limestone tire is the most commonly used material in ancient Chinese porcelain, and the quartz tire was used after the Ming Dynasty. Different tire textures and colors will be different.

3.Observe the glaze: whether there are cracks, bubbles, pits, spots, etc. on the glaze surface of porcelain, and the thickness of the glaze will also affect the weight and transmittance of the ware.

4.Observe the painting: If there is a painting or pattern on the porcelain, you can judge its authenticity by observing its texture, color, layer, and other details.

Traditional handmade porcelain tends to be soft and layered, while imitations tend to be brightly colored and flat. The above are some common preliminary identification methods, if you need a more accurate identification, it is recommended to consult a professional porcelain identification agency or home.

Identification of porcelain. Identifying porcelain requires a certain amount of knowledge and experience, and here are some preliminary identification methods:1

Observation vessel type: The porcelain types of different dynasties have their own characteristics, such as the Yixing black pottery of the Tang Dynasty is mostly beast-shaped and bird-shaped, the celadon of the Southern Song Dynasty is mostly scholar's ware, and the blue and white porcelain of the Yuan Dynasty is simple and bold, so it can be roughly judged through comparative research that it contains the Chang Dynasty. 2.

Observation carcass: The carcass of porcelain is divided into three types: clay, limestone and quartz, of which the clay tire was found in the Neolithic Age, the limestone tire is the most commonly used material in ancient Chinese porcelain, and the quartz tire was used after the Ming Dynasty. Different tire textures and colors will be different.

3.Observe the glaze: whether there are cracks, bubbles, pits, spots, etc. on the glaze surface of porcelain, and the thickness of the glaze will also affect the weight and transmittance of the ware.

4.Observe the painting: If there is a painting or pattern on the porcelain, you can judge its authenticity by observing its texture, color, layer, and other details.

Handmade porcelain is often soft in color and layered, while imitations are often bright in color and have a strong sense of flatness. The above are some common preliminary identification methods, if you need a more accurate identification, it is recommended to consult a professional porcelain appraisal agency or home.